Monday, December 26, 2011

ENG 282: 1940s

1940

Abe Lincoln in Illinois (USA: John Cromwell, 1940: 110 mins)

Tudor, Deborah. "The hysteric, the mother, the natural gal — male fantasies and male theories in films about Lincoln." Jump Cut #55 (Fall 2013)

Fantasia (USA: Disney Studios, 1940: 124 mins)

Kutner, C. Jerry. "FANTASIA (1940) – The Varieties of Religious Experience." Bright Lights After Dark (October 25, 2011)

LoBrutto, Vincent. "Animation and Music: Fantasia." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 136-143. [BCTC Library: PN1994 L595 2005]

The Grapes of Wrath (USA: John Ford, 1940: 129 mins)

Sánchez-Escalonilla, Antonio. "From Hoover to Bush Jr.: Home and Crisis Scripts in U.S. Social Cinema." Jump Cut #55 (Fall 2013)

The Philadelphia Story (USAL George Cukor, 1940: 112 mins)

Ray, Robert B. "The Philadelphia Story." The ABCs of Classic Hollywood. NY: Oxford UP, 2008: 85-156.

The Westerner (USA: William Wyler, 1940: 100 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

1941

Citizen Kane (USA: Orson Welles, 1941: 119 mins)

Gonzalez, Pedro Blas. "Citizen Kane: Biography and the Unfinished Sentence." Senses of Cinema #57 (2010)

LoBrutto, Vincent. "The Authorial Voice: Citizen Kane." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 84-91. [BCTC Library: PN1994 L595 2005]

The Maltese Falcon (USA: John Huston, 1941: 100 mins)

Ray, Robert B. "The Maltese Falcon." The ABCs of Classic Hollywood. NY: Oxford UP, 2008: 157-244.

Man Hunt (USA: Fritz Lang, 1941: 105 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

1942

The Glass Key (USA: Stuart Heisler, 1942: 85 mins)

Kuersten, Erich. "The Veronica Lake Effect." Acidemic #7 (2012)

The Great Love (Germany: Rolf Hansen, 1942: 102 mins)

Brockmann, Stephen. "Die grofse Liebe (1942) or Love and War." A Critical History of German Film Rochester, NY: Camden House, 2010: 167-179. [Professor has copy of the book]

Jungle Book (USA/UK: Zoltan Korda, 1942: 108 mins)

Harvey, Dennis. "Sabu’s Enduring Star Power." Keyframe (January 5, 2014)

This Gun For Hire (USA: Frank Tuttle, 1942: 81 mins)

Kuersten, Erich. "The Veronica Lake Effect." Acidemic #7 (2012)

To Be or Not to Be (USA: Ernst Lubitsch, 1942: 99 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

1943

Above Suspicion (USA: Richard Thorpe, 1943: 90 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

Day of Wrath (Denmark: Carl Theodor Dreyer, 1943: 97 mins

Wilkins, Budd. "Birthing Bad: Lars Von Trier’s Antichrist Through the Lens of “Nordic Horror." Acidemic #7 (2012)

Hangmen Also Die! (USA: Fritz Lang, 1943: 134 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Life and Death of Colonel Blimp (UK: Michael Powell and Emeric Pressburger, 1943: 163 mins)

Smith, Imogen Sara. "The Music of Words: Storytelling in Two Powell & Pressburger Films." Bright Lights Film Journal #79 (February 2013)

Shadow of a Doubt (USA: Alfred Hitchcock, 1943: 108 mins)

"Director Alfred Hitchcock’s ‘Shadow of a Doubt’ – ‘Psycho’ – ‘The Birds’." Sound on Sight #309 (February 29, 2012)

1944

Double Indemnity (USA: Billy Wilder, 1944: 107 mins)

LoBrutto, Vincent. "Film Noir: Double Indemnity." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 122-128. [BCTC Library: PN1994 L595 2005]

To Have and Have Not (USA: Howard Hawks, 1944: 100 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Meet Me in St Louis (USA: Vincent Minelli, 1944: 113 mins)

Ray, Robert B. "Meet Me in St Louis." The ABCs of Classic Hollywood. NY: Oxford UP, 2008: 245-328.

1945

I Know Where I Am Going (United Kingdom: Michael Powell and Emeric Pressburger, 1945: 91 mins)

Smith, Imogen Sara. "The Music of Words: Storytelling in Two Powell & Pressburger Films." Bright Lights Film Journal #79 (February 2013)

The Men Who Tread on the Tiger's Tail (Japan: Akira Kurosawa, 1945: 59 mins)

Vahdani, Alireza. "The effects of Kabuki on Akira Kurosawa’s Auteurism, Pt 1." and Part 2 Offscreen (October 31, 2010)

1946

Beauty and the Beast (France: Jean Cocteau, 1946: 96 mins)

Steegmuller, Frances. "Beauty and the Beast." Current (from Cocteau: A Biography Boston: Atlantic-Little, Brown, 1970)

The Big Sleep (USA: Howard Hawks, 1946: 114 mins)

Chatterjee, Parma. "A Tale of Two Bookshops: Sex and Books and The Big Sleep." Bright Lights Film Journal #82 (November 2013)

Klevan, Andrew. "Expressing the In-Between." LOLA #1 (2011)

Duel in the Sun (USA: King Vidor, 1946: 144 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Gilda (USA: Charles Vidor, 1946: 110 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

It's a Wonderful Life (USA: Frank Capra, 1946: 130 mins)

Sánchez-Escalonilla, Antonio. "From Hoover to Bush Jr.: Home and Crisis Scripts in U.S. Social Cinema." Jump Cut #55 (Fall 2013)

The Murderers are Among Us (Germany: Wolfgang Staudte, 1946: 85 mins)

Brockmann, Stephen. "Die Mörder sind unter uns (1946): The Rubble Film." A Critical History of German Film Rochester, NY: Camden House, 2010: 196-210. [Professor has copy of the book]

My Darling Clementine (USA: John Ford, 1946: 97 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

The Stranger (USA: Orson Welles, 1946: 115 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

Damisch, Hubert. "Montage of Disaster." Cahiers du Cinema #599 (March 2005): 72-78.

1947

Black Narcissus (UK: Michael Powell and Emeric Pressburger, 1947: 100 mins)

Harvey, Dennis. "Sabu’s Enduring Star Power." Keyframe (January 5, 2014)

1948

3 Godfathers (USA: John Ford, 1948: 106 mins)

Freedman, Carl. "Post-Hetrosexuality: John Wayne and the Construction of American Masculinity." Film International 5.1 (2007) [Professor has a copy]

Bicycle Thieves (Italy: Vittorio De Sica, 1948: 93 mins)

LoBrutto, Vincent. "Italian Neorealism: The Bicycle Thief." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 33-38. [BCTC Library: PN1994 L595 2005]

Mooney, James. "Bicycle Thieves." Film and Philosophy (March 8, 2013)

Drunken Angel (Japan: Akira Kurosawa, 1948: 98 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

A Foreign Affair (USA: Billy Wilder, 1948: 116 mins)

Riley, Christina. "Billy Wilder's A Foreign Affair: Marlene Dietrich's Star Persona and American Interventionist Strategies in Postwar Berlin." Bright Lights Film Journal #76 (May 2012)

Fort Apache (USA: John Ford, 1948: 125 mins)

Freedman, Carl. "Post-Hetrosexuality: John Wayne and the Construction of American Masculinity." Film International 5.1 (2007) [Professor has a copy]

Kehr, Dave. "How the West Was Filled With Loss." The New York Times (March 25, 2012)

Oliver Twist (UK: David Lean, 1948: 105 mins)

Ferguson, Susan. "Capitalist Childhood in Film: Modes of Critique." Jump Cut #55 (Fall 2013)

1949

She Wore a Yellow Ribbon (USA: John Ford, 1949: 103 mins)

Freedman, Carl. "Post-Hetrosexuality: John Wayne and the Construction of American Masculinity." Film International 5.1 (2007) [Professor has a copy]

Stray Dog (Japan: Akira Kurosawa, 1949: 122 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

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