Friday, December 23, 2011

ENG 282: 1960s

1960

The Bad Sleep Well (Japan: Akira Kurosawa, 1960: 151 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

The Goddess (India: Satyajit Ray, 1960: 93 mins)

Burton, David F. "Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy>" The Journal of Religion & Film 17.2 (October 2013)

The Magnificent Seven (USA: John Sturges, 1960: 128 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Peeping Tom (UK: Michael Powell, 1960)

Lowenstein, Adam and Laura Mulvey. "Peeping Tom." #96 (January 8, 2013)

Powell, Michael. "On Peeping Tom and His Career." Pinewood Dialogues (August 13, 1989)

Psycho (USA: Alfred Hitchcock, 1960: 109 mins)

"Director Alfred Hitchcock’s ‘Shadow of a Doubt’ – ‘Psycho’ – ‘The Birds’." Sound on Sight #309 (February 29, 2012)

LoBrutto, Vincent. "Dark Side of American Cinema: Psycho." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 229-235. [BCTC Library: PN1994 L595 2005]

Sevilla, Susanna. "Things Are Not What They Seem." (Posted on Vimeo: February 2015) ["A video essay on title sequences from Hitchcock and Fincher films. An exploration of motion graphic design from analog to digital."]
Soderbergh, Steven. "Psychos." Extension 765 (Mashup of the two version of Psycho: February 24, 2014)


Spartacus (USA: Stanley Kubrick, 1960: 197 mins)

Beyl, Cameron. "The Directors Series: Stanley Kubrick, Pts. 1-5." The Film Stage (February 11, 2015)

The Virgin Spring (Sweden: Ingmar Bergman, 1960: 89 mins)

Heller-Nicholas, Alexandra. Silence and Fury: Rape and The Virgin Spring." Screening the Past (September 1, 2010)

Zazie dans le métro (France/Italy: Louis Malle, 1960: 89 mins)

Vincendeau, Ginette. "Zazie dans le métro: Girl Trouble." Current (June 28, 2011)





1961

The Exiles (USA: Kent MacKenzie, 1961: 72 mins)

Daarstad, Eric. "Cinematiographer of The Exiles." Film School (January 26, 2010)

Ferdinand, Marilyn. "Kent Mackenzie's The Exiles (1961): This uncategorizable classic captures life in L.A.'s seamy underbelly." Bright Lights Film Journal #47 (February 2005)

Virdiana (Spain/Mexico: Luis Buñuel, 1961: 90 mins)

Hill, Lee. "Virdiana." Senses of Cinema #59 (2009)

Wood, Michael. "Viridiana: The Human Comedy." Current (May 22, 2006)

Yojimbo (Japan: Akira Kurosawa, 1961: 110 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

1962

Cleo from 5 to 7 (France/Italy: Agnès Varda, 1962: 90 mins)

Hamilton-Smith, David. "Life's Incidental Character: The Films Of Agnès Varda." The Quietus (June 6, 2014)

Dr. No (UK: Terence Young, 1962: 110 mins)

Lipp, Deborah. "Growing Up a Bond Girl." Audiovisualcy (November 1, 2012)

Jules and Jim (France: François Truffaut, 1962: 105 mins)

"Francois Truffaut, Original Auteur." The Current (February 6, 2014)

LoBrutto, Vincent. "French New Wave: Jules and Jim." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 170-175. [BCTC Library: PN1994 L595 2005]

Powers, John. "On Jules and Jim." Current (February 4, 2014)

La Jetée (France: Chris Marker, 1962: 28 mins)

Keeney, Gavin. "Seance C.M." Senses of Cinema #64 (September 2012)

Schefer, Jean-Louis. "On La Jetée." Chris Marker (Passages de l’image. Exhibition catalogue, Centres Georges Pompidou, Paris, 1990.)

Lawrence of Arabia (UK/USA: David Lean, 1962: 216 mins)

LoBrutto, Vincent. "The Epic: Lawrence of Arabia." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 176-182. [BCTC Library: PN1994 L595 2005]

L'Eclisse (Italy/France: Michelangelo Antonioni, 1962: 126 mins)


Antonioni's entire work projects visual metaphors of non-communication, alienation, solitude - and desperate attempts to break through to others. But man is overpowered by objects, structures, and the physical world; and people rarely face each other except in tension. (12) Vogel, Amos. Film as a Subversive Art NY: Random House, 1974.



Lolita (United Kingdom/USA: Stanley Kubrick, 1962: 152 mins)

Beyl, Cameron. "The Directors Series: Stanley Kubrick, Pts. 1-5." The Film Stage (February 11, 2015)

Greenleaf, Monika. "Vladmir Nabokov and His Novel Lolita." Entitled Opinions (December 13, 2005)

Kuerstein, Erich. "All Tomorrow's Playground Narratives: Stanley Kubrick's Lolita." Bright Lights Film Journal #65 (August 2009)

The Manchurian Candidate (USA: John Frankenheimer, 1962: 126 mins)

D'Angelo, Mike. "The Manchurian Candidate (1962)." A.V. Club (October 12, 2009)

LoBrutto, Vincent. "The Political Thriller: The Manchurian Candidate." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 183-189. [BCTC Library: PN1994 L595 2005]

The Man Who Shot Liberty Valance (USA: John Ford, 1962: 123 mins)

Freedman, Carl. "Post-Hetrosexuality: John Wayne and the Construction of American Masculinity." Film International 5.1 (2007) [Professor has a copy]

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

The Pitfall (Japan: Hiroshi Teshigahara, 1962: 97 mins)

Benton, Michael. "Pitfall/Otoshiana (Japan: Hiroshi Teshigahara, 1962)." Dialogic (January 1, 2009)

Sanjuro (Japan: Aikra Kurosawa, 1962: 96 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

Sragow, Michael. "Sanjuro." Current (January 22, 2007)

The Trial of Joan of Arc
(France: Robert Bresson, 1962: 65 mins)

Tupitsyn, Masha. "On Robert Bresson." Necessary Fiction (January 8, 2014)

Whatever Happened to Baby Jane? (USA: Robert Aldrich, 1962: 134 mins)

Greven, David. "Bringing Out Baby Jane: Camp, Sympathy, and the 1960s Horror-Woman’s Film." Jump Cut #55 (Fall 2013)

1963

The Birds (USA: Alfred Hitchcock, 1963: 119 mins)

"Director Alfred Hitchcock’s ‘Shadow of a Doubt’ – ‘Psycho’ – ‘The Birds’." Sound on Sight #309 (February 29, 2012)

From Russia With Love (UK: Terence Young, 1963: 115 mins)

Lipp, Deborah. "Growing Up a Bond Girl." Audiovisualcy (November 1, 2012)

High and Low (Japan: Akira Kurosawa, 1963: 143 mins)

D'Angelo, Mike. "The highs and lows of High And Low." The Dissolve (February 20, 2014)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

Le Petit Soldat (France: Jean-Luc Godard, 1963: 88 mins)

Brody, Richard. "An Exile in Paradise." The New Yorker (November 20, 2000)

Vicari, Justin. "Colonial fictions: Le Petit Soldat and its revisionist sequel, Beau Travail." Jump Cut #50 (2008)

Les Carabiniers (France/Italy: Jean-Luc Godard, 1963: 80 mins)

Brody, Richard. "An Exile in Paradise." The New Yorker (November 20, 2000)

Kaletzky, Marianne. "Enfeebling Fables: Weak Allegory in Les Carabiniers and The Silence." Bright Lights Film Journal #82 (November 2013)

Lord of the Flies (UK: Peter Brooks, 1963: 92 mins)

"Three Reasons: Lord of the Flies Current (July 12, 2013)

The Organizer (Italy: Mario Monicello, 1963: 126 mins)

Hoberman, J. "The Organizer: Description of a Struggle." Current (April 24, 2012)

Monicello, Mario. "Workers Unite: On The Organizer." The Current (May 1, 2012)

Shock Corridor (USA: Samuel Fuller, 1963: 101 mins)

D'Angelo, Mike. "Shock Corridor." A.V. Club (September 14, 2009)

LoBrutto, Vincent. "The Art of the B Movie: Shock Corridor." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 292-297. [BCTC Library: PN1994 L595 2005]

The Silence (Sweden: Ingmar Bergman, 1963: 96 mins)

Kaletzky, Marianne. "Enfeebling Fables: Weak Allegory in Les Carabiniers and The Silence." Bright Lights Film Journal #82 (November 2013)

Winter Light (Sweden: Ingmar Bergman, 1963: 81 mins)

King, Michelle R. "#17: Winter Light." Arts and Faith Top 100 Films (2011)

1964


A Hard Day's Night (UK: Richard Lester, 1964: 87 mins)

Lee, Kevin B. "Breaking Down the Beatles in A Hard Day Night: The Fab Four get quantified in the classic opening of their breakout film debut." Keyframe (February 28, 2015)

Assassination (Japan: Masahiro Shinoda, 1964: 104 mins)

Harper, Dan. "Assassination." Senses of Cinema #59 (2011)

The Earth Dies Screaming (UK: Terence Fisher, 1964: 62 mins)

Dixon, Wheeler Winston. "'Turn It Off': Sound and Silence in 1960s British Gothic Cinema." Film International (October 31, 2014)

The Fall of the Roman Empire (USA: Anthony Mann, 1964: 188 mins)
Sabo, Lee Weston. "Auteurs in the Arena Anthony Mann's The Fall of the Roman Empire." Bright Lights Film Journal #76 (May 2012)

A Fistful of Dollars (Italy/Spain/West Germany: Sergio Leone, 1964: 99 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Siu, Carmen. "C'era una volta la storia: Credit Sequences and Storytelling, Leone Style." Film International 5.1 (2007) [Professor has copy]

Goldfinger (UK: Guy Hamilton, 1964: 110 mins)

Lipp, Deborah. "Growing Up a Bond Girl." Audiovisualcy (November 1, 2012)

Hush Hush Sweet Charlotte (USA: Robert Aldritch, 1964: 133 mins)

Greven, David. "Bringing Out Baby Jane: Camp, Sympathy, and the 1960s Horror-Woman’s Film." Jump Cut #55 (Fall 2013)

Kwaidan (Japan: Masaki Kobayashi, 1964: 125 mins)

Wada-Marciano, Mitsuyo. "J-horror: New Media’s Impact on Contemporary Japanese Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

Onibaba (Japan: Kaneto Shindô, 1964: 103 mins)

Wada-Marciano, Mitsuyo. "J-horror: New Media’s Impact on Contemporary Japanese Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

The Pawnbroker (USA: Sydney Lumet, 1964: 116 mins)

Celluloid Liberation Front. "Auschwitz­–Harlem: Post-Traumatic Economy in The Pawnbroker." Senses of Cinema #59 (2011)

The Soft Skin (France/Portugal: François Truffaut, 1964: 113 mins)

Cain, Maximilian Le. "Love in Flight: François Truffaut’s La Peau Douce." Senses of Cinema #33 (2004)

Klevan, Andrew. "Expressing the In-Between." LOLA #1 (2011)

Strait-Jacket (USA: William Castle, 1964: 93 mins)

Greven, David. "Bringing Out Baby Jane: Camp, Sympathy, and the 1960s Horror-Woman’s Film." Jump Cut #55 (Fall 2013)

The Train (France/Italy/USA: John Frankenheimer and Arthur Penn, 1964: 133 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

Woman in the Dunes (Japan: Hiroshi Teshigahara, 1964: 123 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

"Woman in the Dunes' Golden Anniversary." Current (February 13, 2014)


1965


Alphaville (France: Jean-Luc Godard, 1965: 99 mins)

Yoshioka, Maximilian. "Technocratic Totalitarianism: One-Dimensional Thought in Jean-Luc Godard's Alphaville." Bright Lights Film Journal #78 (November 2012)

For a Few Dollars More (Italy/Spain/West Germany: Sergio Leone, 1965: 132 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Siu, Carmen. "C'era una volta la storia: Credit Sequences and Storytelling, Leone Style." Film International 5.1 (2007) [Professor has copy]

Le Bonheur (France: Agnes Varda, 1965: 79 mins)

Rogers, Nathaniel. "Women's Pictures - Agnes Varda's Le Bonheur." The Film Experience (June 19, 2015)

My Way Home (Hungary: Miklós Jancsó, 1965: 108 mins)

Risselada, Brian and Josh Ryan. "Miklós Jancsó." Syndromes and a Century #7 (February 13, 2014) ["... the films of acclaimed Hungarian director Miklós Jancsó who passed away on January 31, 2014 at the age of 92. In particular we look at his films My Way Home (1964), The Round-Up (1965) and The Red and the White (1967)."]

Planet of the Vampires (Italy/Spain: Mario Bava: 1965: 86 mins)

"Planet of the Vampires." The Projection Booth #175 (July 15, 2014)

Red Beard (Japan: Akira Kurosawa, 1965: 185 mins)

Hogg, Trevor. "Epic Dreamer: An Akira Kurosawa Profile." Flickering Myth (March 24, 2010)

Samurai Spy (Japan: Masahiro Shinoda, 1965: 102 mins)

Silver, Alain. "The Thin Line between Truth and Lies: Masahiro Shinoda’s Samurai Spy." Senses of Cinema #59 (2011)

The Skull (UK: Freddie Francis, 1965: 83 mins)

Dixon, Wheeler Winston. "'Turn It Off': Sound and Silence in 1960s British Gothic Cinema." Film International (October 31, 2014)

Thunderball (UK: Terence Young, 1965: 130 mins)

Lipp, Deborah. "Growing Up a Bond Girl." Audiovisualcy (November 1, 2012)

1966

A Bullet for the General (Italy: Damiano Damiani, 1966: 115 mins)

Cox, Alex. "The Wilder Bunch?" Keyframe (February 28, 2014) ["Alex Cox on screen violence and Sam Peckinpah, political legacies and the Spaghetti Western, plus Gian Maria Volonte and Klaus Kinski in Damiano Damiani’s A BULLET FOR THE GENERAL."]

Alice in Wonderland (UK: Jonathan Miller, 1966: 72 mins)

Smalley, G. "Alice in Wonderland (1966)." 366 Weird Movies (April 2, 2013)

Andrei Rublev (Soviet Union: Andrei Tarkovsky, 1966: 205 mins)

Greydanus, Steven D. "#2: Andrei Rublev." Arts and Faith Top 100 Films (2011)

Au Hasard Balthazar (France/Sweden: Robert Bresson, 1966: 95 mins)

Overstreet, Jeffrey. "#5: Au Hasard Balthazar." Arts and Faith Top 100 Films (2011)

Tupitsyn, Masha. "On Robert Bresson." Necessary Fiction (January 8, 2014)

Blow-Up (UK/Italy/USA: Michelangelo Antonioni, 1966: 111 mins)


Reality can no longer be apprehended by the 'naked eye' the truth hides in the shadows. A seemingly innocent photograph of two lovers in an empty park slowly yields -- a truth not previously apparent; a corpse. To reveal the dirty secret, three levels of created reality are necessary, all involved with vision: the (photographed) photographer; the picture he and we view; and the detail discovered only by the magnifying glass. (12) Vogel, Amos. Film as a Subversive Art Random House, 1974.



Kenny, Glen and Peter Labuza. "Blow Up." The Cinephiliacs #1 (July 14, 2012)

Cul-de-sac (United Kingdom: Roman Polanski, 1966: 113 mins)

Hudson, David. "Polanski Season." Notebook (August 16, 2011)

Daisies (Czechoslovakia: Vera Chytilová, 1966: 74 mins)

Erickson, Steve. "The Art of Resistance: The brief, bright flowering of the Czech New Wave." Moving Image Source (April 24, 2012)

Dracula: Prince of Darkness (UK: Terence Fisher, 1966: 90 mins)

Dixon, Wheeler Winston. "'Turn It Off': Sound and Silence in 1960s British Gothic Cinema." Film International (October 31, 2014)

The Endless Summer (USA: Bruce Brown, 1966: 95 mins)

Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)

The Good, The Bad, and the Ugly (Italy/Spain/West Germany: Sergio Leone, 1966: 161 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Siu, Carmen. "C'era una volta la storia: Credit Sequences and Storytelling, Leone Style." Film International 5.1 (2007) [Professor has copy]


The Art of Editing in The Good, the Bad, and the Ugly from Max Tohline on Vimeo.




Masculin Féminin (France/Sweden: Jean-Luc Godard, 1966: 103 mins)

Brody, Richard. "An Exile in Paradise." The New Yorker (November 20, 2000)

Modesty Blaise (UK: Joseph Losey, 1966: 119 mins)

Grant, Catherine. "Notes on Mirror Visions in Modesty Blaise. La Furia Umana #17 (2013)

Persona (Sweden: Ingmar Bergman, 1966: 85 mins)

Lustgarten, Abby. "10 Things I Learned: Persona." The Current (March 31, 2014)

The Professionals (USA: Richard Brooks, 1966: 117 mins)

Daseler, Graham. "Depth Takes a Holiday: Good Bad Movies." Bright Lights Film Journal #80 (May 2013)

A Report on the Party and the Guests (Czechoslovakia: Jan Nemec, 1966: 71 mins)

Erickson, Steve. "The Art of Resistance: The brief, bright flowering of the Czech New Wave." Moving Image Source (April 24, 2012)

Ride in the Whirlwind (USA: Monte Hellman, 1966: 82 mins)

Atkinson, Michael. "The Shooting and Ride in the Whirlwind: We Can Bring a Good Bit of Rope." The Current (November 10, 2014)

The Round-Up (Hungary: Miklós Jancsó, 1966: 90 mins)

Risselada, Brian and Josh Ryan. "Miklós Jancsó." Syndromes and a Century #7 (February 13, 2014) ["... the films of acclaimed Hungarian director Miklós Jancsó who passed away on January 31, 2014 at the age of 92. In particular we look at his films My Way Home (1964), The Round-Up (1965) and The Red and the White (1967)."]

Seconds (USA: John Frankenheimer, 1966: 106 mins)

Blakeslee, David, Sean Hutchinson and Scott Nye. "John Frankenheimer's Seconds." Criterion Cast #148 (September 10, 2014)




The Shooting (USA: Monte Hellman, 1966: 82 mins)

Atkinson, Michael. "The Shooting and Ride in the Whirlwind: We Can Bring a Good Bit of Rope." The Current (November 10, 2014)

Traces of Stones (East Germany: Frank Beyer, 1966: 139 mins)

Brockmann, Stephen. "Spur der Steine (1966) or Traces of Repression." A Critical History of German Film Rochester, NY: Camden House, 2010: 246-257. [Professor has copy of the book]

Who's Afraid of Virginia Woolf? (USA: Mike Nichols, 1966: 131 mins)

Nichols, Mike. "On His Filmmaking Style and Directing Actors." Pinewood Dialogues (March 1, 1990)

Young Torless (West Germany:France: Volker Schlöndorff, 1966: 90 mins)

Brockmann, Stephen. "Der junge Törless (1966) or Recapturing Tradition." A Critical History of German Film Rochester, NY: Camden House, 2010: 314-327. [Professor has copy of the book]

1967

Belle de Jour (France/Italy: Luis Buñuel, 1967: 101 mins)

Ebert, Roger. "Belle de Jour." Chicago Sun-Times (July 25, 1999)

Bonnie and Clyde (USA: Arthur Penn, 1967: 112 mins)

Daesler, Graham. "Cutter's Way: The Mysterious Art of Film Editing." Bright Lights Film Journals #78 (2012)

LoBrutto, Vincent. "The Period Film as Mirror for the Present: Bonnie and Clyde." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 53-59. [BCTC Library: PN1994 L595 2005]

Penn, Arthur. "American Outsiders: The Cinema of Arthur Penn." Pinewood Dialogues (November 11, 1994) ["Bonnie and Clyde, directed by Arthur Penn, was a watershed film that changed the course of American cinema with its playful, reflexive tone, its unflinching depiction of violence, and its sympathetic portrayal of charismatic outlaw heroes. ... the director discussed the critical controversy surrounding the film's release, and the remarkable collaboration that included Warren Beatty as producer and star, and screenwriter Robert Benton. Penn also discusses the art and craft of filmmaking with great insight and detail."]

Branded to Kill (Japan: Seijun Suzuki, 1967: 91 mins)

"Branded to Kill." The Projection Booth #108 (April 2, 2013)

Deadly Sweet (aka I Am What I Am) (Italy/France: Tinto Brass, 1967: 107 mins)

Axmaker, Sean. "The New Wave Wonders of Tinto Brass." Keyframe (February 20, 2014) ["Tinto Brass’s exuberant experiments stir the French New Wave and the sexual revolution into a swirl of sixties free-form madness."]

The Graduate (USA: Mike Nichols, 1967: 106 mins)

Nichols, Mike. "On His Filmmaking Style and Directing Actors." Pinewood Dialogues (March 1, 1990)

I Am Curious (Yellow) (Sweden: Vilgot Sjöman, 1967: 121 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

La Chinoise (France: Jean-Luc Godard, 1967: 96 mins)

Brody, Richard. "An Exile in Paradise." The New Yorker (November 20, 2000)

Le Samourai (France/Italy: Jean-Pierre Melville, 1967: 105 mins)

"Le Samourai: Places and Maps." Cine-Tourist (2012)

Marketa Lazarová (Czechoslovakia: Frantisek Vlácil, 1967: 162 mins)

Hames, Peter. "In the Shadow of the Werewolf: František Vláčil's Markéta Lazarová." Central European Review (October 16, 2000)

Hoberman, J. "Prague's Savage Spring." The New York Review of Books (July 3, 2013)

Playtime (France/Italy: Jacques Tati, 1967: 115 mins)

Cairns, David. "PlayTime: Anatomy of a Gag." Criterion Collection (Posted on Vimeo: November 2014)

Ross, Kristin. "Jacques Tati, Historian." Current (October 30, 2014)

Point Blank (USA: John Boorman, 1967: 92 mins)





The Red and the Black (Hungary/Soviet Union: Miklós Jancsó, 1967: 90 mins)

Risselada, Brian and Josh Ryan. "Miklós Jancsó." Syndromes and a Century #7 (February 13, 2014) ["... the films of acclaimed Hungarian director Miklós Jancsó who passed away on January 31, 2014 at the age of 92. In particular we look at his films My Way Home (1964), The Round-Up (1965) and The Red and the White (1967)."]

Torture Garden (UK: Freddie Francis, 1967: 93 mins)

Dixon, Wheeler Winston. "'Turn It Off': Sound and Silence in 1960s British Gothic Cinema." Film International (October 31, 2014)

Trans-Europ Express (France/Belgium: Alain Robbe-Grillet, 1967: 105 mins)

Ehrenstein, David. "TRANS-EUROP-EXPRESS or Alain Robbe-Grillet Goes Boating: On the many ways one can enjoy the ride." Keyframe (May 2, 2014)

Weekend (France/Italy: Jean-Luc Godard, 1967: 105 mins)

Brody, Richard. "An Exile in Paradise." The New Yorker (November 20, 2000)

LoBrutto, Vincent. "The Essay Film: Weekend." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 319-325. [BCTC Library: PN1994 L595 2005]

1968

The Color of Pomengranates (Soviet Union: Sergei Parajanov, 1968: 79 mins)

Nucho, Joanne. "Deep Red: The Color of Pomegranates." Reverse Shot (Spring 2004)

Faces (USA: John Cassavetes, 1968: 130 mins)

Palmer, Landon. "6 Filmmaking Tips From John Cassavettes." Film School Rejects (August 13, 2014)



The Howl (Italy: Tinto Brass, 1968: 93 mins)

Axmaker, Sean. "The New Wave Wonders of Tinto Brass." Keyframe (February 20, 2014) ["Tinto Brass’s exuberant experiments stir the French New Wave and the sexual revolution into a swirl of sixties free-form madness."]

The Immortal Story (France: Orson Welles, 1968: 62 mins)

Kurant, Willy. "The Immortal Story." American Cinematographer (2010)

Je T'aime Je T'aime (France: Alain Resnais, 1968: 91 mins)

Hudson, David. "Alain Resnais’s JE T’AIME, JE T’AIME: ['Both goofy and poetic—as well as a significant film from his strongest period.'” Keyframe (February 17, 2014)

Night of the Living Dead (USA: George Romero, 1968: 96 mins)



Oliver! (UK: Carol Reed, 1968: 153 mins)

Ferguson, Susan. "Capitalist Childhood in Film: Modes of Critique." Jump Cut #55 (Fall 2013)

Salesman (USA: Albert Maysles, David Maysles, and Charlotte Zwerin, 1968: 85 mins)

LoBrutto, Vincent. "Direct Cinema: Salesman." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 267-272. [BCTC Library: PN1994 L595 2005]

Shame (Sweden: Ingmar Bergman, 1968: 103 mins)

Dawson, Mike. "Ingmar Bergman: Shame." Left Field Cinema (February 26, 2009)

Theorem (Teorema) (Italy: Pier Paolo Pasolini, 1968: 105 mins)

McCahill, Mike. "Theorem: Pasolini gets political." Movie Mail (April 11, 2013)

1969

Army of Shadows (France/Italy: Jean-Pierre Melville, 1969: 140 mins]

Taubin, Amy. "Army of Shadows: Out of the Shadows." Criterion (May 14, 2007)

Attraction (Italy: Tinto Brass, 1969: 77 mins)

Axmaker, Sean. "The New Wave Wonders of Tinto Brass." Keyframe (February 20, 2014) ["Tinto Brass’s exuberant experiments stir the French New Wave and the sexual revolution into a swirl of sixties free-form madness."]

Burn! (Italy/France: Gillo Pontecorvo, 1969: 112 mins)

Kimmel, Michael. "Sitting in the Dark with Max: Classical Sociological Theory Through Film." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 27-41. [In BCTC Library PN1995.9 S6 C543 2013]

The Damned (Italy/West Germany: Luchino Visconti, 1969: 156 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

Double Suicide (Japan: Masahiro Shinoda, 1969: 142 mins)

Rutherford, Anne. "Double Suicide and the 'fetishism of space.'" Senses of Cinema #59 (2011)

Easy Rider (USA: Dennis Hopper, 1969: 95 mins)

Martin, Adrian. "The Misleading Man: Dennis Hopper." Film International 5.1 (2007). [Professor has copy for students]
Funeral Parade of Roses (Japan: Toshio Matsumoto, 1969: 107 mins)

Risselada, Brian, Josh Ryan and Max Slobodin. "Queer Cinema." Syndromes and a Cinema #5 (May 17, 2013)


Horrors of Malformed Men (Japan: Teruo Ishii, 1969: 99 mins)

Curti, Roberto. "Teruo Ishii, the Outcast." Offscreen (May 31, 2003)

Swan, Rodger. "Horrors of Malformed Men." Swan's Japanese Horror Reviews #23 (January 12, 2008)

The Joke (Czechoslovakia: Jaromil Jires, 1969: 80 mins)

Erickson, Steve. "The Art of Resistance: The brief, bright flowering of the Czech New Wave." Moving Image Source (April 24, 2012)

Kes (UK: Ken Loach, 1969: 110 mins)



Midnight Cowboy (USA: John Schlesinger, 1969: 113 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

My Night at Maud's (France: Eric Rohmer, 1969: 105 mins)

Falzon, Christopher. "Philosophy Through Film." International Encyclopedia of Philosophy (August 12, 2013)

Koresky, Michael and Casey Moore. "What's at the Heart of the Sadness of Christmas Movies? A Video Essay." Press Play (December 20, 2014)

The Royal Hunt of the Sun (UK/USA: Irving Lerner, 1969: 118 mins)

Castle, Robert. "Two Cinematic Visions of the Inca Conquest: The Royal Hunt of the Sun and Aguirre: Wrath of God." Bright Lights Film Journal #76 (May 2012)

True Grit (USA: Henry Hathaway, 1969: 128 mins)

Freedman, Carl. "Post-Hetrosexuality: John Wayne and the Construction of American Masculinity." Film International 5.1 (2007) [Professor has a copy]

The Wild Bunch (USA: Sam Peckinpah, 1969: 145 mins)

LoBrutto, Vincent. "Screen Violence as Metaphor: The Wild Bunch." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 326-332. [BCTC Library: PN1994 L595 2005]

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

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