1990
The Godfather: Part Three (USA: Francis Ford Coppola, 1974: 162 mins)
Freedman, Carl. "The Supplement of Coppola: Primitive Accumulation and the Godfather Trilogy." Film International #49 (2011): 8-41
Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)
Goodfellas (USA: Martin Scorsese, 1990: 146 mins)
Freedman, Carl. "Hobbes After Marx, Scorsese After Coppola: On GoodFellas." Film International (2011)
---. "The Supplement of Coppola: Primitive Accumulation and the Godfather Trilogy." Film International 9.1 (2011): 8-41
Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)
"A Life in Pictures: Martin Scorsese." BAFTA (April 6, 2011)
1991
Barton Fink (USA: Joel and Ethan Coen, 1991: 116 mins)
"Barton Fink (1991)." Watching Theology (September 11, 2007)
Wilkins, Budd. "“I Will Show You the Life of the Mind”: Barton Fink (1991)." That Obscure Object of Desire (March 10, 2011)
Delicatessen (France: Marc Caro and Jean-Pierre Jeunet, 1991: 99 mins)
Merrick, Amy. "Living In: Delicatessen." Design Sponge (June 14, 2011)
The Double Life of Veronique (Poland/France/Norway: Krzysztof Kieslowski, 1991: 98 mins)
Pearson, Kevin. "The Double Life of Veronique: Kieslowski and Pure Emotion." Alternate Takes (May 17, 2011)
Naked Lunch (Canada/UK/Japan: David Cronenberg, 1991: 115 mins)
Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)
Point Break (USA: Kathryn Bigelow, 1991: 120 mins)
Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)
Poison (USA: Todd Haynes, 1991: 85 mins)
Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)
Star Trek VI: The Undiscovered Country (USA: Nicholas Meyer, 1991: 113 mins)
Green, Michael. "Glasnost in Space Revisited: Star Trek VI: The Undiscovered Country." Bright Lights Film Journal #76 (May 2012)
1992
Benny's Video (Austria: Michael Haneke, 1992: 105 mins)
Dawson, Mike. "Contemporary Obscurity: The Glaciation Trilogy." Left Field Cinema (February 23, 2009)
Frey, Mattias. "Great Directors: Michael Haneke." Senses of Cinema #57 (2010)
---. "Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke's Benny's Video." Cinetext (September 27, 2002)
Centre Stage (Hong Kong: Stanley Kwan, 1992: 126 mins)
Williams, Tony. "Centre Stage." Senses of Cinema #56 (2010)
Bob Roberts (USA: Tim Robbins, 1992: 102 mins)
McBride, Joseph. "Political Filmmaking and America's "Poisoned Chalice": The Banned Gore Vidal Interview." Bright Lights Film Journal #77 (August 2012)
The Long Day Closes (UK: Terence Davies, 1992: 85 mins)
Wood, Jason. "Directors of the Year: Terence Davies." International Film Guide: 2012 ed. Ian Hadyn Smith.
Pandora's Box: A Fable From the Age of Science (United Kingdom: Adam Curtis, 1992: 276 mins)
Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)
Resevoir Dogs (USA: Quentin Tarantino, 1992: 99 mins)
Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.
1993
Blue (Poland/France/Switzerland: Krzysztof Kieslowski, 1993: 98 mins)
Cummings, Doug. "Great Directors: Krzysztof Kieslowski." Senses of Cinema #27 (2003)
Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)
"Visual Storytelling - Kieslowski’s Blue." Mystery Man on Film (September 5, 2008)
Oh, Woe is Me (France/Switzerland: Jean-Luc Godard, 1993: 95 mins)
Brody, Richard. "DVD of the Week: Oh, Woe is Me." The Front Row (May 31, 2011)
Schindler's List (USA: Steven Spielberg, 1993: 195 mins)
Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)
Benton, Michael. "City of God, Schindler's List and Contextual Viewings." ENG 282: International Film Studies(February 25, 2012)
Goddard, Stephen. "'So, Did You See Me?': Testimony, Memory and Re-Making Film History." LOLA #1 (2011)
The Secret Garden (USA: Agnieszka Holland, 1993: 101 mins)
Merrick, Amy. "Living In: The Secret Garden." Design Sponge (April 5, 2011)
Six Degrees of Separation (USA: Fred Schepisi, 1993: 112 mins)
Tolliver, Willie. "Postlude to a Kiss: Will Smith's Performances of Race and Sexuality in Fred Schepisi's Six Degrees of Separation." Bright Lights Film Journal #76 (May 2012)
Sonatine (Japan: Takeshi Kitano, 1993: 94 mins)
Fyfe, Stewart Heinz. "Impressions of Violence, Moments of Witness: Style in the Assassination Scenes of Takeshi Kitano’s Sonatine." 16:9 (February 2006)
1994
71 Fragments of a Chronology of a Chance. (Austria: Michael Haneke, 1994: 100 mins)
Dawson, Mike. "Contemporary Obscurity: The Glaciation Trilogy." Left Field Cinema (February 23, 2009)
Frey, Mattias. "Great Directors: Michael Haneke." Senses of Cinema #57 (2010)
Before the Rain (Republic of Macedonia: Milcho Manchevski, 1994: 113 mins
Christie, Ian. "Before the Rain: Never Ending Story." Current (June 23, 2008)
Crnkovic´, Gordana P. "Milcho Manchevski’s Before the Rain and
the Ethics of Listening." Milcho Manchevski (2011)
"Essays on Before the Rain." Milcho Manchevski (Ongoing Archive: last accessed 2011)
I Can't Sleep (France/Germany/Switzerland: Claire Denis, 1994: 110 mins)
"Difficult Cinema." Girish (February 23, 2011)
Koresky, Michael. "Jagged Edge: I Can't Sleep." Reverse Shot #29 (2009)
Wood, Robin. "Only (Dis)Connect; and Never Relaxez-Vous; or, I Can’t Sleep." Film International (January 27, 2011)
Pulp Fiction (USA: Quentin Tarantino, 1994: 154 mins)
Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.
Red (Poland/France/Switzerland: Krzysztof Kieslowski, 1994: 99 mins)
Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)
Satantango (Hungary/Germany/Switzerland: Bela Tarr, 1994: 450 mins)
Cutler, Aaron. "Multiple Vision: Deciphering the isolated gazes in the films of Béla Tarr." Multiple Image Source (February 2012)
White (France/Poland/Switzerland: Krzysztof Kieslowski, 1994: 91 mins)
Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)
1995
Dead Man (USA/Germany/Japan: Jim Jarmusch, 1995: 121 mins)
Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)
Rosenbaum, Jonathan. "Dead Man in 2010: A Czech Preface." (February 5, 2011)
Kids (USA: Larry Clark, 1995: 91 mins)
Martin, Adrian. "A Larry Clark Portrait." 16:9 (September 2005)
The Living Dead: Three Films About the Power of the Past (United Kingdom: Adam Curtis, 1995: 124 mins)
Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)
Safe (UK/USA: Todd Haynes, 1995: 119 mins)
Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)
Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)
1996
Bottle Rocket (USA: Wes Anderson, 1996: 91 mins)
Reft, Ryan. "The Sexuality of “Whimsy”: Gender and Sex in the Films of Wes Anderson." Tropics of Meta (September 24, 2012)
Seitz, Matt Zoller. "Matt Zoller Seitz: The Substance of Style, Pts 1-5." Moving Image (March 30 - April 19, 2009)
Brigands: Chapter VII (Georgia/France/Russia/Italy/Switzerland: Otar Iosseliani, 1996: 129 mins)
Rosenbaum, Jonathan. "Desperate Measures [OUT OF SIGHT & THE BRIGANDS: CHAPTER VII]." Chicago Reader (July 3, 1998)
Citizen Ruth (USA: Alexander Payne, 1996: 106 mins)
Brill, Lesley. "Revisiting Citizen Ruth." Film International (May 14, 2011)
Crash (Canada/United Kingdom: David Cronenberg, 1996: 100 mins)
Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)
Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)
Irma Vep (France: Olivier Assayas, 1996: 99 mins)
Fidler, John. "Irma Vep." Senses of Cinema #56 (2010)
Nenette and Boni (France: Claire Denis, 1996: 103 mins)
Connolly, Matt. "Living in the Moment: Nénette et Boni." Reverse Shot #29 (2009)
Prisoner of the Mountains (Russia/Kazakhstan: Sergey Bodrov, 1996: 99 mins)
Springer, Claudia. :Taken by Muslims: Captivity Narratives in The Lives of a Bengal Lancer and Prisoner of the Mountains." Jump Cut #53 (Summer 2011)
Schizopolis (USA: Steven Soderbergh, 1996: 96 mins)
Tobias, Scott. "The New Cult Canon - Schizopolis The A.V. Club (June 16, 2011)
Scream (USA: Wes Craven, 1996: 103 mins)
Dawson, Mike. "Analysis: Is Scream a Parody, Pastiche, or Post Modern Thriller?" Left Field Cinema (February 27, 2009)
1997
Affliction (USA: Paul Schrader, 1997: 114 mins)
Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)
Amistad (USA: Steven Spielberg, 1997: 155 mins)
Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)
Cure (Japan: Kiyoshi Kurosawa, 1997: 111 mins)
Kalat, David. "Kiyoshi Kurosawa is the Cure." Movie Morlocks (March 24, 2012)
Open Your Eyes (Spain/France, Italy: Alejandro Amenábar, 1997: 117 mins)
Mooney, James. "Epistemology: Dreams and Demons -- Abre los ojos (Open your eyes)." Film and Philosophy (September 9, 2011)
Princess Mononoke (Japan: Hayao Miyazaki, 1997: 134 mins)
Hogg, Trevor. "Drawn to Anime: A Hayao Miyazaki Profile." Flickering Myth (May 26, 2010)
1998
The Big Lebowski (USA: Joel and Ethan Coen, 1998: 117 mins)
Ager, Rob. "Across the Sands of Time: Film Analysis of The Big Lebowski." Collative Learning (2008)
Eternity and a Day (Greece/France/Germany/Italy: Theodoros Angelopoulos, 1998: 137 mins)
Horton, Andrew. "The Greek and Balkan Spirit of Comedy During the Journeys with the Films of Theo Angelopoulos." Greek Cinema and Films About Greece (2012)
I Stand Alone (France: Gaspar Noé, 1998: 93 mins)
Morgan, Kim. "You Have 30 Seconds to Leave the Theater" - Gaspar Noe's I Stand Alone." International Film Studies #6 (2010)
The Last Days of Disco (USA: Whit Stillman, 1998: 113 mins)
Smith, Justine, et al. "Spotlight + Interview – Director Whit Stillman (‘Damsels In Distress,’ ‘The Last Days of Disco’)." Sound on Sight #319 (May 3, 2012)
Megacities (Austria/Switzerland: Michael Glawogger, 1998: 90 mins)
Möller, Olaf. "The World Viewed, Part 1: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 17, 2012)
---. "The World Viewed, Part 2: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 18, 2012)
Ringu (Japan: Hideo Nakata, 1998: 96 mins)
Jarvis, Brian. "Anamorphic allegory in The Ring, or, seven ways of looking at a horror video." Irish Journal of Gothic and Horror Studies #3 (November 2007)
Kalat, David. "Ring Around J-Horror." Movie Morlocks (July 7, 2012)
Ozawa, Eimi. "Remaking Corporeality and Spatiality: U.S. Adaptations of Japanese Horror Films." 49th Parallel (Autumn 2006)
Xu, Gang Gary. "Remaking East Asia, Outsourcing Hollywood." Senses of Cinema (November 2004)
Rushmore (USA: Wes Anderson, 1998: 93 mins)
Reft, Ryan. "The Sexuality of “Whimsy”: Gender and Sex in the Films of Wes Anderson." Tropics of Meta (September 24, 2012)
Seitz, Matt Zoller. "Matt Zoller Seitz: The Substance of Style, Pts 1-5." Moving Image (March 30 - April 19, 2009)
Saving Private Ryan (USA: Steven Spielberg, 1998: 169 mins)
Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)
Secret Défense (France: Jacques Rivette, 1998: 170 mins)
Klevan, Andrew. "Expressing the In-Between." Senses of Cinema #1 (2011)
Rapfogel, Jared. Secret Défense Senses of Cinema #10 (2000)
The Thin Red Line (USA: Terrence Malick, 1998: 170 mins)
Bellamy, Jason and Ed Howard. "Conversations: Terrence Malick, Part One. The House Next Door (May 28, 2011)
Velvet Goldmine (UK/USA: Todd Haynes, 1998: 124 mins)
Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)
Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)
1999
Beau travail (France: Claire Denis, 1999: 92 mins)
Chan, Andrew. "Men at Play: Beau Travail." Reverse Shot #29 (2009)
Reichert, Jeff. "The Great Beyond: Beau Travail." Reverse Shot #29 (2009)
Vicari, Justin. "Colonial fictions: Le Petit Soldat and its revisionist sequel, Beau Travail." Jump Cut #50 (2008)
Being John Malkovich (USA: Spike Jonze, 1999: 112 mins)
Three Reasons: Being John Malkovich Current (April 25, 2012)
Bringing Out the Dead (USA: Martin Scorsese, 1999: 121 mins)
Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)
Existenz (Canada/United Kingdom: David Cronenberg, 1999: 97 mins)
Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)
Fight Club (USA: David Fincher, 1999: 139 mins)
Baughman, Rhonda and Jonathan Beller. "Fight Club's Utopian Dick." Pop Matters (October 14, 1999)
Diken, Bülent and Carsten Bagge Laustsen, "‘Enjoy your fight! – Fight Club as a Symptom of the Network Society," (Published by the Department of Sociology, Lancaster University, UK: November 13, 2003)
Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)
“Entertainment Media Analysis Report: Fight Club.” ChildCare Action Project: Christian Analysis of American Culture (2000)
Erickson, Steve. "Fight Club." [Personal Website: 1999]
Frazer, Bryant. "Fight Club." Deep Focus (October 1999)
Gargett, Adrian. "Doppelganger: Exploded States of Consciousness in Fight Club." Disinformation (August 22, 2001)
Graeber, David. Debt: The First 5,000 Years. Brooklyn, NY: Melville House Publishing, 2011. [Was reading the 1st chapter of this book at the same time as I was preparing for the Fall 2012 Ethics/Film screening of Fight Club -- it changed the way I conceived of the meaning of the dramatic ending of the film: "By the same token, for the last five thousand years, with remarkable regularity, popular insurrections have begun the same way: with the ritual destruction of the debt records--tablets, papyri, ledgers, whatever form they might have taken in any particular time and place. (8)"]
Hulsizer, Tim. "Calvin & Hobbes vs Fight Club." Blogsizer (no date)
Lizardo, Omar. "Fight Club, or the Cultural Contradictions of Late Capitalism." Journal for Cultural Research 11.3 (July 2007)
Probst, Christopher. "Anarchy in the USA." American Cinematographer (November 1999)
Rothe-Kushel, Jethro. "Fight Club: A Ritual Cure For The Spiritual Ailment Of American Masculinity." The Film Journal #8 (2002)
Rushkoff, Douglas. "They Say." Coercion: Why We Listen to What 'They' Say'. (NY: Metropolitan Books, 1999: 1-26)
Zavodny, John. “I Am Jack’s Wasted Life: Fight Club and Personal Identity.” Movies and the Meaning of Life: Philosophers Take on Hollywood. eds. Kimberly A. Blessing and Paul J. Tudico. Chicago: Open Court, 2005: 47-60. [Professor has copy]
Ghost Dog: The Way of the Samurai (France/Germany/USA/Japan: Jim Jarmusch, 1999: 116 mins)
Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)
Human Resources (France/United Kingdom: Laurent Cantet, 1999: 100 mins)
Livingston, Jessica. "Global capital’s false choices in the films of Laurent Cantet." Jump Cut #53 (Summer 2012)
The Matrix/The Matrix Reloaded/The Matrix Revolutions (Australia/USA: The Wachowski Brothers, 1999: 136 mins/2003: 133 mins/2003b: 129 mins)
Matrix Philosophy: The Cave [Video posted on YouTube: November 23, 2008}
Mooney, James. "Epistemology: Dreams and Demons -- Abre los ojos (Open your eyes)." Film and Philosophy (September 9, 2011)
Thoret, Jean-Baptiste. "The Seventies Reloaded: (What does the cinema think about when it dreams of Baudrillard?)." Senses of Cinema #59 (2011)
The Sixth Sense (USA: M. Night Shyamalan, 1999: 107 mins)
Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)
The Sopranos (USA: David Chase, TV Series 1999-2007)
Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)
Three Kings (USA/Australia: David O. Russell, 1999: 114 mins)
Kitaeff, Lila. "Three Kings: neocolonial Arab representation." Jump Cut #46 (2003)
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