Sunday, December 18, 2011

ENG 282: 1990s

1990

Jacob's Ladder (USA: Adrian Lyne, 1990: 113 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

Kindergarten Cop (USA: Ivan Reitman, 1990: 111 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

King of New York (Italy/USA/UK: Abel Ferrara, 1990: 103 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

The Nasty Girl (West Germany: Michael Verhoeven, 1990: 92 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

Total Recall (USA: Paul Verhoeven, 1990: 113 mins)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)

Philip K. Dick." Prophets of Science Fiction #2 (Posted on YouTube March 20, 2013)

1991

Barton Fink (USA: Joel and Ethan Coen, 1991: 116 mins)

"Barton Fink (1991)." Watching Theology (September 11, 2007)

Wilkins, Budd. "“I Will Show You the Life of the Mind”: Barton Fink (1991)." That Obscure Object of Desire (March 10, 2011)

Delicatessen (France: Marc Caro and Jean-Pierre Jeunet, 1991: 99 mins)

Merrick, Amy. "Living In: Delicatessen." Design Sponge (June 14, 2011)

The Double Life of Veronique (Poland/France/Norway: Krzysztof Kieslowski, 1991: 98 mins)

Pearson, Kevin. "The Double Life of Veronique: Kieslowski and Pure Emotion." Alternate Takes (May 17, 2011)


Naked Lunch (Canada/UK/Japan: David Cronenberg, 1991: 115 mins)

Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)

Point Break (USA: Kathryn Bigelow, 1991: 120 mins)

Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)

Poison (USA: Todd Haynes, 1991: 85 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Hartman, Andy. "Structural/Sexual Transgression: Todd Haynes' Poison as a Critique of Homonormativity." Bright Lights Film Journal #82 (November 2013)

The Silence of the Lambs (USA: Jonathan Demme, 1991: 118 mins)

Phillips, Kendall R. "Sex, Gender, and Sexuality: Jonathan Demme's The Silence of the Lambs." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 19-48.[in BCTC Library PN1995,9 S284P452008}

Star Trek VI: The Undiscovered Country (USA: Nicholas Meyer, 1991: 113 mins)

Green, Michael. "Glasnost in Space Revisited: Star Trek VI: The Undiscovered Country." Bright Lights Film Journal #76 (May 2012)

Terminator 2: Judgement Day (USA/France: James Cameron, 1991: 137 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

Thelma and Louise (USA: Ridley Scott, 1991: 130 mins)

Falzon, Christopher. "Philosophy Through Film." Internat Encyclopedi of Philosophy (August 12, 2013)

1992

Bad Lieutenant (USA: Abel Ferrara, 1992: 96 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Bob Roberts (USA: Tim Robbins, 1992: 102 mins)

McBride, Joseph. "Political Filmmaking and America's "Poisoned Chalice": The Banned Gore Vidal Interview." Bright Lights Film Journal #77 (August 2012)

Careful (Canada: Guy Maddin, 1992: 100 mins)

Asch, Mark. "Careful and House by the River: On Guy Maddin and Fritz Lang’s craftsmanship in the creation of fraught psychological states." Keyframe (January 4, 2013)

Centre Stage (Hong Kong: Stanley Kwan, 1992: 126 mins)

Williams, Tony. "Centre Stage." Senses of Cinema #56 (2010)

Cool World (USA: Ralph Bakshi, 1992: 102 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

A League of Their Own (USA: Penny Marshall, 1992: 128 mins)

Bonzel, Katharina. "A League of Their Own: The Impossibility of the Female Sports Hero." Screening the Past (October 2013)

The Long Day Closes (UK: Terence Davies, 1992: 85 mins)

Wood, Jason. "Directors of the Year: Terence Davies." International Film Guide: 2012 ed. Ian Hadyn Smith.

Manufacturing Consent: Noam Chomsky and the Media (Canada: Mark Achbar and Peter Wintonick, 1992: 167 mins)

Chomsky, Noam. "On Education & How Manufacturing Consent Brought Attention to East Timor Massacres." Democracy Now (December 3, 2013)



Pandora's Box: A Fable From the Age of Science (United Kingdom: Adam Curtis, 1992: 276 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

Resevoir Dogs (USA: Quentin Tarantino, 1992: 99 mins)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.

Romper Stomper (Australia: Geoffrey Wright, 1992: 94 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Unforgiven (USA: Clint Eastwood, 1992: 131 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

1993

Jurassic Park (USA: Steven Spielberg, 1993: 127 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

Oh, Woe is Me (France/Switzerland: Jean-Luc Godard, 1993: 95 mins)

Brody, Richard. "DVD of the Week: Oh, Woe is Me." The Front Row (May 31, 2011)

The Piano (Australia/New Zealand/France: Jane Campion, 1993: 121 mins)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

The Secret Garden (USA: Agnieszka Holland, 1993: 101 mins)

Merrick, Amy. "Living In: The Secret Garden." Design Sponge (April 5, 2011)

Six Degrees of Separation (USA: Fred Schepisi, 1993: 112 mins)

Tolliver, Willie. "Postlude to a Kiss: Will Smith's Performances of Race and Sexuality in Fred Schepisi's Six Degrees of Separation." Bright Lights Film Journal #76 (May 2012)

Sonatine (Japan: Takeshi Kitano, 1993: 94 mins)

Fyfe, Stewart Heinz. "Impressions of Violence, Moments of Witness: Style in the Assassination Scenes of Takeshi Kitano’s Sonatine." 16:9 (February 2006)

Wittgenstein (Japan/UK: Derek Jarman, 1993: 75 mins)

Cashell, Kieran Anthony. "Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman’s Wittgenstein." Film-Philosophy 16.1 (2012)

Falzon, Christopher. "Philosophy Through Film." Internat Encyclopedia of Philosophy (August 12, 2013)

1994

71 Fragments of a Chronology of a Chance. (Austria: Michael Haneke, 1994: 100 mins)

Dawson, Mike. "Contemporary Obscurity: The Glaciation Trilogy." Left Field Cinema (February 23, 2009)

Frey, Mattias. "Great Directors: Michael Haneke." Senses of Cinema #57 (2010)

Maybe, Maybe Not (Germany: Sönke Wortmann, 1994: 93 mins)

Brockmann, Stephen. "Der bewegte Mann (1994) or West German Self-Absorption." A Critical History of German Film Rochester, NY: Camden House, 2010: 436-445. [Professor has copy of the book]

Natural Born Killers (USA: Oliver Stone, 1994: 118 mins)

Phillips, Kendall R. "Violence and Crime: Natural Born Killers." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 49-85. [in BCTC Library PN1995,9 S284P452008}

Pulp Fiction (USA: Quentin Tarantino, 1994: 154 mins)

Bailey, Jason. "An ... excerpt from Pulp Fiction: The Complete Story Of Quentin Tarantino’s Masterpiece." The Dissolve (November 20, 2013)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.

Red (Poland/France/Switzerland: Krzysztof Kieslowski, 1994: 99 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

Satantango (Hungary/Germany/Switzerland: Bela Tarr, 1994: 450 mins)

Cutler, Aaron. "Multiple Vision: Deciphering the isolated gazes in the films of Béla Tarr." Multiple Image Source (February 2012)

Speed (USA: Jan de Bont, 1994: 116 mins)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

White (France/Poland/Switzerland: Krzysztof Kieslowski, 1994: 91 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

1995

The Addiction (USA: Abel Ferrara, 1995: 82 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Bert: The Last Virgin (Sweden: Tomas Alfredson, 1995: 100 mins)

Rehlin, Gunnar. "Directors of the Year: Tomas Alfredson." International Film Guide: 2012. 48th Edition. [BCTC Library: PN 1993.3 I544 2012]

The Celluloid Closet (France/UK/USA/Germany: Rob Epstein and Jeffrey Friedman, 1995: 102 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Dead Man (USA/Germany/Japan: Jim Jarmusch, 1995: 121 mins)

Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)

Rosenbaum, Jonathan. "Dead Man in 2010: A Czech Preface." (February 5, 2011)

How to Make an American Quilt (USA: Jocelyn Moorhouse, 1995: 109 mins)

Haggard, Tiffany. "How to Make an American Quilt." Dialogic Cinephilia (November 5, 2013)

Kids (USA: Larry Clark, 1995: 91 mins)

Martin, Adrian. "A Larry Clark Portrait." 16:9 (September 2005)

The Living Dead: Three Films About the Power of the Past (United Kingdom: Adam Curtis, 1995: 124 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

The Quick and the Dead (USA/Japan: Sam Raimi, 1995: 107 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Safe (UK/USA: Todd Haynes, 1995: 119 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)

Se7en (USA: David Fincher, 1995: 127 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

LoBrutto, Vincent. "Defining Theme, Metaphor, and Character Through Color, Texture, and Environmental Design: Se7en." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 280-285. [BCTC Library: PN1994 L595 2005]

1996

Brigands: Chapter VII (Georgia/France/Russia/Italy/Switzerland: Otar Iosseliani, 1996: 129 mins)

Rosenbaum, Jonathan. "Desperate Measures [OUT OF SIGHT & THE BRIGANDS: CHAPTER VII]." Chicago Reader (July 3, 1998)

Citizen Ruth (USA: Alexander Payne, 1996: 106 mins)

Brill, Lesley. "Revisiting Citizen Ruth." Film International (May 14, 2011)

Crash (Canada/United Kingdom: David Cronenberg, 1996: 100 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)

Irma Vep (France: Olivier Assayas, 1996: 99 mins)

Fidler, John. "Irma Vep." Senses of Cinema #56 (2010)

I Shot Andy Warhol (UK/USA: Mary Harron, 1996: 103 mins)

Kapica, Stephen S. "The multivalent feminism of The Notorious Bettie Page." #55 (Fall 2013)

La Promesse (Belgium/France/Luxembourg/Tunisia: Jean-Pierre Dardenne and Luc Dardenne, 1996: 94 mins)

Hughes, Darren. "#20: LaPromesse." Arts and Faith Top 100 Films (2011)

Sterritt, David. "The Promise World Cinema Directory (2013)

Nenette and Boni (France: Claire Denis, 1996: 103 mins)

Connolly, Matt. "Living in the Moment: Nénette et Boni." Reverse Shot #29 (2009)

Prisoner of the Mountains (Russia/Kazakhstan: Sergey Bodrov, 1996: 99 mins)

Springer, Claudia. :Taken by Muslims: Captivity Narratives in The Lives of a Bengal Lancer and Prisoner of the Mountains." Jump Cut #53 (Summer 2011)

Schizopolis (USA: Steven Soderbergh, 1996: 96 mins)

Tobias, Scott. "The New Cult Canon - Schizopolis The A.V. Club (June 16, 2011)

Scream (USA: Wes Craven, 1996: 103 mins)

Dawson, Mike. "Analysis: Is Scream a Parody, Pastiche, or Post Modern Thriller?" Left Field Cinema (February 27, 2009)

1997

Affliction (USA: Paul Schrader, 1997: 114 mins)

Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)

Amistad (USA: Steven Spielberg, 1997: 155 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

As Good As It Gets (USA: James L. Brooks, 1997: 139 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

The Big One (USA/UK: Michael Moore, 1997: 97 mins)

Watson, Garry. "Michael Moore: A Man on a Mission or How Far a Reinvigorated Populism Can Take Us." Cineaction #70 (2006)

Boogie Nights (USA: Paul Thomas Anderson, 1997: 155 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Chasing Amy (USA: Kevin Smith, 1997: 113 mins)

Lucal, Betsy and Andrea Miller. "Working the Boundaries: Bisexuality and Transgender on Film." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 162-174. [In BCTC Library PN1995.9 S6 C543 2013]

Cube (Canada: Vincenzo Natali, 1997: 90 mins)

Eig, Jonathan. "A Beautiful Mind(fuck) -- Hollywood Structures of Identity." Jump Cut #46 (2003)

Cure (Japan: Kiyoshi Kurosawa, 1997: 111 mins)

Kalat, David. "Kiyoshi Kurosawa is the Cure." Movie Morlocks (March 24, 2012)

Good Will Hunting
(USA: Gus van Sant, 1997: 126 mins)

Dowd, James J. "Understanding Social Mobility Through the Movies." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 60-69. [In BCTC Library PN1995.9 S6 C543 2013]

Happy Together (Hong Kong/Japan/South Korea: Wong Kar Wai, 1997: 96 mins)

Guo, Caroline. ""We lost our way": The time and space of alienation in Wong Kar-wai’s Happy Together." Jump Cut #55 (Fall 2013)

Open Your Eyes (Spain/France, Italy: Alejandro Amenábar, 1997: 117 mins)

Mooney, James. "Epistemology: Dreams and Demons -- Abre los ojos (Open your eyes)." Film and Philosophy (September 9, 2011)

Princess Mononoke (Japan: Hayao Miyazaki, 1997: 134 mins)

Hogg, Trevor. "Drawn to Anime: A Hayao Miyazaki Profile." Flickering Myth (May 26, 2010)

Rosewood (USA: John Singleton, 1997: 140 mins)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

Rossini (Germany: Helmut Dietl, 1997: 114 mins)

Brockmann, Stephen. "Rossini (1997) or West German Self-Absorption Criticized." A Critical History of German Film Rochester, NY: Camden House, 2010: 446-455. [Professor has copy of the book]

1998

After Life (Japan: Hirokazu Koreeda, 1998: 118 mins)

Kogonada. "The world according to Koreeda: How Japan’s modern master revives our taste for everyday life." Sight and Sound (January 9, 2014)

American History X (USA: Tony Kaye, 1998: 119 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Big Lebowski (USA: Joel and Ethan Coen, 1998: 117 mins)

Ager, Rob. "Across the Sands of Time: Film Analysis of The Big Lebowski." Collative Learning (2008)

Eternity and a Day (Greece/France/Germany/Italy: Theodoros Angelopoulos, 1998: 137 mins)

Horton, Andrew. "The Greek and Balkan Spirit of Comedy During the Journeys with the Films of Theo Angelopoulos." Greek Cinema and Films About Greece (2012)

I Stand Alone (France: Gaspar Noé, 1998: 93 mins)

Morgan, Kim. "You Have 30 Seconds to Leave the Theater" - Gaspar Noe's I Stand Alone." International Film Studies #6 (2010)

The Last Days of Disco (USA: Whit Stillman, 1998: 113 mins)

Smith, Justine, et al. "Spotlight + Interview – Director Whit Stillman (‘Damsels In Distress,’ ‘The Last Days of Disco’)." Sound on Sight #319 (May 3, 2012)

Megacities (Austria/Switzerland: Michael Glawogger, 1998: 90 mins)

Möller, Olaf. "The World Viewed, Part 1: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 17, 2012)

---. "The World Viewed, Part 2: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 18, 2012)

Run Lola Run (Germany: Tom Tykwer, 1998: 80 mins)

Brockmann, Stephen. "Lola rennt (1998) or Cool Germania." A Critical History of German Film Rochester, NY: Camden House, 2010: 456-467. [Professor has copy of the book]

Saving Private Ryan (USA: Steven Spielberg, 1998: 169 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Secret Défense (France: Jacques Rivette, 1998: 170 mins)

Klevan, Andrew. "Expressing the In-Between." Senses of Cinema #1 (2011)

Rapfogel, Jared. Secret Défense Senses of Cinema #10 (2000)

The Thin Red Line (USA: Terrence Malick, 1998: 170 mins)

Bellamy, Jason and Ed Howard. "Conversations: Terrence Malick, Part One. The House Next Door (May 28, 2011)

Velvet Goldmine (UK/USA: Todd Haynes, 1998: 124 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)

Whispering Corridors (South Korea: Ki-hyeong Park, 1998: 105 mins)

Choi, Jinchee. "A Cinema of Girlhood: Sonyeo Sensibility and the Decorative: Impulse in the Korean Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 39-56.

1999

Audition (Japan: Takashi Miike, 1999: 115 mins)

Hyland, Robert. "A Politics of Excess: Violence and Violation in Miike Takashi’s Audition" Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

Wada-Marciano, Mitsuyo. "J-horror: New Media’s Impact on Contemporary Japanese Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

Being John Malkovich (USA: Spike Jonze, 1999: 112 mins)

Three Reasons: Being John Malkovich Current (April 25, 2012)

Bringing Out the Dead (USA: Martin Scorsese, 1999: 121 mins)

Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)

Existenz (Canada/United Kingdom: David Cronenberg, 1999: 97 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

Eyes Wide Shut (UK/USA: Stanley Kubrick, 1999: 159 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Ghost Dog: The Way of the Samurai (France/Germany/USA/Japan: Jim Jarmusch, 1999: 116 mins)

Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)

Human Resources (France/United Kingdom: Laurent Cantet, 1999: 100 mins)

Livingston, Jessica. "Global capital’s false choices in the films of Laurent Cantet." Jump Cut #53 (Summer 2012)

Magnolia (USA: Paul Thomas Anderson, 1999: 188 mins)

Holt, Ryan. "#16: Magnolia." Arts and Faith Top 100 Films (2011)

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (UK/USA: Errol Morris, 1999: 91 mins)

Palmer, Landon. "6 Filmmaking Tips From Errol Morris." Film School Rejects (September 25, 2013)

Office Space (USA: Mike Judge, 1999: 89 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

Romance (France: Catherine Breillat, 1999: 84 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

The Sixth Sense (USA: M. Night Shyamalan, 1999: 107 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

The Sopranos (USA: David Chase, TV Series 1999-2007)

Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)

Summer of Sam (USA: Spike Lee, 1999: 142 mins)

Flory, Dan. "The Epistemology of Race and Black American Film Noir: Summer of Sam as Lynching Parable." Film and Knowledge ed. Kevin L. Stoehr. Mcfarland, 2002: 174-190.

Three Kings (USA/Australia: David O. Russell, 1999: 114 mins)

Kitaeff, Lila. "Three Kings: neocolonial Arab representation." Jump Cut #46 (2003)

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