Sunday, December 18, 2011

ENG 282: 1990s

1990

Archangel (Canada: Guy Maddin, 1990: 90 mins)

Smalley, G. "Archangel (1990)." 366 Weird Movies (February 17, 2009)

Close Up (Iran: Abbas Kiarostami, 1990: 98 mins)

Cheshire, Godfrey. "Close Up." The Cinephilliacs #9 (December 2, 2012)

Dances With Wolves (USA/UK: Kevin Costner, 1990: 181 mins)

Sutton, Douglas Allen. "Only the Wind Will Know. (Spring 2015 ENG 102 Essay)" Dialogic Cinephilia (March 23, 2015)

Dreams (USA/Japan: Akira Kurosawa, 1990: 119 mins)

Cook, Adam. "Vincent Van Gogh In Cinema: A multilayered portrait emerges." Keyframe (May 22, 2016)

Gremlins 2: The New Batch (USA: Joe Dante, 1990: 106 mins)

Dante, Joe, et al. "Gremlins." The Projection Booth #127 (106 mins)

Jacob's Ladder (USA: Adrian Lyne, 1990: 113 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

Kindergarten Cop (USA: Ivan Reitman, 1990: 111 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

King of New York (Italy/USA/UK: Abel Ferrara, 1990: 103 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Maniac Cop 2 (USA: William Lustiq, 1990: 90 mins)

"Maniac Cop 2." Junk Food Cinema (June 2, 2016)

Miller's Crossing (USA: Joel Coen, 1990: 115 mins)

Orr, Christopher. "Miller's Crossing: An overdue love letter to the extraordinary meta gangster movie." The Atlantic (September 10, 2014)

Misery (USA: Rob Reiner, 1990: 107 mins)

"Misery and Self Control." Pop Culture Case Study #143 (June 2, 2016)

The Nasty Girl (West Germany: Michael Verhoeven, 1990: 92 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

The Living Dead (BBC: Adam Curtis, 1995: three 60 minute episodes) ["The Living Dead: Three Films About the Power of the Past is a series of films that investigate the way that history and memory (both national and individual) have been manipulated and distorted by politicians and others for various means of control."]

Pump Up the Volume (Canada/USA: Allan Moyle, 1990: 102 mins)

Moyle, Allan and Rob St. Mary. "Pump Up the Volume." The Projection Booth #259 (February 23, 2016) ["Allan Moyle's Pump Up the VolumeChristian Slater stars as Hard Harry, a pirate DJ who rants about life as a high school student and the injustices of the world."]

Quick Change (USA: Howard Franklin and Bill Murray, 1990: 89 mins)

Hynes, Eric. "Quick Change." The Cinephiliacs #77 (April 10, 2016)

To Sleep With Anger (USA: Charles Burnett, 1990: 102 mins)

"Charles Burnett, Pt. 2." Moving Image Source (January 8, 1995) ["The pioneering African-American director Charles Burnett was a film student at UCLA when he made Killer of Sheep (1977), a powerful independent film that combines blues-inspired lyricism and neo-realism in its drama of an inner-city slaughterhouse worker and his family. Killer of Sheep, now regarded as one of the best films of its era, was part of a small group of films that became known as "The L.A. Rebellion." During a retrospective of his films at the Museum of the Moving Image, he answered questions from the audience about To Sleep with Anger, his drama starring Danny Glover as a mysterious visitor from the South who stirs up a Los Angeles family."]

Total Recall (USA: Paul Verhoeven, 1990: 113 mins)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)

Philip K. Dick." Prophets of Science Fiction #2 (Posted on YouTube March 20, 2013)

Trust (UK/USA: Hal Hartley, 1990: 107 mins)

Hal Hartley Pinewood Dialogues (January 14, 1995) ["Hal Hartley's films are marked by spare, precise visuals, a stylized approach to dialogue that allows characters to speak their innermost thoughts, and an intuitive gift for playing with the conventions of movie-making and storytelling. Playing off the contrast between cerebral characters and quotidian settings, Hartley creates comedic inquiries into the nature of belonging and the search for personal freedom. In the role of writer, director, editor and composer, Hartley exerts control over films about characters for whom control is a fragile and elusive concept. This dialogue took place at a complete retrospective early in Hartley's career."]

Twin Peaks (ABC: Mark Frost and David Lynch, 1990-1991: TV Series)

Jennings, Tom. "David Lynch, Contemporary Cinema and Social Class (2000)." libcom (March 7, 2008)

Kuersten, Erich. "CinemArchetype #2: The Anima." Acidemic (January 29, 2012)

Vincent and Theo (France/Netherlands/UK/Germany/Italy: Robert Altman, 1990: 138 mins)

Cook, Adam. "Vincent Van Gogh In Cinema: A multilayered portrait emerges." Keyframe (May 22, 2016)

Wild at Heart (USA: David Lynch, 1990: 125 mins)

Jennings, Tom. "David Lynch, Contemporary Cinema and Social Class (2000)." libcom (March 7, 2008)


1991


Boyz n the Hood (USA: John Singleton, 1991: 112 mins)

Gonzalez, Rene. " The Race and Class Politics of Gentrification." The Sociological Cinema (January 8, 2015)

Delicatessen (France: Marc Caro and Jean-Pierre Jeunet, 1991: 99 mins)

Merrick, Amy. "Living In: Delicatessen." Design Sponge (June 14, 2011)

Hearts of Darkness: A Filmmaker's Apocalypse (USA: Fax Bahr, Ellen Coppola and George Hickenlooper, 1991: 96 mins) 

Bahr, Fax, et al. "Apocalypse Now." The Projection Booth #274 (June 7, 2016)

The Last Boy Scout (USA: Tony Scott, 1991: 105 mins)

Cargill, C. Robert and Brian Salisbury. "The Last Boy Scout." Junk Food Cinema (May 19, 2016)

My Own Private Idaho (USA: Gus van Sant, 1991: 104 mins)

Atkinson, Michael. "Going Places: On the restless career of Gus Van Sant." Moving Image Source (September 17, 2011)

McNeil, Jeremiah, et al. "The Unedited Commentary Track: My Own Private Idaho (Gus Van Sant; 1991)." Illusion Travels by Streetcar #94 (March 6, 2016)

The People Under the Stairs (USA: Wes Craven, 1991: 102 mins)





Point Break (USA: Kathryn Bigelow, 1991: 120 mins)

Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)

Ogundare, Tope. "Male Love Through Female Eyes - Five films about men, each directed by a woman. What do we learn?" Keyframe (March 24, 2016)

Poison (USA: Todd Haynes, 1991: 85 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Hartman, Andy. "Structural/Sexual Transgression: Todd Haynes' Poison as a Critique of Homonormativity." Bright Lights Film Journal #82 (November 2013)

The Silence of the Lambs (USA: Jonathan Demme, 1991: 118 mins)

Phillips, Kendall R. "Sex, Gender, and Sexuality: Jonathan Demme's The Silence of the Lambs." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 19-48.[in BCTC Library PN1995,9 S284P452008}

Slacker (USA: Richard Linklater, 1991: 97 mins)

"Kevin B. Lee (Slacker)." Cinephiliacs #12 (January 27, 2013)

Lee, Kevin B. "New Year’s Irresolutions and a Cinematic Cliff: Richard Linklater’s Slacker." Keyframe (January 4, 2013)

Star Trek VI: The Undiscovered Country (USA: Nicholas Meyer, 1991: 113 mins)

Green, Michael. "Glasnost in Space Revisited: Star Trek VI: The Undiscovered Country." Bright Lights Film Journal #76 (May 2012)

Terminator 2: Judgement Day (USA/France: James Cameron, 1991: 137 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

Thelma and Louise (USA: Ridley Scott, 1991: 130 mins)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)

Until the End of the World (Germany/France/Australia/USA: Wim Wenders, 1991: 158/260 mins)

Weisenberg, Sam. "At Five Hours, Wim Wenders Until the End of the World is a Dream Odyssey." Village Voice (September 3, 2015)

Van Gogh (France: Maurice Pialat, 1991: 158 mins)

Cook, Adam. "Vincent Van Gogh In Cinema: A multilayered portrait emerges." Keyframe (May 22, 2016)


1992


Bad Lieutenant (USA: Abel Ferrara, 1992: 96 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Basic Instinct (France/USA: Paul Verhoeven, 1992: 127 mins)

Kuersten Erich. "CinemArchetype #6: The Intimidating Nymph." Acidemic (March 2, 2012)

Bob Roberts (USA: Tim Robbins, 1992: 102 mins)

McBride, Joseph. "Political Filmmaking and America's "Poisoned Chalice": The Banned Gore Vidal Interview." Bright Lights Film Journal #77 (August 2012)

Careful (Canada: Guy Maddin, 1992: 100 mins)

Asch, Mark. "Careful and House by the River: On Guy Maddin and Fritz Lang’s craftsmanship in the creation of fraught psychological states." Keyframe (January 4, 2013)

Klimkiw, Greg, Guy Maddin and Greg Toles. "Careful." The Projection Booth #103 (February 26, 2013)

Centre Stage (Hong Kong: Stanley Kwan, 1992: 126 mins)

Williams, Tony. "Centre Stage." Senses of Cinema #56 (2010)

Cool World (USA: Ralph Bakshi, 1992: 102 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

Glengarry Glen Ross (USA: James Foley, 1992: 100 mins)

Morton, Drew. "The American Dream in Film: As the man said, ‘America’s not a country. It’s just a business.’" Keyframe (May 30, 2016)

King of the Hill (USA: Steven Soderbergh, 1993: 103 mins)

Soderbergh, Steven. "On King of the Hill." The Current (February 26, 2014)

A League of Their Own (USA: Penny Marshall, 1992: 128 mins)

Bonzel, Katharina. "A League of Their Own: The Impossibility of the Female Sports Hero." Screening the Past (October 2013)

The Long Day Closes (UK: Terence Davies, 1992: 85 mins)

Wood, Jason. "Directors of the Year: Terence Davies." International Film Guide: 2012 ed. Ian Hadyn Smith.

Manufacturing Consent: Noam Chomsky and the Media (Canada: Mark Achbar and Peter Wintonick, 1992: 167 mins)

Chomsky, Noam. "On Education & How Manufacturing Consent Brought Attention to East Timor Massacres." Democracy Now (December 3, 2013)



Pandora's Box: A Fable From the Age of Science (United Kingdom: Adam Curtis, 1992: 276 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

The Player (USA: Robert Altman, 1992: 124 mins)

Scott, A.O. "The Player." The Cinephiliacs #22 (July 14, 2013)

Resevoir Dogs (USA: Quentin Tarantino, 1992: 99 mins)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.

Hellman, Monte, Jamie Jenkins and Paul Zimmerman. "Resevoir Dogs." The Projection Booth #101 (February 12, 2013)

Lee, Kevin B. "The Tarantino Death Toll: What’s behind Quentin Tarantino’s obsession with killing?" Keyframe (December 16, 2015)

Romper Stomper (Australia: Geoffrey Wright, 1992: 94 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

Simple Men (Italy/UK/USA: Hal Hartley, 1992: 105 mins)

Hal Hartley Pinewood Dialogues (January 14, 1995) ["Hal Hartley's films are marked by spare, precise visuals, a stylized approach to dialogue that allows characters to speak their innermost thoughts, and an intuitive gift for playing with the conventions of movie-making and storytelling. Playing off the contrast between cerebral characters and quotidian settings, Hartley creates comedic inquiries into the nature of belonging and the search for personal freedom. In the role of writer, director, editor and composer, Hartley exerts control over films about characters for whom control is a fragile and elusive concept. This dialogue took place at a complete retrospective early in Hartley's career."]

Twin Peaks: Fire Walk With Me (France/USA: David Lynch, 1992: 135 mins)

Jennings, Tom. "David Lynch, Contemporary Cinema and Social Class (2000)." libcom (March 7, 2008)

Kuersten, Erich. "CinemArchetype #2: The Anima." Acidemic (January 29, 2012)

The Unforgiven (USA: Clint Eastwood, 1992: 131 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

1993

Bad Boy Bubby (Australia/Italy: Rolf de Heer, 1993: 114 mins)

"Bad Boy Bubby (1993)." 366 Weird Movies (April 4, 2012)

Cronos (Mexico: Guillermo del Toro, 1993: 94 mins)

Heumann, Joseph and Robin Murray. "“As beautiful as a butterfly”?: Monstrous cockroach nature and the horror film." Jump Cut #56 (Winter 2014/2015)

Groundhog Day (USA: Harold Ramis, 1993: 101 mins)

Benedict, Steven. Groundhog Day." (February 3, 2011)

Tobolowsky, Stephen.  "Groundhog Day." I Was There Too (April 15, 2015)

Jurassic Park (USA: Steven Spielberg, 1993: 127 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

Oh, Woe is Me (France/Switzerland: Jean-Luc Godard, 1993: 95 mins)

Brody, Richard. "DVD of the Week: Oh, Woe is Me." The Front Row (May 31, 2011)

The Piano (Australia/New Zealand/France: Jane Campion, 1993: 121 mins)

Kuersten, Erich. "CinemArchetype #3: The Animus." Acidemic (February 1, 2012)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

Sankofa (USA/Ghana/Burkina Faso/UK/Germany: Haile Gerima, 1993: 125 mins) 

Clark, Ashley. "Alien abductions: 12 Years a Slave and the past as science fiction."  Sight and Sound (April 14, 2015)

The Secret Garden (USA: Agnieszka Holland, 1993: 101 mins)

Merrick, Amy. "Living In: The Secret Garden." Design Sponge (April 5, 2011)

Six Degrees of Separation (USA: Fred Schepisi, 1993: 112 mins)

Tolliver, Willie. "Postlude to a Kiss: Will Smith's Performances of Race and Sexuality in Fred Schepisi's Six Degrees of Separation." Bright Lights Film Journal #76 (May 2012)

Sonatine (Japan: Takeshi Kitano, 1993: 94 mins)

Fyfe, Stewart Heinz. "Impressions of Violence, Moments of Witness: Style in the Assassination Scenes of Takeshi Kitano’s Sonatine." 16:9 (February 2006)

The Wedding Banquet (Taiwan/USA: Ang Lee, 1993: 106 mins)

Lee, Kevin B. "Hope for Film: Lessons from Ang Lee’s Career." Keyframe (June 1, 2014)

Wittgenstein (Japan/UK: Derek Jarman, 1993: 75 mins)

Cashell, Kieran Anthony. "Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman’s Wittgenstein." Film-Philosophy 16.1 (2012)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)

1994

71 Fragments of a Chronology of a Chance. (Austria: Michael Haneke, 1994: 100 mins)

Dawson, Mike. "Contemporary Obscurity: The Glaciation Trilogy." Left Field Cinema (February 23, 2009)

Frey, Mattias. "Great Directors: Michael Haneke." Senses of Cinema #57 (2010)

Amateur (USA/UK/France: Hal Hartley, 1994: 105 mins)

Hal Hartley Pinewood Dialogues (January 14, 1995) ["Hal Hartley's films are marked by spare, precise visuals, a stylized approach to dialogue that allows characters to speak their innermost thoughts, and an intuitive gift for playing with the conventions of movie-making and storytelling. Playing off the contrast between cerebral characters and quotidian settings, Hartley creates comedic inquiries into the nature of belonging and the search for personal freedom. In the role of writer, director, editor and composer, Hartley exerts control over films about characters for whom control is a fragile and elusive concept. This dialogue took place at a complete retrospective early in Hartley's career."]

Anjaam (India: Rahul Rawail, 1994: 170 mins)

Erndl, Kathleen M. "Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film." Journal of Religion & Film 17.2 (October 2013)

Crumb (USA: Terry Zwigoff, 1994: 119 mins)

"Terry Swigoff's Crumb." The Criterion Cast #122 (May 7, 2012)

Ed Wood (USA: Tim Burton, 1994: 127 mins)

Karazewski, Larry, et al. "Ed Wood." The Projection Booth #266 (April 13, 2016)

Mellamphy, Deborah. "The Paradox of Transvestism in Tim Burton's Ed Wood." Widescreen 1.1 (April 2009)

Exotica (Canada: Atom Egoyan, 1994: 103 mins)

Egoyan, Atom. "Voyeurism, Memory, Obsession, and Intimacy." Moving Image Source (March 12, 1995)

Heavenly Creatures (New Zealand/Germany: Peter Jackson, 1994: 99 mins)

Frank, Alison. "Heavenly Creatures." Electric Sheep Magazine (September 13, 2011)

The Lion King (USA: Roger Allers and Rob Minkoff, 1994: 89 mins)

Kuersten, Erich. "CinemArchetype #7: The Shadow." Acidemic (March 8, 2012)

Maybe, Maybe Not (Germany: Sönke Wortmann, 1994: 93 mins)

Brockmann, Stephen. "Der bewegte Mann (1994) or West German Self-Absorption." A Critical History of German Film Rochester, NY: Camden House, 2010: 436-445. [Professor has copy of the book]

Nadja (USA: Michael Amereyda, 1994: 93 mind)

Kuersten, Erich. "Druggie Vampire Women of B&W City: A GIRL WALKS HOME ALONE AT NIGHT, THE ADDICTION, NADJA." Acidemic (April 1, 2015)

Tafoya, Scout. "The Post-Punk Cinema Manifesto." Keyframe (September 10, 2015)

Natural Born Killers (USA: Oliver Stone, 1994: 118 mins)

Phillips, Kendall R. "Violence and Crime: Natural Born Killers." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 49-85. [in BCTC Library PN1995,9 S284P452008}

Pulp Fiction (USA: Quentin Tarantino, 1994: 154 mins)

Bailey, Jason. "An ... excerpt from Pulp Fiction: The Complete Story Of Quentin Tarantino’s Masterpiece." The Dissolve (November 20, 2013)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.

Lee, Kevin B. "The Tarantino Death Toll: What’s behind Quentin Tarantino’s obsession with killing?" Keyframe (December 16, 2015)





Queen Margot (France/Italy/Germany: Patrice Chéreau, 1994: 144 mins)

Hudson, David. "Patrice Chereau’s QUEEN MARGOT: 'Imagine a Gallic-history encyclopedia written by Clive Barker.'" Keyframe (May 9, 2014)

Mrs. Parker and the Vicious Circle (USA/Canada: Alan Rudolph, 1994: 125 mins)

Leigh, Jennifer Jason. "Mrs. Parker and the Vicious Circle." Pinewood Dialogues (November 23, 1994) ["Jennifer Jason Leigh is remarkable for her chameleon-like ability to transform herself, physically and psychologically, for each of her roles. Her ability to inhabit her characters comes from an intensive process of preparation and research, and from a fearlessness that allows her to abandon her reflective personality and become another person onscreen. Leigh has consistently sought out risky, interesting roles, working for such directors as Robert Altman, David Cronenberg, and Alan Rudolph. She spoke at the Museum on the day she received rave reviews for her dazzling portrayal of Dorothy Parker in Mrs. Parker and the Vicious Circle."]

Red (Poland/France/Switzerland: Krzysztof Kieslowski, 1994: 99 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

River of Grass (USA: Kelly Reichardt, 1994: 76 mins)

McGoff, Jessica. "A Tribute to Kelly Reichardt: On going and letting go." Keyframe (March 11, 2016)

Satantango (Hungary/Germany/Switzerland: Bela Tarr, 1994: 450 mins)

Cutler, Aaron. "Multiple Vision: Deciphering the isolated gazes in the films of Béla Tarr." Multiple Image Source (February 2012)

The Secret of Roan Inish (USA/Ireland: John Sayles, 1994: 103 mins)

Spector, Lincoln. "John Sayles: Three to See." Keyframe (May 10, 2016) 

The Shawshank Redemption (USA: Frank Darabont, 1994: 142 mins)

Hancock, James and Martin Kessler. "The King of Horror." The Wrong Reel #135 (May 16, 2016)

Speed (USA: Jan de Bont, 1994: 116 mins)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

Super 8 1/2 (Canada/Germany/USA: Bruce La Bruce, 1994: 99 mins)


Tafoya, Scout. "The Post-Punk Cinema Manifesto." Keyframe (September 10, 2015)

White (France/Poland/Switzerland: Krzysztof Kieslowski, 1994: 91 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

1995

The Addiction (USA: Abel Ferrara, 1995: 82 mins)

Kuersten, Erich. "Druggie Vampire Women of B&W City: A GIRL WALKS HOME ALONE AT NIGHT, THE ADDICTION, NADJA." Acidemic (April 1, 2015)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Bert: The Last Virgin (Sweden: Tomas Alfredson, 1995: 100 mins)

Rehlin, Gunnar. "Directors of the Year: Tomas Alfredson." International Film Guide: 2012. 48th Edition. [BCTC Library: PN 1993.3 I544 2012]

Casino (USA/France: Martin Scorsese, 1995: 178 mins)




---. "'Look. I Know You're Not Following What I'm Saying Anyway.': The Problem of the 'Video Essay' and Scorsese as Cinematic Essayist." [in]Transition (December 12, 2014)

The Celluloid Closet (France/UK/USA/Germany: Rob Epstein and Jeffrey Friedman, 1995: 102 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Fallen Angels (Hong Kong: Wong Kar Wai, 1995: 96 mins)

Fujishima, Kenji and Peter Labuza. "Fallen Angels." The Cinephiliacs #3 (August 12, 2012)

How to Make an American Quilt (USA: Jocelyn Moorhouse, 1995: 109 mins)

Haggard, Tiffany. "How to Make an American Quilt." Dialogic Cinephilia (November 5, 2013)

Kids (USA: Larry Clark, 1995: 91 mins)

Martin, Adrian. "A Larry Clark Portrait." 16:9 (September 2005)

Land and Freedom (UK/Spain/Germany/Italy: Ken Loach, 1995: 109 mins)



The Living Dead: Three Films About the Power of the Past (United Kingdom: Adam Curtis, 1995: 124 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

Nixon (USA: Oliver Stone, 1995: 192 mins)

Lee, Kevin B. and Matt Zoller Steitz. "Arsenic and Apple Pie: Patriotism and Propaganda in Born on the Fourth of July [Oliver Stone, Part 1]." Moving Image Source (October 14, 2008)

---. "Unreliable Narratives: JFK and the Power of Counter-Myth. [Oliver Stone, Part 2]." Moving Image Source (October 15, 2008)

---. "Fear and Self-Loathing: Nixon and the Unmaking of a President [Oliver Stone, Part 3]." Moving Image Source (October 16, 2008)

---. "Empire of the Son: War and civilization in Alexander, and an epilogue on W [Oliver Stone, Part 4]." Moving Image Source (October 17, 2008)

The Quick and the Dead (USA/Japan: Sam Raimi, 1995: 107 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Safe (UK/USA: Todd Haynes, 1995: 119 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)

Salaam Cinema (Iran: Mohsen Makhmalbaf, 1995: 75 mins)

Hassannia, Tina and Amir Soltani. "From Puppet Shows to Makhmalbaf."  Hello Cinema (March 24, 2014)

To Die For (USA/UK/Canada: Gus van Sant, 1995: 104 mins)


Landekic, Lola. "Pablo Ferro: A Career Retrospective, Part 2." Art of the Title (April 15, 2014)

Twelve Monkeys (USA: Terry Gilliam, 1995: 129 mins)

Gilliam, Terry. "Brazil and Twelve Monkeys." Moving Image Source (January 6, 1996)


1996:


A Summer's Tale (France: Eric Rohmer, 1996: 113 mins)

Lee, Kevin B. "Rohmer’s Guessing Gazes." Keyframe (March 8, 2015) ["Or: why Rohmer’s films get only better with repeat viewings, like playing back the memory of a strange encounter, wondering how it might have gone differently."]

Martin, Adrian. "A Summer's Tale: Some Kind of Liar." Keyframe (February 23, 2015)

Breaking the Waves (Denmark/Sweden/France/Netherlands/Norway/Iceland/Spain: Lars von Trier, 1996: 159 mins)

Kuersten, Erich. "CinemArchetype #5: The Human Sacrifice." Acidemic (February 28, 2012)

Watson, Emily. "On Her Big Breaking Break." Current (April 9, 2014)

Brigands: Chapter VII (Georgia/France/Russia/Italy/Switzerland: Otar Iosseliani, 1996: 129 mins)

Rosenbaum, Jonathan. "Desperate Measures [OUT OF SIGHT & THE BRIGANDS: CHAPTER VII]." Chicago Reader (July 3, 1998)

Citizen Ruth (USA: Alexander Payne, 1996: 106 mins)

Brill, Lesley. "Revisiting Citizen Ruth." Film International (May 14, 2011)

Conspirators of Pleasure (Czech Republic/USA/Switzerland: Jan Švankmajer, 1996: 85 mins)

LeSuer, Mike. "Spike Jonze vs. the Conspiring Escapist: On Her, Robert Coover’s Universal Baseball Association, and Jan Švankmajer’s Conspirators of Pleasure." Bright Lights Film Journal (January 16, 2015)

Crash (Canada/United Kingdom: David Cronenberg, 1996: 100 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)

Fargo (USA/UK: Joel Coen and Ethan Coen, 1996: 98 mins)

"The History and Science of Color Temperature." Filmmaker IQ (May 2013)

Fear (USA: James Foley, 1996: 97 mins)

Kuersten, Erich. "CinemArchetype #3: The Animus." Acidemic (February 1, 2012)

Fire (Canada/Fire: Deepa Mehta, 1996: 104 mins)

Burton, David F. "Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy" The Journal of Religion & Film 17.2 (October 2013)

Irma Vep (France: Olivier Assayas, 1996: 99 mins)

Fidler, John. "Irma Vep." Senses of Cinema #56 (2010)

I Shot Andy Warhol (UK/USA: Mary Harron, 1996: 103 mins)

Gross, Anisse. "Mary Harron [SCREENWRITER, DIRECTOR]." Believer (March/April 2014)

Kapica, Stephen S. "The multivalent feminism of The Notorious Bettie Page." #55 (Fall 2013)

Jerry Maguire (USA: Cameron Crowe, 1996: 139 mins)

"Jerry Maguire." The Canon #4 (November 24, 2014)

La Promesse (Belgium/France/Luxembourg/Tunisia: Jean-Pierre Dardenne and Luc Dardenne, 1996: 94 mins)

Hughes, Darren. "#20: LaPromesse." Arts and Faith Top 100 Films (2011)

Sterritt, David. "The Promise World Cinema Directory (2013)

Lone Star (USA: John Sayles, 1996: 135 mins)

Spector, Lincoln. "John Sayles: Three to See." Keyframe (May 10, 2016) 

Nenette and Boni (France: Claire Denis, 1996: 103 mins)

Connolly, Matt. "Living in the Moment: Nénette et Boni." Reverse Shot #29 (2009)

Prisoner of the Mountains (Russia/Kazakhstan: Sergey Bodrov, 1996: 99 mins)

Springer, Claudia. :Taken by Muslims: Captivity Narratives in The Lives of a Bengal Lancer and Prisoner of the Mountains." Jump Cut #53 (Summer 2011)

Red Hollywood (USA: Thom Anderson and Noël Burch, 1996: 118 mins)

Kizirian, Shari. "The Radical Left’s Hollywood Heyday: Airing out the films and ideas stifled by the Blacklist in Red Hollywood." Keyframe (May 1, 2016)

Schizopolis (USA: Steven Soderbergh, 1996: 96 mins)

Tobias, Scott. "The New Cult Canon - Schizopolis The A.V. Club (June 16, 2011)

Scream (USA: Wes Craven, 1996: 103 mins)

Dawson, Mike. "Analysis: Is Scream a Parody, Pastiche, or Post Modern Thriller?" Left Field Cinema (February 27, 2009)

Szamanka (Poland/France/Switzerland: Andrzej Zulawski, 1996: 110 mins)

The Ferroni Brigade. "Beginnings Are Useless: A Conversation with Andrzej Żuławski." Notebook (March 12, 2012)

When We Were Kings (USA: Leon Gast, 1996: 88 mins)


Hancock, James and Jacob Rivera. "The Sweet Science in Cinema." The Wrong Reel #129 (April 2016)


1997


Affliction (USA: Paul Schrader, 1997: 114 mins)

Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)

Amistad (USA: Steven Spielberg, 1997: 155 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

Kellner, Douglas. "The horrors of slavery and modes of representation in Amistad and 12 Years a Slave." Jump Cut #56 (Winter 2014/2015)

As Good As It Gets (USA: James L. Brooks, 1997: 139 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

The Big One (USA/UK: Michael Moore, 1997: 97 mins)

Watson, Garry. "Michael Moore: A Man on a Mission or How Far a Reinvigorated Populism Can Take Us." Cineaction #70 (2006)

Breakdown (USA: Jonathan Mostow, 1997: 93 mins)

Lee, Kevin B. "Keith Uhlich’s Cinema Breakdown (Video)." Keyframe (July 10, 2013) ["If Uhlich’s sensibilities are startling, they are also immensely sincere: A close look at Jonathan Mostow’s BREAKDOWN and other cinematic traumas."]

Chasing Amy (USA: Kevin Smith, 1997: 113 mins)

Lucal, Betsy and Andrea Miller. "Working the Boundaries: Bisexuality and Transgender on Film." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 162-174. [In BCTC Library PN1995.9 S6 C543 2013]

Chile, The Obstinate Memory (Canada/France: Patricio Guzmán, 1997: 59 mins)

McNeil, Jeremiah, Brian Risselada and Tom Sutpen. "Patricio Guzmán's Battle (1975-1997)." Illusion Travels by Streetcar (January 14, 2016)

Cube (Canada: Vincenzo Natali, 1997: 90 mins)

Eig, Jonathan. "A Beautiful Mind(fuck) -- Hollywood Structures of Identity." Jump Cut #46 (2003)

Cure (Japan: Kiyoshi Kurosawa, 1997: 111 mins)

Kalat, David. "Kiyoshi Kurosawa is the Cure." Movie Morlocks (March 24, 2012)

The Game (USA: David Fincher, 1997: 129 mins)

Szhou, Tony. "David Fincher - And the Other Way is Wrong." Every Frame a Painting (October 1, 2014)

Good Will Hunting
(USA: Gus van Sant, 1997: 126 mins)

D'Angelo, Mike. "Scenic Routes: Good Will Hunting." A.V. Club (August 24, 2009)

Dowd, James J. "Understanding Social Mobility Through the Movies." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 60-69. [In BCTC Library PN1995.9 S6 C543 2013]

Gummo (USA: Harmony Korine, 1997: 89 mins)

Cooper, Julia. "Radical Intimacies: Harmony Korine’s Gummo and Spring Breakers." cléo 1.1 (April 1, 2013)

Wilson, David. "Gummo." The Cinephiliacs #76 (March 27, 2016)
Happy Together (Hong Kong/Japan/South Korea: Wong Kar Wai, 1997: 96 mins)

Guo, Caroline. ""We lost our way": The time and space of alienation in Wong Kar-wai’s Happy Together." Jump Cut #55 (Fall 2013)

Jackie Brown (USA: Quentin Tarantino, 1997: 154 mins)

Lee, Kevin B. "The Tarantino Death Toll: What’s behind Quentin Tarantino’s obsession with killing?" Keyframe (December 16, 2015)


Leila (Iran: Dariush Mehrjui, 1997: 102 mins)

Hassania, Tina, Calum Marsh and Amir Soltani. "Reception of Iranian Cinema, with a Focus on Leila." Hello Cinema (April 24, 2014)

Lost Highway (France/USA: David Lynch, 1997: 134 mins)

Grozdaniz, Lidija. "Möbius, Frank Lloyd Wright, and the 1950s: David Lynch As the Ultimate Architect's Film Director." Architizer (July 14, 2014)

Jennings, Tom. "David Lynch, Contemporary Cinema and Social Class (2000)." libcom (March 7, 2008)

Men With Guns (USA: John Sayles, 1997: 127 mins)

Spector, Lincoln. "John Sayles: Three to See." Keyframe (May 10, 2016) 

Mimic (USA: Guillermo del Toro, 1997: 105 mins)

Heumann, Joseph and Robin Murray. "“As beautiful as a butterfly”?: Monstrous cockroach nature and the horror film." Jump Cut #56 (Winter 2014/2015)

Open Your Eyes (Spain/France, Italy: Alejandro Amenábar, 1997: 117 mins)

Mooney, James. "Epistemology: Dreams and Demons -- Abre los ojos (Open your eyes)." Film and Philosophy (September 9, 2011)

Ossos (Portugal/France/Denmark: Pedro Costa, 1997: 94 mins)

McNeil, Jeremiah, et al. "Pedro Costa in Fontainhas (1997-2014)." Illusion Travels by Streetcar #93 (February 25, 2016)

Princess Mononoke (Japan: Hayao Miyazaki, 1997: 134 mins)

Hogg, Trevor. "Drawn to Anime: A Hayao Miyazaki Profile." Flickering Myth (May 26, 2010)

The River (Taiwan: Tsai Ming-liang, 1997: 115 mins)

Brailsford, Zachary Phillip, et al. "Tsai Ming-liang." Syndromes and a Cinema (August 28, 2011)

Rosewood (USA: John Singleton, 1997: 140 mins)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

Rossini (Germany: Helmut Dietl, 1997: 114 mins)

Brockmann, Stephen. "Rossini (1997) or West German Self-Absorption Criticized." A Critical History of German Film Rochester, NY: Camden House, 2010: 446-455. [Professor has copy of the book]

Starship Troopers (USA: Paul Verhoeven, 1997: 129 mins)

Neumeier, Ed and Paul M. Sammon. "Starship Troopers." The Projection Booth #99 (January 29, 2013)

Scott, Suzanne. "Starship Troopers: The Massacre Is the Message." Reverse Shot (June 22, 2003)

Wag the Dog (USA: Barry Levinson, 1997: 97 mins)

Kuersten, Erich. "Quilty Makes This World: 12 Tricksters (CinemArchetype #1)." Acidemic (January 23, 2012)


1998


After Life (Japan: Hirokazu Koreeda, 1998: 118 mins)

Kogonada. "The world according to Koreeda: How Japan’s modern master revives our taste for everyday life." Sight and Sound (January 9, 2014)

American History X (USA: Tony Kaye, 1998: 119 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Big Lebowski (USA: Joel and Ethan Coen, 1998: 117 mins)

Ager, Rob. "Across the Sands of Time: Film Analysis of The Big Lebowski." Collative Learning (2008)

---. "Greatest Screen Heroes: The Dude in The Big Lebowski." (Posted on Youtube: September 7, 2014)

Mac, Mark. "That's Fucking Interesting, Man." The Dudespaper (February 16, 2013)

The Brandon Teena Story (USA: Susan Muska and Gréta Olafsdóttir, 1998: 89 mins)

Fairyington, Stephanie. "Two Decades After Brandon Teena's Murder, a Look Back at Falls City: Eager to come to terms with his department's tragic mishandling of the rape that led to the murder on New Year's Eve in 1993, a small-town sheriff welcomes LGBT-sensitivity training." The Atlantic (December 31, 2013)

Dark City (Australia/USA: Alex Proyas, 1998: 100 mins)

Tafoya, Scout. "The Post-Punk Cinema Manifesto." Keyframe (September 10, 2015)

Eternity and a Day (Greece/France/Germany/Italy: Theodoros Angelopoulos, 1998: 137 mins)

Horton, Andrew. "The Greek and Balkan Spirit of Comedy During the Journeys with the Films of Theo Angelopoulos." Greek Cinema and Films About Greece (2012)

The Hole (Taiwan/France: Tsai Ming-liang, 1998: 95 mins)

Brailsford, Zachary Phillip, et al. "Tsai Ming-liang." Syndromes and a Cinema (August 28, 2011)

I Stand Alone (France: Gaspar Noé, 1998: 93 mins)

Morgan, Kim. "You Have 30 Seconds to Leave the Theater" - Gaspar Noe's I Stand Alone." International Film Studies #6 (2010)

The Last Days of Disco (USA: Whit Stillman, 1998: 113 mins)

Smith, Justine, et al. "Spotlight + Interview – Director Whit Stillman (‘Damsels In Distress,’ ‘The Last Days of Disco’)." Sound on Sight #319 (May 3, 2012)

Megacities (Austria/Switzerland: Michael Glawogger, 1998: 90 mins)

Möller, Olaf. "The World Viewed, Part 1: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 17, 2012)

---. "The World Viewed, Part 2: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 18, 2012)

Psycho (USA: Gus van Sant, 1998: 105 mins)

Soderbergh, Steven. "Psychos." Extension 765 (Mashup of the two version of Psycho: February 24, 2014)

Run Lola Run (Germany: Tom Tykwer, 1998: 80 mins)

Pi (USA: Darren Aronofsky, 1998: 84 mins)





Brockmann, Stephen. "Lola rennt (1998) or Cool Germania." A Critical History of German Film Rochester, NY: Camden House, 2010: 456-467. [Professor has copy of the book]

Saving Private Ryan (USA: Steven Spielberg, 1998: 169 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Laity, Adam. "The Role of Landscape, Nature and Environment in War Films." (Posted on Vimeo: 2012)

Secret Défense (France: Jacques Rivette, 1998: 170 mins)

Klevan, Andrew. "Expressing the In-Between." Senses of Cinema #1 (2011)

Rapfogel, Jared. Secret Défense Senses of Cinema #10 (2000)

The Truman Show (USA: Peter Weir, 1998: 103 mins)

Zizek, Slavoj. "The Matrix, or Two Sides of Perversion." The European Graduate School (Originally published in Philosophy Today #43 1999)

Whispering Corridors (South Korea: Ki-hyeong Park, 1998: 105 mins)

Choi, Jinchee. "A Cinema of Girlhood: Sonyeo Sensibility and the Decorative: Impulse in the Korean Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 39-56.

1999

Being John Malkovich (USA: Spike Jonze, 1999: 112 mins)

Galibert-Laîné, Chloé. "The Human, the Machine and Spike Jonze." Keyframe (July 11, 2015) ["Tracking the evolution of technology and humankind in Spike Jonze films."]

Three Reasons: Being John Malkovich Current (April 25, 2012)

Boys Don't Cry (USA: Kimberly Pierce, 1999: 118 mins)

Fairyington, Stephanie. "Two Decades After Brandon Teena's Murder, a Look Back at Falls City: Eager to come to terms with his department's tragic mishandling of the rape that led to the murder on New Year's Eve in 1993, a small-town sheriff welcomes LGBT-sensitivity training." The Atlantic (December 31, 2013)

East is East (UK: Damien O'Donnell, 1999: 96 mins)





Existenz (Canada/United Kingdom: David Cronenberg, 1999: 97 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

"Explore the Making of ‘Cosmopolis,’ ‘Naked Lunch,’ ‘Spider,’ ‘Eastern Promises,’ and More." The Film Stage (January 13, 2016)

Lattimer, James. "Evolving Mantras and Restricted Vocabularies." The Notebook (February 23, 2015)

Futurama (Comedy Central: David X. Cohen and Matt Groening, 1999 - 2013)

Cohen, David X. "FUTURAMA’S RESIDENT PHYSICS NERD ON MATH JOKES AND RICHARD NIXON." The Geek's Guide to the Galaxy (September 27, 2014)

Ghost Dog: The Way of the Samurai (France/Germany/USA/Japan: Jim Jarmusch, 1999: 116 mins)

Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)

Human Resources (France/United Kingdom: Laurent Cantet, 1999: 100 mins)

Livingston, Jessica. "Global capital’s false choices in the films of Laurent Cantet." Jump Cut #53 (Summer 2012)

The Hurricane (USA: Norman Jewison, 1999: 146 mins)

Zirin, Dave. "On the Death and Life's Work of the Unconquerable Rubin 'Hurricane' Carter." TruthOut (April 22, 2014)

Magnolia (USA: Paul Thomas Anderson, 1999: 188 mins)

Anderson, Paul Thomas. "On His Filmmaking and Films." WTF #565 (January 5, 2015)

Bernstein, Arielle and Nelson Carvajal. "The Inherent Vice in Paul Thomas Anderson's Films: A Video Essay." Press Play (January 2, 2015)

Holt, Ryan. "#16: Magnolia." Arts and Faith Top 100 Films (2011)

Lee, Kevin B. "The Career of Paul Thomas Anderson in Five Shots." (Posted on Vimeo: 2013)
Swinney, Jacob T. "A Video Essay on Paul Thomas Anderson's Provocative Use of the Long Shot." Press Play (January 30, 2015)

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (UK/USA: Errol Morris, 1999: 91 mins)

Palmer, Landon. "6 Filmmaking Tips From Errol Morris." Film School Rejects (September 25, 2013)

Nowhere to Hide (South Korea: Lee Myung-Se, 1999: 112 mins)

D'Angelo, Mike. "Nowhere to Hide." A.V. Club (July 27, 2009)

Office Space (USA: Mike Judge, 1999: 89 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

Ratcatcher (UK/France: Lynne Ramsey, 1999: 94 mins)

López, Cristina Álvarez. "Ratcatcher: Tell Me Where It Hurts." Keyframe (April 7, 2015)

Romance (France: Catherine Breillat, 1999: 84 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

The Sixth Sense (USA: M. Night Shyamalan, 1999: 107 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

The Sopranos (USA: David Chase, TV Series 1999-2007)

Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)

Sakharov, Alik. "The Sopranos - Pt. 1." and "The Sopranos - Pt. 2." American Cinematographer (No Date)

Star Wars: The Phantom Menace (USA: George Lucas, 1999: 136 mins)

Pride, Ray. "Review Flashback: Star Wars: Episode I – The Phantom Menace." New City Film (December 14, 2015)

Summer of Sam (USA: Spike Lee, 1999: 142 mins)

Flory, Dan. "The Epistemology of Race and Black American Film Noir: Summer of Sam as Lynching Parable." Film and Knowledge ed. Kevin L. Stoehr. Mcfarland, 2002: 174-190.

Three Kings (USA/Australia: David O. Russell, 1999: 114 mins)

Kitaeff, Lila. "Three Kings: neocolonial Arab representation." Jump Cut #46 (2003)

The Virgin Suicides (USA: Sofia Coppola, 1999: 97 mins)

Gemmill, Allie. "Sofia Coppola and Female Coming of Age: These young women share an experience of inner life, and of parsing the culture that seeks to define them." Keyframe (May 24, 2016)



Loneliness of Sofia Coppola from movement_of_time on Vimeo.



The Woman Chaser (USA: Robinson Devor, 1999: 90 mins)

"The Woman Chaser." The Projection Booth #38 (November 23, 2011)

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