Sunday, December 18, 2011

ENG 282: 1990s

1990

Archangel (Canada: Guy Maddin, 1990: 90 mins)

Smalley, G. "Archangel (1990)." 366 Weird Movies (February 17, 2009)

Jacob's Ladder (USA: Adrian Lyne, 1990: 113 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

Kindergarten Cop (USA: Ivan Reitman, 1990: 111 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

King of New York (Italy/USA/UK: Abel Ferrara, 1990: 103 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Miller's Crossing (USA: Joel Coen, 1990: 115 mins)

Orr, Christopher. "Miller's Crossing: An overdue love letter to the extraordinary meta gangster movie." The Atlantic (September 10, 2014)

The Nasty Girl (West Germany: Michael Verhoeven, 1990: 92 mins)

Barker, Jennifer Lynne. The Aesthetics of Antifascist Film: Radical Projection. Routledge, 2013. [Get through interlibrary loan]

Total Recall (USA: Paul Verhoeven, 1990: 113 mins)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)

Philip K. Dick." Prophets of Science Fiction #2 (Posted on YouTube March 20, 2013)

1991

Barton Fink (USA: Joel and Ethan Coen, 1991: 116 mins)

"Barton Fink (1991)." Watching Theology (September 11, 2007)

Wilkins, Budd. "“I Will Show You the Life of the Mind”: Barton Fink (1991)." That Obscure Object of Desire (March 10, 2011)

Delicatessen (France: Marc Caro and Jean-Pierre Jeunet, 1991: 99 mins)

Merrick, Amy. "Living In: Delicatessen." Design Sponge (June 14, 2011)

The Double Life of Veronique (Poland/France/Norway: Krzysztof Kieslowski, 1991: 98 mins)

Pearson, Kevin. "The Double Life of Veronique: Kieslowski and Pure Emotion." Alternate Takes (May 17, 2011)


Naked Lunch (Canada/UK/Japan: David Cronenberg, 1991: 115 mins)

Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)

Point Break (USA: Kathryn Bigelow, 1991: 120 mins)

Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)

Poison (USA: Todd Haynes, 1991: 85 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Hartman, Andy. "Structural/Sexual Transgression: Todd Haynes' Poison as a Critique of Homonormativity." Bright Lights Film Journal #82 (November 2013)

The Silence of the Lambs (USA: Jonathan Demme, 1991: 118 mins)

Phillips, Kendall R. "Sex, Gender, and Sexuality: Jonathan Demme's The Silence of the Lambs." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 19-48.[in BCTC Library PN1995,9 S284P452008}

Star Trek VI: The Undiscovered Country (USA: Nicholas Meyer, 1991: 113 mins)

Green, Michael. "Glasnost in Space Revisited: Star Trek VI: The Undiscovered Country." Bright Lights Film Journal #76 (May 2012)

Terminator 2: Judgement Day (USA/France: James Cameron, 1991: 137 mins)

Messner, Michael A. "The Masculinity of the Governator: Muscle and Compassion in American Politics." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 135-148. [In BCTC Library PN1995.9 S6 C543 2013]

Thelma and Louise (USA: Ridley Scott, 1991: 130 mins)

Falzon, Christopher. "Philosophy Through Film." Internat Encyclopedi of Philosophy (August 12, 2013)

1992

Alien 3 (USA: David Fincher, 1992: 114 mins)

Szhou, Tony. "David Fincher - And the Other Way is Wrong." Every Frame a Painting (October 1, 2014)

Bad Lieutenant (USA: Abel Ferrara, 1992: 96 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Bob Roberts (USA: Tim Robbins, 1992: 102 mins)

McBride, Joseph. "Political Filmmaking and America's "Poisoned Chalice": The Banned Gore Vidal Interview." Bright Lights Film Journal #77 (August 2012)

Careful (Canada: Guy Maddin, 1992: 100 mins)

Asch, Mark. "Careful and House by the River: On Guy Maddin and Fritz Lang’s craftsmanship in the creation of fraught psychological states." Keyframe (January 4, 2013)

Centre Stage (Hong Kong: Stanley Kwan, 1992: 126 mins)

Williams, Tony. "Centre Stage." Senses of Cinema #56 (2010)

Cool World (USA: Ralph Bakshi, 1992: 102 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

A League of Their Own (USA: Penny Marshall, 1992: 128 mins)

Bonzel, Katharina. "A League of Their Own: The Impossibility of the Female Sports Hero." Screening the Past (October 2013)

The Long Day Closes (UK: Terence Davies, 1992: 85 mins)

Wood, Jason. "Directors of the Year: Terence Davies." International Film Guide: 2012 ed. Ian Hadyn Smith.

Manufacturing Consent: Noam Chomsky and the Media (Canada: Mark Achbar and Peter Wintonick, 1992: 167 mins)

Chomsky, Noam. "On Education & How Manufacturing Consent Brought Attention to East Timor Massacres." Democracy Now (December 3, 2013)



Pandora's Box: A Fable From the Age of Science (United Kingdom: Adam Curtis, 1992: 276 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

Resevoir Dogs (USA: Quentin Tarantino, 1992: 99 mins)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.

Romper Stomper (Australia: Geoffrey Wright, 1992: 94 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Unforgiven (USA: Clint Eastwood, 1992: 131 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

1993

Bad Boy Bubby (Australia/Italy: Rolf de Heer, 1993: 114 mins)

"Bad Boy Bubby (1993)." 366 Weird Movies (April 4, 2012)

Blue (UK: Derek Jarman, 1993: 79 mins)

Risselada, Brian, Josh Ryan and Max Slobodin. "Queer Cinema." Syndromes and a Cinema #5 (May 17, 2013)

Sobchack, Vivian. "Fleshing out the image: Phenomenology, Pedagogy, and Derek Jarman's Blue." CINEMA: Journal of Philosophy and the Moving Image #3 (2012)

Jurassic Park (USA: Steven Spielberg, 1993: 127 mins)

Davis, Adam. "Native images: the otherness and affectivity of the digital body." Jump Cut #55 (Fall 2013)

Oh, Woe is Me (France/Switzerland: Jean-Luc Godard, 1993: 95 mins)

Brody, Richard. "DVD of the Week: Oh, Woe is Me." The Front Row (May 31, 2011)

The Piano (Australia/New Zealand/France: Jane Campion, 1993: 121 mins)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

The Secret Garden (USA: Agnieszka Holland, 1993: 101 mins)

Merrick, Amy. "Living In: The Secret Garden." Design Sponge (April 5, 2011)

Six Degrees of Separation (USA: Fred Schepisi, 1993: 112 mins)

Tolliver, Willie. "Postlude to a Kiss: Will Smith's Performances of Race and Sexuality in Fred Schepisi's Six Degrees of Separation." Bright Lights Film Journal #76 (May 2012)

Sonatine (Japan: Takeshi Kitano, 1993: 94 mins)

Fyfe, Stewart Heinz. "Impressions of Violence, Moments of Witness: Style in the Assassination Scenes of Takeshi Kitano’s Sonatine." 16:9 (February 2006)

The Wedding Banquet (Taiwan/USA: Ang Lee, 1993: 106 mins)

Lee, Kevin B. "Hope for Film: Lessons from Ang Lee’s Career." Keyframe (June 1, 2014)

Wittgenstein (Japan/UK: Derek Jarman, 1993: 75 mins)

Cashell, Kieran Anthony. "Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman’s Wittgenstein." Film-Philosophy 16.1 (2012)

Falzon, Christopher. "Philosophy Through Film." Internat Encyclopedia of Philosophy (August 12, 2013)

1994

71 Fragments of a Chronology of a Chance. (Austria: Michael Haneke, 1994: 100 mins)

Dawson, Mike. "Contemporary Obscurity: The Glaciation Trilogy." Left Field Cinema (February 23, 2009)

Frey, Mattias. "Great Directors: Michael Haneke." Senses of Cinema #57 (2010)

Anjaam (India: Rahul Rawail, 1994: 170 mins)

Erndl, Kathleen M. "Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film." Journal of Religion & Film 17.2 (October 2013)

Maybe, Maybe Not (Germany: Sönke Wortmann, 1994: 93 mins)

Brockmann, Stephen. "Der bewegte Mann (1994) or West German Self-Absorption." A Critical History of German Film Rochester, NY: Camden House, 2010: 436-445. [Professor has copy of the book]

Natural Born Killers (USA: Oliver Stone, 1994: 118 mins)

Phillips, Kendall R. "Violence and Crime: Natural Born Killers." Controversial Cinema: The Films That Outraged America. Westport, CT: Preager, 2008: 49-85. [in BCTC Library PN1995,9 S284P452008}

Pulp Fiction (USA: Quentin Tarantino, 1994: 154 mins)

Bailey, Jason. "An ... excerpt from Pulp Fiction: The Complete Story Of Quentin Tarantino’s Masterpiece." The Dissolve (November 20, 2013)

Giroux, Henry A. "Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies." Social Identities 1:2 (1995): 333-354.





Queen Margot (France/Italy/Germany: Patrice Chéreau, 1994: 144 mins)

Hudson, David. "Patrice Chereau’s QUEEN MARGOT: 'Imagine a Gallic-history encyclopedia written by Clive Barker.'" Keyframe (May 9, 2014)

Red (Poland/France/Switzerland: Krzysztof Kieslowski, 1994: 99 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

Satantango (Hungary/Germany/Switzerland: Bela Tarr, 1994: 450 mins)

Cutler, Aaron. "Multiple Vision: Deciphering the isolated gazes in the films of Béla Tarr." Multiple Image Source (February 2012)

Speed (USA: Jan de Bont, 1994: 116 mins)

Sobchack, Vivian. "What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh." Senses of Cinema (April 2000)

White (France/Poland/Switzerland: Krzysztof Kieslowski, 1994: 91 mins)

Kiefer, Jonathan. "Kieslowski’s “Three Colors”: Just when it seemed that European cinema had become fossilized, the great Polish director created the slickest -- and loveliest -- concept album in art-film history." Salon (June 10, 2002)

Overstreet, Jeffrey. "#14: Three Colors Trilogy." Arts and Faith Top 100 Films (2011)

1995

The Addiction (USA: Abel Ferrara, 1995: 82 mins)

Met, Philippe. "Abel Ferrara: Filming (on) the Wild Side (of New York)." Senses of Cinema (September 2013)

Bert: The Last Virgin (Sweden: Tomas Alfredson, 1995: 100 mins)

Rehlin, Gunnar. "Directors of the Year: Tomas Alfredson." International Film Guide: 2012. 48th Edition. [BCTC Library: PN 1993.3 I544 2012]

The Celluloid Closet (France/UK/USA/Germany: Rob Epstein and Jeffrey Friedman, 1995: 102 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Dead Man (USA/Germany/Japan: Jim Jarmusch, 1995: 121 mins)

Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)

Rosenbaum, Jonathan. "Dead Man in 2010: A Czech Preface." (February 5, 2011)

Fallen Angels (Hong Kong: Wong Kar Wai, 1995: 96 mins)

Fujishima, Kenji and Peter Labuza. "Fallen Angels." The Cinephiliacs #3 (August 12, 2012)

How to Make an American Quilt (USA: Jocelyn Moorhouse, 1995: 109 mins)

Haggard, Tiffany. "How to Make an American Quilt." Dialogic Cinephilia (November 5, 2013)

Kids (USA: Larry Clark, 1995: 91 mins)

Martin, Adrian. "A Larry Clark Portrait." 16:9 (September 2005)

Land and Freedom (UK/Spain/Germany/Italy: Ken Loach, 1995: 109 mins)



The Living Dead: Three Films About the Power of the Past (United Kingdom: Adam Curtis, 1995: 124 mins)

Atkinson, Michael. "Archival Trouble: The fiction-free science fiction of Adam Curtis." Moving Image Source (February 16, 2012)

Nixon (USA: Oliver Stone, 1995: 192 mins)

Lee, Kevin B. and Matt Zoller Steitz. "Arsenic and Apple Pie: Patriotism and Propaganda in Born on the Fourth of July [Oliver Stone, Part 1]." Moving Image Source (October 14, 2008)

---. "Unreliable Narratives: JFK and the Power of Counter-Myth. [Oliver Stone, Part 2]." Moving Image Source (October 15, 2008)

---. "Fear and Self-Loathing: Nixon and the Unmaking of a President [Oliver Stone, Part 3]." Moving Image Source (October 16, 2008)

---. "Empire of the Son: War and civilization in Alexander, and an epilogue on W [Oliver Stone, Part 4]." Moving Image Source (October 17, 2008)

The Quick and the Dead (USA/Japan: Sam Raimi, 1995: 107 mins)

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Safe (UK/USA: Todd Haynes, 1995: 119 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)

Se7en (USA: David Fincher, 1995: 127 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

LoBrutto, Vincent. "Defining Theme, Metaphor, and Character Through Color, Texture, and Environmental Design: Se7en." Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005: 280-285. [BCTC Library: PN1994 L595 2005]

Szhou, Tony. "David Fincher - And the Other Way is Wrong." Every Frame a Painting (October 1, 2014)

1996

Brigands: Chapter VII (Georgia/France/Russia/Italy/Switzerland: Otar Iosseliani, 1996: 129 mins)

Rosenbaum, Jonathan. "Desperate Measures [OUT OF SIGHT & THE BRIGANDS: CHAPTER VII]." Chicago Reader (July 3, 1998)

Citizen Ruth (USA: Alexander Payne, 1996: 106 mins)

Brill, Lesley. "Revisiting Citizen Ruth." Film International (May 14, 2011)

Crash (Canada/United Kingdom: David Cronenberg, 1996: 100 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)

Fire (Canada/Fire: Deepa Mehta, 1996: 104 mins)

Burton, David F. "Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy>" The Journal of Religion & Film 17.2 (October 2013)

Irma Vep (France: Olivier Assayas, 1996: 99 mins)

Fidler, John. "Irma Vep." Senses of Cinema #56 (2010)

I Shot Andy Warhol (UK/USA: Mary Harron, 1996: 103 mins)

Kapica, Stephen S. "The multivalent feminism of The Notorious Bettie Page." #55 (Fall 2013)

La Promesse (Belgium/France/Luxembourg/Tunisia: Jean-Pierre Dardenne and Luc Dardenne, 1996: 94 mins)

Hughes, Darren. "#20: LaPromesse." Arts and Faith Top 100 Films (2011)

Sterritt, David. "The Promise World Cinema Directory (2013)

Nenette and Boni (France: Claire Denis, 1996: 103 mins)

Connolly, Matt. "Living in the Moment: Nénette et Boni." Reverse Shot #29 (2009)

Prisoner of the Mountains (Russia/Kazakhstan: Sergey Bodrov, 1996: 99 mins)

Springer, Claudia. :Taken by Muslims: Captivity Narratives in The Lives of a Bengal Lancer and Prisoner of the Mountains." Jump Cut #53 (Summer 2011)

Schizopolis (USA: Steven Soderbergh, 1996: 96 mins)

Tobias, Scott. "The New Cult Canon - Schizopolis The A.V. Club (June 16, 2011)

Scream (USA: Wes Craven, 1996: 103 mins)

Dawson, Mike. "Analysis: Is Scream a Parody, Pastiche, or Post Modern Thriller?" Left Field Cinema (February 27, 2009)

1997

Affliction (USA: Paul Schrader, 1997: 114 mins)

Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)

Amistad (USA: Steven Spielberg, 1997: 155 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

As Good As It Gets (USA: James L. Brooks, 1997: 139 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

The Big One (USA/UK: Michael Moore, 1997: 97 mins)

Watson, Garry. "Michael Moore: A Man on a Mission or How Far a Reinvigorated Populism Can Take Us." Cineaction #70 (2006)

Boogie Nights (USA: Paul Thomas Anderson, 1997: 155 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Chasing Amy (USA: Kevin Smith, 1997: 113 mins)

Lucal, Betsy and Andrea Miller. "Working the Boundaries: Bisexuality and Transgender on Film." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 162-174. [In BCTC Library PN1995.9 S6 C543 2013]

Cube (Canada: Vincenzo Natali, 1997: 90 mins)

Eig, Jonathan. "A Beautiful Mind(fuck) -- Hollywood Structures of Identity." Jump Cut #46 (2003)

Cure (Japan: Kiyoshi Kurosawa, 1997: 111 mins)

Kalat, David. "Kiyoshi Kurosawa is the Cure." Movie Morlocks (March 24, 2012)

The Game (USA: David Fincher, 1997: 129 mins)

Szhou, Tony. "David Fincher - And the Other Way is Wrong." Every Frame a Painting (October 1, 2014)

Good Will Hunting
(USA: Gus van Sant, 1997: 126 mins)

Dowd, James J. "Understanding Social Mobility Through the Movies." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 60-69. [In BCTC Library PN1995.9 S6 C543 2013]

Happy Together (Hong Kong/Japan/South Korea: Wong Kar Wai, 1997: 96 mins)

Guo, Caroline. ""We lost our way": The time and space of alienation in Wong Kar-wai’s Happy Together." Jump Cut #55 (Fall 2013)

Lost Highway (France/USA: David Lynch, 1997: 134 mins)

Grozdaniz, Lidija. "Möbius, Frank Lloyd Wright, and the 1950s: David Lynch As the Ultimate Architect's Film Director." Architizer (July 14, 2014)

Open Your Eyes (Spain/France, Italy: Alejandro Amenábar, 1997: 117 mins)

Mooney, James. "Epistemology: Dreams and Demons -- Abre los ojos (Open your eyes)." Film and Philosophy (September 9, 2011)

Princess Mononoke (Japan: Hayao Miyazaki, 1997: 134 mins)

Hogg, Trevor. "Drawn to Anime: A Hayao Miyazaki Profile." Flickering Myth (May 26, 2010)

The River (Taiwan: Tsai Ming-liang, 1997: 115 mins)

Brailsford, Zachary Phillip, et al. "Tsai Ming-liang." Syndromes and a Cinema (August 28, 2011)

Rosewood (USA: John Singleton, 1997: 140 mins)

Guerrero, Ed. "The Spectacle of Black Violence as Cinema." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 89-103. [In BCTC Library PN1995.9 S6 C543 2013]

Rossini (Germany: Helmut Dietl, 1997: 114 mins)

Brockmann, Stephen. "Rossini (1997) or West German Self-Absorption Criticized." A Critical History of German Film Rochester, NY: Camden House, 2010: 446-455. [Professor has copy of the book]

1998

After Life (Japan: Hirokazu Koreeda, 1998: 118 mins)

Kogonada. "The world according to Koreeda: How Japan’s modern master revives our taste for everyday life." Sight and Sound (January 9, 2014)

American History X (USA: Tony Kaye, 1998: 119 mins)

Rivas, T.J. "Cinematic Responses to Fascism." Film History and Aesthetics Wiki (A Project of Film 110: Introduction to Film History and Aesthetics at Westminster College)

The Big Lebowski (USA: Joel and Ethan Coen, 1998: 117 mins)

Ager, Rob. "Across the Sands of Time: Film Analysis of The Big Lebowski." Collative Learning (2008)

The Brandon Teena Story (USA: Susan Muska and Gréta Olafsdóttir, 1998: 89 mins)

Fairyington, Stephanie. "Two Decades After Brandon Teena's Murder, a Look Back at Falls City: Eager to come to terms with his department's tragic mishandling of the rape that led to the murder on New Year's Eve in 1993, a small-town sheriff welcomes LGBT-sensitivity training." The Atlantic (December 31, 2013)

Eternity and a Day (Greece/France/Germany/Italy: Theodoros Angelopoulos, 1998: 137 mins)

Horton, Andrew. "The Greek and Balkan Spirit of Comedy During the Journeys with the Films of Theo Angelopoulos." Greek Cinema and Films About Greece (2012)

The Hole (Taiwan/France: Tsai Ming-liang, 1998: 95 mins)

Brailsford, Zachary Phillip, et al. "Tsai Ming-liang." Syndromes and a Cinema (August 28, 2011)

I Stand Alone (France: Gaspar Noé, 1998: 93 mins)

Morgan, Kim. "You Have 30 Seconds to Leave the Theater" - Gaspar Noe's I Stand Alone." International Film Studies #6 (2010)

The Last Days of Disco (USA: Whit Stillman, 1998: 113 mins)

Smith, Justine, et al. "Spotlight + Interview – Director Whit Stillman (‘Damsels In Distress,’ ‘The Last Days of Disco’)." Sound on Sight #319 (May 3, 2012)

Megacities (Austria/Switzerland: Michael Glawogger, 1998: 90 mins)

Möller, Olaf. "The World Viewed, Part 1: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 17, 2012)

---. "The World Viewed, Part 2: The globe-spanning, category-defying works of Michael Glawogger." Moving Image Source (April 18, 2012)

Run Lola Run (Germany: Tom Tykwer, 1998: 80 mins)

Brockmann, Stephen. "Lola rennt (1998) or Cool Germania." A Critical History of German Film Rochester, NY: Camden House, 2010: 456-467. [Professor has copy of the book]

Saving Private Ryan (USA: Steven Spielberg, 1998: 169 mins)

Benedict, Steven. "The Techniques and Themes of Steven Spielberg." Vimeo (August 8, 2012)

Secret Défense (France: Jacques Rivette, 1998: 170 mins)

Klevan, Andrew. "Expressing the In-Between." Senses of Cinema #1 (2011)

Rapfogel, Jared. Secret Défense Senses of Cinema #10 (2000)

The Thin Red Line (USA: Terrence Malick, 1998: 170 mins)

Bellamy, Jason and Ed Howard. "Conversations: Terrence Malick, Part One. The House Next Door (May 28, 2011)

Spencer, Benjamin P. "“Show Me How To See Things the Way You Do: Existentialism in Faith, Philosophy and Film." (A
 thesis 
submitted 
in 
partial 
fulfillment 
of 
the 
requirements for 
graduation
 with 
Honors 
in 
Religion at Whitman College 2010) ["In 
this 
cross‐disciplinary 
thesis, 
I 
use 
Paul 
Tillich’s 
theological
concept, 
“Absolute
 Faith,” 
and 
Albert 
Camus’ 
philosophical
 notion 
of 
“the
 absurd” 
to 
uncover 
the
 existential 
dimensions 
of 
the 
1998 
film 
The 
Thin 
Red 
Line, 
written 
and 
directed 
by
 Terrence 
Malick. 
The 
film
 explores
 the 
lives 
of 
several 
soldiers 
involved
 in 
the 
Battle
 of 
Guadalcanal, 
and 
I 
argue 
that 
Malick
 uses 
the 
context 
of 
World 
War 
II 
as 
a 
larger
 metaphor 
for 
the 
existential 
conflict
 that 
faces 
human 
beings. 
By 
employing 
the
 theology 
of
 Tillich 
and 
the 
philosophy 
of 
Camus, 
I 
investigate 
the 
overarching
 existential 
themes
 of
 Malick’s 
film, 
and 
conclude 
that 
The 
Thin 
Red 
Line 
provides 
its
 audience 
with 
a 
different 
perspective, 
and 
a 
subsequent 
vocabulary 
with 
which 
to
 navigate 
meaningfully 
the 
inherently 
tragic 
terms 
of 
human 
existence."]

Velvet Goldmine (UK/USA: Todd Haynes, 1998: 124 mins)

Benyo, Crystina and Sic Ric. "Naked Lunch Radio #12 – Superstar! The Todd Haynes Story." Sound on Sight (December 8, 2008)

Leyda, Julia. ""Something That Is Dangerous and Arousing and Transgressive": An Interview with Todd Haynes." Bright Lights Film Journal #78 (November 2012)

Whispering Corridors (South Korea: Ki-hyeong Park, 1998: 105 mins)

Choi, Jinchee. "A Cinema of Girlhood: Sonyeo Sensibility and the Decorative: Impulse in the Korean Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 39-56.

1999

Audition (Japan: Takashi Miike, 1999: 115 mins)

Hyland, Robert. "A Politics of Excess: Violence and Violation in Miike Takashi’s Audition" Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

Wada-Marciano, Mitsuyo. "J-horror: New Media’s Impact on Contemporary Japanese Horror Cinema." Horror to the Extreme: Changing Boundaries in Asian Cinema. ed. Jinhee Choi & Mitsuyo Wada-Marciano. Hong Kong University, 2009: 15-37.

Being John Malkovich (USA: Spike Jonze, 1999: 112 mins)

Three Reasons: Being John Malkovich Current (April 25, 2012)

Boys Don't Cry (USA: Kimberly Pierce, 1999: 118 mins)

Fairyington, Stephanie. "Two Decades After Brandon Teena's Murder, a Look Back at Falls City: Eager to come to terms with his department's tragic mishandling of the rape that led to the murder on New Year's Eve in 1993, a small-town sheriff welcomes LGBT-sensitivity training." The Atlantic (December 31, 2013)

Bringing Out the Dead (USA: Martin Scorsese, 1999: 121 mins)

Hamilton, John R. "Paul Schrader." Senses of Cinema #56 (2010)

Martin Scorsese - The Art of Silence from Tony Zhou on Vimeo.




Existenz (Canada/United Kingdom: David Cronenberg, 1999: 97 mins)

Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)

Eyes Wide Shut (UK/USA: Stanley Kubrick, 1999: 159 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

Ghost Dog: The Way of the Samurai (France/Germany/USA/Japan: Jim Jarmusch, 1999: 116 mins)

Curley, Melissa Anne-Marie. "Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai." Journal Of Religion & Film 12.2 (October 2008)

Human Resources (France/United Kingdom: Laurent Cantet, 1999: 100 mins)

Livingston, Jessica. "Global capital’s false choices in the films of Laurent Cantet." Jump Cut #53 (Summer 2012)

Magnolia (USA: Paul Thomas Anderson, 1999: 188 mins)

Holt, Ryan. "#16: Magnolia." Arts and Faith Top 100 Films (2011)

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (UK/USA: Errol Morris, 1999: 91 mins)

Palmer, Landon. "6 Filmmaking Tips From Errol Morris." Film School Rejects (September 25, 2013)

Office Space (USA: Mike Judge, 1999: 89 mins)

Erickson, Karla A. "Service, Smiles, and Selves: Film Representations of Labor and the Sociology of Work." Cinematic Sociology: Social Life in Film. Los Angeles, CA: Sage, 2013: 180-193. [In BCTC Library PN1995.9 S6 C543 2013]

Romance (France: Catherine Breillat, 1999: 84 mins)

Hudson, David. "Sex in the Movies." Green Cine (2005)

The Sixth Sense (USA: M. Night Shyamalan, 1999: 107 mins)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

The Sopranos (USA: David Chase, TV Series 1999-2007)

Gamman, Lorraine. "If Looks Could Kill: On gangster suits and silhouettes." Moving Image Source (May 8, 2012)

Summer of Sam (USA: Spike Lee, 1999: 142 mins)

Flory, Dan. "The Epistemology of Race and Black American Film Noir: Summer of Sam as Lynching Parable." Film and Knowledge ed. Kevin L. Stoehr. Mcfarland, 2002: 174-190.

Three Kings (USA/Australia: David O. Russell, 1999: 114 mins)

Kitaeff, Lila. "Three Kings: neocolonial Arab representation." Jump Cut #46 (2003)

The Woman Chaser (USA: Robinson Devor, 1999: 90 mins)

"The Woman Chaser." The Projection Booth #38 (November 23, 2011)

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