"Mike Nichols." Moving Image Source (March 1, 1990) ["Mike Nichols took Broadway by storm in the early 1960s with his comedy partner Elaine May. He began his directing career with the stage production of Barefoot in the Park and became a film director with Who's Afraid of Virginia Woolf?, followed by his landmark film The Graduate. In this interview, just before he was honored with a gala Salute by the Museum of the Moving Image, Nichols talks about how the assured, controlled style of his early films evolved into a looser, more naturalistic approach, and about how, for him, directing actors is largely a matter of trust and letting go."]
"Patrizia von Brandenstein." Moving Image Sources (October 15, 1994) ["When we comment on the look of a movie, or on the beautiful cinematography, we are often commenting on what the production designer, working with the director and cinematographer, has put there to be photographed. Legendary designer Patrizia von Brandenstein has shown a remarkable range, from the period settings of Ragtime and Billy Bathgate to the swank Manhattan interiors of Six Degrees of Separation to the weather-beaten and far less sumptuous interiors of Leap of Faith and Silkwood. In this presentation, von Brandenstein leads the audience through sequences from her work, and lucidly defines the art of production design."]
"David Cronenberg." Moving Image Source (January 11, 1992) ["The Canadian director David Cronenberg has redefined the notion of what a horror film can be. While horror and science-fiction films traditionally have been about threats from the outside—monsters or alien forces—Cronenberg's films (including The Brood and The Fly) have been about threats that come from inside our own bodies, and our psyches. It was fitting, then, that Cronenberg should be the director to adapt William S. Burroughs's novel Naked Lunch, with its grotesque and comical mix of the organic, the chemical, and the hallucinatory."]
Naked Lunch (Canada/UK/Japan: David Cronenberg, 1991) Dialogic Cinephilia (Ongoing Archive)
Klimkiw, Greg, Guy Maddin and Greg Toles. "Careful." The Projection Booth #103 (February 26, 2013)
Sammon, Paul M. "Blue Velvet." The Projection Booth #104 (March 5, 2013)
Goldberg, Michelle. "The Laura Kipnis Melodrama." The Nation (March 16, 2015)
O'Connell, Joe. "Crime and Consequences." The Austin Chronicle (February 27, 2015) ["American Crime creator John Ridley talks about shooting in Austin, faith, race, and Felicity Huffman'"]
"The 50 Best Films of the Decade so Far." The Playlist (February 25, 2015)
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