Dialogic Cinephilia Theory

[Under construction - ongoing archive]

Barker, Jennifer Lynde. The Aesthetics of Antifascist Film: Radical Projection. NY: Routledge, 2013.

Benford, Robert D. and David A. Snow. "Framing Processes and Social Movements: An Overview and Assessment." Annual Review of Sociology #26 (2000): 611-639.

Bergen, Benjamin K. "The New Science of Meaning." Huffington Post (December 11, 2012)

Brenez, Nicole. "Political Cinema Today – The New Exigencies: For a Republic of Images." Screening the Past (September 2013)

Colley, Linda. "Wide-Angled." London Review of Books 35.18 (September 26, 2013): 18-19.

Communication (Key Concept)

Darghis, Manohla and A.O. Scott. "Film is Dead? Long Live Movies: How Digital is Changing the Nature of Movies." The New York Times (September 9, 2012)

Di Rosso, Jason, et al. "Cinema Under the Digital Influence." The Final Cut (September 30, 2017)

Discourse (Key Concept)

Fricker, Miranda. "Epistemic Injustice." Philosophy Bites (June 17, 2007)

Galt, Rosalind and Karl Schoonover, eds. Global Art Cinema: New Theories and Histories. Oxford University Press, 2010.

Hediger, Vinzenz. "What Do we Know When We Know Where Something Is? World Cinema and the Question of Spatial Ordering." Screening the Past #37 (October 2013)

Ideology (Key Concept)

Kleinhans, Chuck. "Mr. Spielberg’s Mr. Lincoln." Jump Cut #55 (Fall 2013)

Lee, Kevin B. "Video Essay: The Essay Film – Some Thoughts of Discontent." Sight and Sound (July 16, 2013)

Lesage, Julia. "S/Z and Rules of the Game." Jump Cut #55 (Fall 2013)

Lethem, Jonathan. "The Ecstasy of Influence." Harpers (February 2007)

Mirrlees, Tanner. "How to Read Iron Man: The Economics, Geopolitics and Ideology of an Imperial Film Commodity." Cineaction #92 (2014)

Murphy, Ian, and Gwenda Young. “Corporeal Cinema: Editorial”. Alphaville #7 (Summer 2014)

Power (Key Concept)

Propaganda (Key Concept)

"Prosthetic Memory." Robo Culture Wiki (No Date)

Rosenbaum, Jonathan. "Goodbye Cinema, Hello Cinephilia." Goodbye Cinema, Hello Cinephilia: Film Culture in Transition." Chicago, IL: University of Chicago Press, 2010: 3-9.

Rosenbaum, Ron. "Errol Morris: The Thinking Man's Detective - The documentary filmmaker has become America's most surprising and provocative public intellectual." Smithsonian (March 2012)

Rubenstein, Richard L. The Cunning of History: The Holocaust and the American Future. NY: Harper Colophon, 1978. [excerpts from pages 15-33]

Ryan, Charlotte and William A. Gamson. "Are Frames Enough?" The Social Movements Reader: Cases and Concepts. 2nd ed. Eds. Jeff Goodwin and James M. Jasper. Malden, MA: Wiley/Blackwell, 2009: 167-174.

Schraeder, Paul. "Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks?" Film Comment (September/October 2006)

Warner, Michael. "Queer World Making." Genders #31 (2000)

Williams, Linda. "Hard Core Art Film: The Contemporary Realm of the Senses." Quaderns Portatils #13 (2008)