Friday, February 13, 2026

Recommended Books: 2026

Ongoing:

Jones, Stephen Graham. The Buffalo Hunter Hunter. Titan Books, 2025. ["A chilling historical horror set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. Perfect for fans of Bury Our Bones in the Midnight Soil by V. E. Schwab and Interview With The Vampire by Anne Rice. Etsy Beaucarne is an academic who needs to get published. So when a journal written in 1912 by Arthur Beaucarne, a Lutheran pastor and her grandfather, is discovered within a wall during renovations, she sees her chance. She can uncover the lost secrets of her family, and get tenure. As she researches, she comes to learn of her grandfather, and a Blackfeet called Good Stab, who came to Arthur to share the story of his extraordinary life. The journals detail a slow massacre, a chain of events charting the history of Montana state as it formed. A cycle of violence that leads all the way back to 217 Blackfeet murdered in the snow. A blood-soaked and unflinching saga of the violence of colonial America, a revenge story like no other, and the chilling reinvention of vampire lore from the master of horror."]

Labatut, Benjamin. The MANIAC. Penguin, 2024. ["From one of contemporary literature’s most exciting new voices, a haunting story centered on the Hungarian polymath John von Neumann, tracing the impact of his singular legacy on the dreams and nightmares of the twentieth century and the nascent age of AI. Benjamín Labatut’s When We Cease to Understand the World electrified a global readership. A Booker Prize and National Book Award finalist, and one of the New York Times’ Ten Best Books of the Year, it explored the life and thought of a clutch of mathematicians and physicists who took science to strange and sometimes dangerous new realms. In The MANIAC, Labatut has created a tour de force on an even grander scale. A prodigy whose gifts terrified the people around him, John von Neumann transformed every field he touched, inventing game theory and the first programable computer, and pioneering AI, digital life, and cellular automata. Through a chorus of family members, friends, colleagues, and rivals, Labatut shows us the evolution of a mind unmatched and of a body of work that has unmoored the world in its wake. The MANIAC places von Neumann at the center of a literary triptych that begins with Paul Ehrenfest, an Austrian physicist and friend of Einstein, who fell into despair when he saw science and technology become tyrannical forces; it ends a hundred years later, in the showdown between the South Korean Go Master Lee Sedol and the AI program AlphaGo, an encounter embodying the central question of von Neumann's most ambitious unfinished project: the creation of a self-reproducing machine, an intelligence able to evolve beyond human understanding or control. A work of beauty and fabulous momentum, The MANIAC confronts us with the deepest questions we face as a species."]

Langan, John. The Fisherman. Wood Horde, 2016. [Reread: In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.]

Mantel, Hillary. Wolf Hall. Fourth Estate, 2010. ["England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage."]

McRobert, Neil. Good Boy. Wild Hunt Books, 2025. ["After a boy vanishes on the outskirts of a small Northern town, a woman spies from her window a mysterious man digging a grave in the exact spot of the disappearance. However, when she confronts him, the man's true purpose is far more chilling than she could have imagined and the history of the town's fatal past unfolds. What has been hiding in this small northern town all these years?"]

Rovelli, Carlo. There are Places in This World Where Rules are Less Important Than Kindness. Penguin, 2020. ["One of the most inspiring thinkers of our age, the bestselling author of Seven Brief Lessons on Physics transforms the way we think about the world with his reflections on science, history and humanity. In this collection of writings, the logbook of an intelligence always on the move, Carlo Rovelli follows his curiosity and invites us on a voyage through science, history, philosophy and politics. Written with his usual clarity and wit, these pieces range widely across time and space: from Newton's alchemy to Einstein's mistakes, from Nabokov's butterflies to Dante's cosmology, from travels in Africa to the consciousness of an octopus, from mind-altering psychedelic substances to the meaning of atheism. Charming, pithy and elegant, this book is the perfect gateway to the universe of one of the most influential scientists of our age."]

Stern, Steve. A Fool's Kabbalah. Melville House, 2025. ["In the ruins of postwar Europe, the world's leading expert on the Kabbalah and Jewish mysticism goes on a hair-raising journey to recover sacred books stolen by the Nazis . . . At the end of the Second World War Gershom Scholem, the magisterial scholar of Jewish mysticism, is commissioned by the Hebrew University in what was then British-ruled Palestine to retrieve a lost world. He is sent to sift through the rubble of Europe in search of precious Jewish books stolen by the Nazis or hidden by the Jews themselves in secret places throughout the ravaged continent. The search takes him into ruined cities and alien wastelands. The terrible irony of salvaging books that had outlasted the people for whom they’d been written leaves Dr. Scholem longing for the kind of magic that had been the merely theoretical subject of his lamplit studies. Steve Stern's A Fool’s Kabbalah, a novel featuring numerous real-life historic figures, reimagines Gershom Scholem’s quest and how it sparked in him the desire to realize the legacy of his dear friend, the brilliant philosopher Walter Benjamin. At the heart of that legacy was the idea that humor is an essential tool of redemption. In a parallel narrative, Menke Klepfisch, self-styled jester and incorrigible scamp, attempts to subvert, through his antic behavior, the cruelties of the Nazi occupation of his native village. As Menke’s efforts collide with the monstrous reality of the Holocaust, we see—in another place and time--evidence that Dr. Scholem, in defiance of his austere reputation, has begun to develop the anarchic characteristics of a clown. A Fool’s Kabbalah intertwines the stories of these 2 quixotic characters, who, though poles apart, complement one another in their tragicomic struggles to oppose the supreme evil of history, using only the weapons of humor and a little magic."]

Wednesday, February 11, 2026

ENG 102 2026: Resources Archive #6

In talking about how these discourses frame our political beliefs and actions, the word ideology is commonly used. Ideologies (systematic ideas) also act as lenses that filter the way we view the world and quite literally request we see the world in a certain way. When we completely adopt a particular ideology, a way of seeing the world, we begin to ignore any other way of seeing the world. What does it mean to be an American? An urbanite? A global citizen? A conservative or liberal? A capitalist or socialist? A Christian or an atheist? We could provide an endless list of identities, or labels, that we accept unthinkingly, as if they are obvious, when most of these terms are contested, limited, and problematic. Our unthinking acceptance of social labels and social cues (symbols) can be difficult to recognize, unless we visit another culture and then it is quite clear in “our minds” how they think and act strangely (for instance, comments of how they drive on the wrong side of the rode, eat disgusting foods, dress funny, etc…). A key critical recognition, then, is to recognize that they are not weird, ignorant, or wrong, they are just different from how we have been trained to think. -- Michael D. Benton, "Dialogic Cinephilia" (2022)

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Dialogic Cinephilia Exercises #10: In American History X (1998) there is a memorable flashback where a character realizes the development of his own violent, racist worldview, began through his conditioning as a child from the racist remarks of his father. The film is about the racist violence of the older brother Derek and his later deprogramming through engagement with what a mentor figure describes as an alternative history. In Slam (1998), the protagonist Ray (played by the poet Saul Williams) is a minor drug dealer that has been caught up by the legal system for drug offenses and is put into the violent environment of a New York prison. He is caught between violent forces within the prison that seek to force him to choose a side upon the threat of death. In a freestyle rap epiphany “Amethyst Rock,” Ray confronts both sides with his slam poetry claiming that they are doing the work of their oppressors in their violent acts against each other, and in doing so stopping the impending violence. Choose a film in which a character is raised to view the world violently and analyze how they learn to view the world in another way. - Michael D. Benton, "Dialogic Cinephilia" (2022)

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Recognize the power of questions and do not let others silence/stifle your curiosity. Remember all knowledge is incomplete and in development. Life is too vast for any one
person/group/theory/discipline/profession/religion/culture/nation to grasp and understand.

Take responsibility for your education/understanding. Learning is not passive. Any teacher/mentor worth the title knows that they are at best facilitators for your learning. Good teachers lay out a map, point out the paths for potential discovery, detours and connections. Remember education or instruction (of any type - if it has a narrative, it is constructing a worldview) is never objective - pay attention to the way that knowledge is presented/represented to you. 
-- Michael D. Benton, "Dialogic Cinephilia" (2022)

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Barrett, Brian, Tim Marchmann, and Zoe Schiffer. "Minneapolis Misinformation ; TikTok’s New Owners ; Moltbot Hype." Uncanny Valley (January 29, 2026) ["In today’s episode, Brian and Zoë are joined by WIRED’s Tim Marchman to discuss the news of the week — including how far-right influencers spread misinformation in Minneapolis, and why TikTok’s US version is off to a rocky start. Plus, why are some people obsessed with the AI assistant Moltbot?"]

Christie, George. "The Life of a Hells Angel." Soft White Underbelly (February 1, 2026) [MB: I was recently referred to this podcast by my good friend Eric who recognized my curiosity about different ways of being in the world. I'll be honest, some of the interviews can be very difficult/challenging (subject manner and challenging my prejudices). I found this interview with Christie to be very interesting. He is in his 80s and is still remarkably sharp. His discussion of the early days of Outlaw biker culture and his reasons for identifying with it. The early history of the Hells Angels (a good corrective to Sonny Barger). Also, this particular perspective is very rooted to my homeland culture where HA's were a visible presence when I was growing up and in which there were strong mythos about the subculture circulating. I also was interested in his later progression out of the culture, and his emphasis on reconciliation between the various biker groups. "Soft White Underbelly interview and portrait of George Christie, the ex-president of the Los Angeles Hells Angels chapter."]

Cramer, Ruby and Emily Witt. "The City of Minneapolis vs. Donald Trump." The New Yorker Radio Hour (January 30, 2026) [New Yorker "staff writers Emily Witt and Ruby Cramer discuss the situation in Minneapolis, a city effectively under siege by militaristic federal agents. “This is a city where there’s a police force of about six hundred officers [compared] to three thousand federal agents,” Witt points out. Cramer shares her interview with Mayor Jacob Frey, who talks about how Minneapolis was just beginning to recover from the trauma of George Floyd’s murder and its aftermath, and with the police chief Brian O’Hara, who critiques the lack of discipline he sees from immigration-enforcement officers. Witt shares her interviews with two U.S. citizens who were detained after following an ICE vehicle; one describes an interrogation in which he was encouraged to identify protest organizers and undocumented people, in exchange for favors from immigration authorities."]

Fancourt, Daisy. "How the Arts Can Transform Your Health and Help You Live Longer." New Books in Critical Theory (January 23, 2026) ["Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology & Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences."]

Gleick, James. "How the Web Was Lost: The Internet was not Supposed to Suck." The New York Review of Books (December 4, 2025) [Review of these 3 books: This Is for Everyone: The Unfinished Story of the World Wide Web by Tim Berners-Lee with Stephen Witt; Amateurs! How We Built Internet Culture, and Why It Matters by Joanna Walsh;  Enshittification: Why Everything Suddenly Got Worse and What to Do About It by Cory Doctorow]

Gould, Rebecca Ruth. "Edward Said and the Task of the Intellectual Today." Los Angeles Review of Books (February 2, 2026) ["The Genocide in Gaza has revealed with brutal clarity how an entire class of intellectuals, along with the institutions that make their work possible, can be obliterated in real time while the states that fund and arm this destruction look away. Israeli forces used North American– and European-manufactured weapons to destroy all the universities in Gaza, including Al-Aqsa University, Al-Azhar University–Gaza, Al-Quds Open University, Gaza University, Islamic University of Gaza, Israa University, Palestine Technical College, University College of Applied Sciences, University of Palestine, the Palestine College of Nursing, and Hassan II University of Agriculture and Environmental Sciences. Even after their physical infrastructures have been hollowed out, education in Palestine continues. Israel’s targeting of intellectuals over the past two years has shown the centrality of their role in resisting genocide. While the Israel Defense Forces have claimed that universities were destroyed in order to fight Hamas, the real targets were the intellectuals who keep memory alive and show their people how to turn education into resistance. Between 2023 and 2025, Israeli attacks murdered over 1,000 teachers and many more students. The destruction of Palestinian education has given new currency to scholasticide, a term first used by Palestinian academic Karma Nabulsi to describe Israel’s methods of offensive warfare in 2009. Taking the concept even further, Israel’s actions in Gaza constitute a form of genocidal epistemicide that aims not just at the eradication of an educational system in the present but also at the destruction of its very possibility in the future."]

Guariglia, Matthew and Brian Hochman. "Unearthing and Reckoning with the Intelligence Excesses of the Cold War." Lawfare Daily (February 4, 2026) ["Lawfare Senior Editor Michael Feinberg sits down with Matthew Guariglia and Brian Hochman to discuss their new book, “The Church Committee ReportRevelations from the Bombshell 1970s Investigation into the National Security State,” in which they chronicle the law enforcement and intelligence community’s Cold War excesses, the Senate committee which uncovered them, and what we can learn about the resulting report in terms of our own era."]

Huberman, Andrew. "The Science of Creativity & How to Enhance Creative Innovation." The Huberman Lab (December 19, 2022) ["MB: An understanding of creativity from a neuroscientist. The base line definition and explanation of creativity is excellent, the explanation of how we all are essentially creative is helpful (use it or lose it, but even more, you need to cultivate it), the functionality of our brain and the centers which control and modulate our creative impulses is enlightening, also ways to increase your creativity and hindrances to your potential creativity (some which literally kill it). At the bottom of the page there are links to more resources. "In this episode, I explain how the brain engages in creative thinking and, based on that mechanistic understanding, the tools to improve one’s ability to think creatively and innovate in any area. I discuss how convergent and divergent thinking are essential for generating creative ideas and provide three types of meditation tools (open monitoring meditation, focused attention meditation & non-sleep deep rest; NSDR), which improve our ability to engage in these creative thinking patterns in specific and powerful ways. I also discuss how dopamine and mood contribute to the creative process and describe behavioral, nutritional and supplementation-based approaches for increasing dopamine to engage in creative thought and implementation. I explain how movement and storytelling (narrative) approaches can generate novel creative ideas and how substances like alcohol, cannabis, and psilocybin impact our creative ability. Excitingly, creativity is a skill that can be cultivated and enhanced; this episode outlines many tools to help anyone access creativity and apply."]

Hudson, David. "Luis Buñuel: Desire and Deviance." The Daily (January 28, 2026) ["In 1929, the poster boy of the movement, Salvador Dalí, teamed up with a fellow Spaniard, Luis Buñuel, who at the time was working in France as an assistant director for Jean Epstein, to turn their dreams into a screenplay that became Un chien andalou (1929). From this first, now-classic short through “to his final feature, That Obscure Object of Desire (1977),” wrote Adrian Martin in 2020, “Buñuel always stayed true to those primary surrealist principles with which he most identified: a spirit of revolt; the subversive power of passionate love, both romantic and erotic; a belief in the creativity of the unconscious (dreams and fantasies); a pronounced taste for black humor; and, last but never least, an abiding contempt for institutional religion and its representatives.”"]

Johnson, David. "Mikhail Bakhtin and the Unfinished Self." The Observing (February 10, 2026) ["There are two kinds of voices living inside you. The authoritative word arrives with credentials, with institutional backing, with the collected wisdom of everyone who came before you and decided how things should be. It does not negotiate. It announces itself and waits for you to comply. Your parents spoke it. Your religion spoke it. Your culture spoke it. And you absorbed it so completely that by the time you were old enough to question it, you could not tell where the voice ended and you began. The internally persuasive word is different. It emerges from dialogue. From the messy, uncertain process of testing ideas against experience. It is the thought that keeps coming back even when you try to ignore it. The question that will not let you sleep. The feeling that something is wrong even though you cannot articulate what or why. The internally persuasive word does not give you answers. It gives you better questions. You change through dialogue. Through conversation where neither person walks away the same. Where words move between you and transform in transit and come back different than they left. But most people never make it past the authoritative word. Because the internally persuasive word is uncomfortable. It says maybe everything you were told was wrong. Maybe the life you built is not the life you want. Maybe the person you have been performing is not the person you are."]

Jones, Kent. "To Live or Clarify the Moment: Rick Linklater’s Waking Life." Senses of Cinema (March 2002) ["The alleged “indie” movement, always primed to make “heartfelt gems” rather than masterpieces, now seems to be on its last legs. Odd to remember that Jim Jarmusch and Rick Linklater, its two most noteworthy originators, are unapologetically artistic types. Of the two, Linklater has always been the more unassuming. Not unlike one of his charming, intelligent, loquacious characters, he wears his artistry lightly. If Jarmusch is the poet of American bitterness, then Linklater is the poet of American freedom, his characters comfortably operating as solitary satellites or within supportive enclaves of artists and eccentrics, free from alienation and freely giving voice to their obsessions and impressions. Many people regard Linklater’s films as “small,” hip,” “mellow,” “pleasingly low-key” – lifestyle components, befitting the indie profile as it evolved into a marketing tool. It’s not an uncommon occurrence in film criticism to get the artist mixed up with his/her subjects – just as Scorsese is often confused with his De Niro/Pesci characters, Linklater will probably always be thought of as a charming slacker. In fact, he’s a supremely attentive artist, to small things like the mood in a coffee shop or a 7-11, or the precise way that time passes on a long train ride. On another level, he has an acute understanding of the endless searching that lies at the heart of every well-examined life. It’s easy to miss the undercurrent of tension in Linklater’s work, perhaps because it’s a form of tension that haunts us all at one time or another, consciously or unconsciously: whether to seize the moment, clarify it or just live it."]

Koch, Christof. "Consciousness and the Human Experience." Converging Dialogues #472 (February 8, 2026) ["In this episode, Xavier Bonilla has a dialogue with Christof Koch on the nature of consciousness. They talk about why consciousness is important to study, differences with subjective experiences and phenomenology, selfhood, thinking beyond interoceptive perceptions, and Cartesian dualism. They discuss panpsychism, neural correlates of consciousness, vision, Integrated Information Theory (IIT), psychedelics, the future of consciousness research, and many more topics. Christof Koch is a neuroscientist at the Allen Institute, chief scientist of the Tiny Blue Dot Foundation, the former president of the Allen Institute for Brain Science, and a former professor at the California Institute of Technology. He is the author of many books, including his latest book, Then I Am Myself the World."]

Kolk, Bessel van der. "Trauma, the Body, and 2021." On Being (November 11, 2021) ["When Krista interviewed the psychiatrist and trauma specialist Bessel van der Kolk for the first time, his book The Body Keeps the Score was about to be published. She described him then as “an innovator in treating the effects of overwhelming experiences on people and society.” She catches up with him in 2021 — as we are living through one vast overwhelming experience after the other. And The Body Keeps the Score is now one of the most widely read books in the pandemic world. His perspective is utterly unique and very practically helpful — on what’s been happening in our bodies and our brains, and how that relationship can become severed and restored." Bessel van der Kolk is the founder and medical director of the Trauma Research Foundation in Brookline, Massachusetts. He’s also a professor of psychiatry at Boston University Medical School. His books include Traumatic Stress: The Effects of Overwhelming Experience on the Mind, Body, and Society and The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma.]

Lee, Nathan. "Buried in the Mind: On The Shrouds, David Cronenberg’s Grief-Stricken Techno-Thriller." Notebook (April 18, 2025) ["In defense of The Shrouds (2024), the new film by David Cronenberg, I propose a moratorium on our fixation with “the body” when considering one of the great filmmakers of the mind. My intention is neither to be perverse nor provocative, qualities The Shrouds offers in abundance; nor to minimize that its plot centers on a technology that allows the bereaved to observe in real time the rotting corpses of buried loved ones. Bodies⎯alive and dead, material and imagined, actual and virtual, whole and dismembered⎯are indeed a central problem in The Shrouds, as they were in Crimes of the Future (2022). But just as that film’s tale of an ecological dystopia where the human body sprouts organs of unknown purpose was fundamentally concerned with how we assign meaning to the body, The Shrouds is an extended meditation on images of the body, including the body of the film we’re watching. "]

Marano, Mark.  "Melania - An Aggressively Dull Travesty."  The Arts Fuse (February 2, 2026)  ["All that I mention above, the aggressive lack of substance, underlines that Melania is an atrocious, badly made movie. Evil as they are, the Satanic cinematic genius of Triumph of the Will and Birth of a Nation can’t be denied. But those were works of propaganda, the propagation of which requires innovation, competence, and craft for the purpose of injecting their ideas into the minds of their audiences. Confirmaganda requires the opposite—utterly shitty, numbing filmmaking that doesn’t dominate through its presentation of ideas, but the removal of ideas. As O’Brien said in 1984: “Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing.”
The human minds welcoming Melania haven’t been torn apart in Room 101. The lasting achievement of Melania is that it reinforces your love of Melania—Big Mother—through generous doses of aggressive, assertively dull banality."]

McDouagall, James. "A Global History of Islam." Converging Dialogues #466 (January 19, 2026) ["In this episode, Xavier Bonilla has a dialogue with James McDougall about a global history of Islam. They discuss the global spread and diversity of Islam, Arabia before Muhammad, succession after Muhammad, the five pillars of Islam, emphasis on law and doctrine within Islam, Hadiths, the Ottoman Empire and spread of Islam, Islamists, Islam in the 21st century, and many more topics. James McDougall has taught history at Princeton; the School of Oriental and African Studies, University of London; and Oxford, where he is a Fellow of Trinity College. He is the author of numerous books including the most recent book, Worlds of Islam: A Global History."]

Nieman, Susan. "Where Wokeness Went Wrong." The New York Review of Books (December 4, 2025) ["Now that the war on wokeness has gone nuclear, waged with all the resources of an administration that views every struggle against racism, sexism, or homophobia as an affront, it is harder to discuss than ever. Is wokeness simply, as some argue, a phantom invented by conservatives opposed to any challenge to the established order?1 Like its predecessor “political correctness,” “wokeness” quickly became a term of abuse, complicating the already thorny attempts to define it. Attacks on “woke Marxist lunatics” betray so much ignorance that it’s tempting to give up analysis entirely. Yet analysis is needed, for criticisms of wokeness have come from across the political spectrum. Let’s start with what it is not. It isn’t cancel culture, which has been around since Plato banned Homer from his republic. That’s not an idea but a tactic that can be used by all sides—most drastically by the MAGA right in recent months. Nor is it dogmatic puritanism, which appears in many political movements. John McWhorter’s comparison of woke ness to fundamentalist religion is illuminating, but it doesn’t claim to be a definition. Wokeness is hard to define because it’s an incoherent concept, built on a contradiction between feeling and thought. It’s fueled by emotions traditionally held by the left. When in doubt, stand by those on the margins: the tired, the poor, the hungry, those yearning to breathe free. Those emotions, however, are undermined by beliefs that have traditionally belonged to the right. What are called identity politics—misleadingly, since they reduce our rich and various identities to our ethnic and gender origins—assume that you will have real connections and deep obligations only to those who belong to your own tribe, though others may be useful as allies. Calls for justice are sometimes viewed as liberal attempts to impose (Eurocentric) values on others; anyone who claims to be acting for the sake of a universal humanity is deceptive. Finally, apparent steps toward progress are simply subtler forms of oppression. Add to all of this the suspicion that reason is a form of domination that replaced more honest struggles for power, and you have a worldview that is not far from one held by the worst reactionaries. I am not arguing, as is commonly suggested, that wokeness was on the right track but went too far. Rather, by unwittingly accepting deeply regressive philosophical assumptions, it went in the wrong direction entirely."]

Robinson, Marilynne. "At What Cost?" The New York Review of Books (January 16, 2026): 15. ["Here is one final example of the cheapening of labor that demonstrates the readiness of the American population to be duped. This willingness is a tendency that must be taken into account if future abuses are to be forestalled. Some of us are old enough to remember when one income was sufficient to support a household. During that time the standard of living—measured in terms of homeownership, durable goods, access to higher education, and so on—rose sharply. Then the labor force grew dramatically, and it took two incomes, in some cases three or four jobs, to support a household. There is nothing more certain than that anything is cheapened when it is in surplus or when demand for it is weak. If two incomes have the same purchasing power as one, then both earners are working for some fraction of what would have been the single earner’s pay, corrected for inflation. Lives are harrowing and expensive because they have been entirely overtaken with work. There has been no adjustment of income to compensate for the expenses involved in childcare and transportation, among many other things. While it is true that the women’s movement, trying for equality, contributed very importantly to these changes, no kind of equity can justify absorbing a working woman’s earnings into the same level of income her household had before she made a financial contribution through her work. This by itself would have unbalanced the economy. It is a fundamental injustice affecting all those who live by their work, a cause of disappointment, weariness, bitterness. Yet their faith in the system is strong enough to let them limit their criticism to the high price of groceries rather than to the lowering valuation of their work, their health, and their time. AI fits entirely too well into this landscape. It seems perfectly designed to produce rapidly diminishing returns, at incalculable cost to society."]

Rovelli, Carlo. "Cosmic Mysteries and the Politic of Wonder." Wonder Cabinet (February 7, 2026) ["Carlo Rovelli’s quest to understand the nature of reality began not in a physics lab, but in youthful experiments with consciousness, political protest and a restless hunger for meaning—years before he “fell madly in love with physics.” Today, Rovelli is famous for his bestselling books, including "Seven Brief Lessons on Physics" and "Reality Is Not What It Seems," and his pioneering work on some of the biggest mysteries in physics, including black holes and quantum gravity. In a wide-ranging conversation, Steve Paulson talks with Rovelli about his early, profound experiences with LSD; his discovery of the "spectacular" beauty of general relativity and quantum mechanics; his lifelong search for purpose in both the cosmos and his own life; and why scientists need to be politically engaged. Carlo also tells us about the big idea that he’d put in our own wonder cabinet. This interview was recorded at the Island of Knowledge think tank in Tuscany, a project supported by Dartmouth College and the John Templeton Foundation. We also play a short excerpt from Anne Strainchamps’ earlier interview with Rovelli that originally aired on Wisconsin Public Radio’s To The Best Of Our Knowledge."]

Rushton, Michael. "The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan 2023)." New Books in Critical Theory (November 25, 2023) ["Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael RushtonCo-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here."]

Sagar, Paul. "What’s Wrong with Political Philosophy? Learning from Aristotle." Past Present Future (February 1, 2026) ["Today it’s the first episode in a new series asking why contemporary political philosophy struggles to make sense of the deepest problems of politics and exploring how the history of ideas might help. David talks to political theorist Paul Sagar about why looking for justice might be the wrong place to start. Instead, Paul suggests we start with Aristotle, for whom the search for justice was the problem not the solution. So what should we do instead?"]

Schmalzer, Sigrid and Charles Schwarz. "Science Against the People." Darts and Letters #68 (November 14, 2022) ["Today, right-wingers attack science and liberals defend it. Science good, anti-science Republicans bad–that’s the prevailing narrative, especially so during the March for Science in 2017. However, it’s not so simple. Perhaps science should be defended from reactionary attacks, but not uncritically defended as inherently good. That’s the message of Science for the People,a radical movement of scientists and educators who argue that science has always served capitalism, patriarchy, and empire. So, science doesn’t need to be simply defended–it needs to change. We examine the group’s Vietnam-era origins, with the story of one of its founders, physicist Charles Schwartz. Schwartz’ work initially supported the US war effort, but he became a thorn in the side of the military and scientific establishment for over two decades. However, in the 1980s Science for the People went dormant. Since the mid-2010s, it’s back. We then speak to a current member, and also the historian who brought them back together. Sigrid Schmalzer is co-editor of a collection of the group’s writing, entitled Science for the People: Documents from America’s Movement of Radical Scientists, 1969-1989. We cover how the group came back together, how this incarnation is different, and how they traverse the complicated politics between pro-science liberals and anti-science reactionaries."]

Seth, Anil. "How we build perception from the inside out." Psyche (January 16, 2026) ["It’s easy to mistake our conscious experience for an ongoing, accurate account of reality. After all, the information we recover from our senses is, of course, the only window we’ll ever have into the outside world. And for most people most of the time, our perception certainly feels real. But the notion that our senses capture an objective external reality can be dispelled by considering something as fundamental as colour, which can be culturally influenced and, even within a single culture, leave the population split between seeing the same picture of a dress as black and blue or white and gold. In this Aeon Original, Anil Seth, professor of cognitive and computational neuroscience at the University of Sussex in the UK, puts our imperfect relationship with reality in perspective. In conversation with Nigel Warburton, consultant senior editor at Aeon, Seth argues that it’s not just that our perceptions provide flawed accounts of the outside world, but that our brains aren’t in the business of recovering the outside world to begin with. So it’s more accurate to think of our conscious experience as a series of predictions that we’re incessantly and subconsciously fine-tuning – a world we build from the inside out, rather than the outside in."]

Sheldrake, Merlin. Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures. Random House, 2020. ["A mind-bending journey into the hidden world of fungi that will change your understanding of life on earth. "A dazzling, vibrant, vision-changing book . . . I ended it wonderstruck at the fungal world--the secrets of which modern science is only now beginning to fathom."--Robert Macfarlane, author of Underland. When we think of fungi, we likely think of mushrooms. But mushrooms are only fruiting bodies, analogous to apples on a tree. Most fungi live out of sight, yet make up a massively diverse kingdom of organisms that supports and sustains nearly all living systems. Fungi provide a key to understanding the planet on which we live, and the ways we think, feel, and behave. In Entangled Life, the brilliant young biologist Merlin Sheldrake shows us the world from a fungal point of view, providing an exhilarating change of perspective. Sheldrake's vivid exploration takes us from yeast to psychedelics, to the fungi that range for miles underground and are the largest organisms on the planet, to those that link plants together in complex networks known as the "Wood Wide Web," to those that infiltrate and manipulate insect bodies with devastating precision. Fungi throw our concepts of individuality and even intelligence into question. They are metabolic masters, earth makers, and key players in most of life's processes. They can change our minds, heal our bodies, and even help us remediate environmental disaster. By examining fungi on their own terms, Sheldrake reveals how these extraordinary organisms--and our relationships with them--are changing our understanding of how life works."]

Strand, Sophie. "Ecological Storytelling and Mythic Imagination." Wonder Cabinet (January 31, 2026) ["Writer and ecologist Sophie Strand thinks at a scale that can feel dizzying—in the best way. In a single conversation, she can move from the chemical structure of cells to mushroom spores, from ancient weather gods to mycorrhizal fungi, from Bronze Age collapse to the slow intelligence of soil. In this episode of Wonder Cabinet, we talk with Strand about wonder that doesn’t float upward but roots downward—into bodies, ecosystems, decay, and deep time. We begin with her essay “Your Body Is an Ancestor,” published shortly before Halloween and the Day of the Dead, and follow her imagery into our shared prehistoric past. The conversation also explores how Strand’s experience of chronic illness reshaped her understanding of nature, selfhood, and health. Rather than seeing the sick body as broken, she turns to ecological metaphors: spider webs, soil structures, caterpillars dissolving inside cocoons. What might it mean to understand ourselves not as machines that fail, but as landscapes that change? Along the way, we talk about fantasy and “romantasy,” Tolkien, Harry Potter, Dramione fan fiction and communal storytelling rituals. This is a conversation about wonder with dirt under its fingernails: embodied, mythic, ecological, and deeply alive to the cycles of death and regeneration that bind us all."]

Turfah, Mary. "The Most Moral Army." Los Angeles Review of Books (October 1, 2024) ["Mary Turfah examines Israeli officials’ weaponization of language, particularly that of medicine, in an attempt to reframe their genocide in Gaza."]

---. "No Other Land for Whom?" The Notebook (February 11, 2025)  ["The documentary captures how ethnic cleansing serves the Zionist state-building project. The Palestinians of Masafer Yatta lack building permits, and so their Israeli overseers are legally—and, in a state shaped to suit the eyes of a vindictive god, morally—obligated to lay down the law, to destroy everything. In No Other Land we see that for the Palestinian to have “no permit” means the Israeli has license to fill water wells with cement, to clumsily take military-grade hedge-clippers to water pipes, bulldozer to schoolhouse, gun to Palestinian. And we see the mundanity of these exercises of state power: soldiers shuffling off to carry out orders, almost bored by their tasks. "]



Current Problems in American Culture

 1) Our corporate media I've seen the best minds of multiple generations, but in particular the older ones, rotted and emptied-out by corporate media. MSNBC is just as bad as FOX. The New York Times, The Washington Post, The Wall Street Journal, etc... The social media platforms - ridiculous propaganda channels. We are the most propagandized society that has ever believed it was freely educated/informed (there are worse authoritarian societies, but the people knew the state of things). That is not to say they do not provide good information, instead you must recognize the obvious bias (always present in any human dissemination of information) of the media you consume. If you believe the news you consume is free of bias, sorry, you are ignorant.

2) Our corporate parties (2 in particular). Bought and paid for. The check has been issued, both sides bend the knee to billionaires. Where does that leave the rest of us. A special note. One of the most loathsome political acts is to blame others for your side losing an election. Such cowardice should not be ignored. It is the act of abusers: "I did it because of this." No, take responsibility for your failures, learn from them, grow, and become something better.

3) Our corporate education model. What happens when multiple generations are taught to answer questions on quizzes/tests, instead of immersing themselves in environments, peoples/cultures, and issues they want to explore. Americans are sadly, overwhelmingly, anti-intellectual. It is a damning statement about our culture. People fear knowledge. Let that sink in, people fear knowledge. It's enough to make you wonder whether this dumbing down of America is intentional. Sadly, people also fear difference, the strange, the unique. Have we arrived at a point where people just want the same people and the same things throughout their lives. Where people want a culture where everyone think, looks, and acts the same? I would consider this - cultural insanity.

4) Us, all of us, you and me and them. Quit slinging blanket dismissals of people and cultures. Focus your intellect and criticism to the root of the problems/issues.

"There are in fact no masses; there are only ways of seeing people as masses.”
--Raymond Williams

"Words can be like tiny doses of arsenic: they are swallowed unnoticed, appear to have no effect, and then after a little time the toxic reaction sets in after all (15-16)." - Victor Klemperer, The Language of the Third Reich: A Philologist's Notebook. (1957) Translated by Martin Brady. NY: Bloomsbury, 2013.

"For every atom belonging to me as good
Belongs to you. Remember?" - Marie Howe "Singularity"

"The mind is its own place, and in it self
Can make a Heav’n of Hell, a Hell of Heav’n." - John Milton, Paradise Lost, Book 1

Saturday, January 31, 2026

Amor Fati - Music Mix #52

Prewn; Gwenifer Raymond; Editrix; The Stranglers; The Avett Brothers; Mike Patton; Nightmares on Wax; Sonic Youth; Belly; Σtella; Djo; In the Pines; Snarky Puppy; Metropole Orkestra; Jules Buckley; Matt Maeson; Mitch Rowland; Paul Muldoon; Rogue Oliphant; Robin Kester; Sydney Minsky Sargeant; Iggy Pop; Le Butcherettes; Anoushka Shankar; Alam Khan; Sarathy Korwar; Justin Townes Earle; Young Marbe Giants; Nate Smith; säje; Lionel Louke; Michael League; Lance Huff; Spencer Hoffman; Sharon Silva; Yasmine Hamdan; Soapkills; Lucrecia Dalt; David Sylvian; King Crimson; Lunar Vacation; Beck; Destroy Boys; Pavement; GRLwood; X-Ambassadors; K.Flay; Tom Morello; Patti Smith; Danger Mouse; Danielle Luppi; Norah Jones; Grandson; Slift; pôt-pot; REVERSE YR CURSE; Scarlet Rae; Local Natives; The Raconteuurs; Jack White; Cat Power; of Montreal; Arlo Parks; Mitski; Blackwater Holylight; De La Soul; Circuit Des Yeux; Water From Your Eyes

Amor Fati - Music Mix #52

Wednesday, January 28, 2026

ENG 102 2026: Resources Archive #5

Take responsibility for your education/understanding. Learning is not passive. Any teacher/mentor worth the title knows that they are at best facilitators for your learning. Good teachers lay out a map, point out the paths for potential discovery, detours and connections. Remember education or instruction (of any type - if it has a narrative, it is constructing a worldview) is never objective - pay attention to the way that knowledge is presented/represented to you. - Michael D. Benton

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"Aftershock: The War on Terror – Episode 1: With Us or Against Us." The LRB Podcast (November 21, 2025) ["In the days after 9/11, George W. Bush declared a state of emergency and initiated what would become an unprecedented expansion of US power. Public debate narrowed: there were new limits on what was acceptable, and not acceptable, to say. The London Review of Books published a number of pieces that challenged this consensus, forcing its editor, Mary-Kay Wilmers, to defend the paper on national radio."]

Anderson, Ellie and David Peña-Guzmán. "Surfing." Overthink #149 (November 25, 2025) ["Hang loose! ... Ellie and David talk about all things surfing. They explore the long history of wave-riding across the globe, from Peru to West Africa, and consider how surfing helps us to reimagine social issues and what surfing reveals about the connection between flow and freedom. Is surfing the pinnacle of human life? How has the sportification of surfing directly contravened surfing’s anti-capitalist ethos? Why is the average surfer an image of white masculinity? And how is this image tied to indigenous erasure?"
Works Discussed
Daniel Brennan, Surfing and the Philosophy of Sport
Kevin Dawson, Undercurrents of Power: Aquatic Culture in the African Diaspora
William Finnegan, Barbarian Days: A Surfing Life
Aaron James, Surfing with Sartre: An Aquatic Inquiry Into a Life of Meaning
Peter Kreeft, I Surf, Therefore I Am: A Philosophy of Surfing
Aileen Moreton Robinson, “Bodies That Matter: Performing White Possession on the Beach”
Peter J. Westwick and Peter Neushul, The World in the Curl: An Unconventional History of Surfing
Wade in the Water: A Journey Into Black Surfing and Aquatic Culture (2023)]

Ball, Krystal and Saagar Enjeti. "Zionism Deemed HATE SPEECH In INSANE Social Media Censorship." Breaking Points (Posted on Youtube: January 27, 2026) [MB - TikTok's new American owner's are censoring any reference's to ICE shootings in Minneapolis, the word Zionism, any critique of Israel or mention of the Palestinian genocide, or any mentions of Jeffrey Epstein. An example of the growing censorship and propaganda regime in America.]

Bria, Francesca and José Bautista. "The Authoritarian Stack." Autonomy Institute (October 2025) ["This project maps the "Authoritarian Stack"—a network of firms, funds, and political actors turning core state functions into private platforms. Based on an open-source dataset of over 250 actors, thousands of verified connections, and $45 billion in documented financial flows. ... "The Pipeline Made Visible: Unlike old authoritarianism built on fear and force, this new system rules through code, capital, and infrastructure — making resistance feel architecturally impossible. It’s a self-reinforcing loop: Ideology fuels venture capital → capital captures the state → the state feeds the same private systems that built it. A new model of power — privatized sovereignty. Each layer reinforces the others. Ideology justifies investment. Investment captures state power. State power secures contracts. Contracts build infrastructure. Infrastructure becomes indispensable. Indispensability generates returns. Returns fund more ideology."]

Cohen, Jeffrey Jerome. "Monster Culture (Seven Theses)." Monster Theory: Reading Culture. Ed. Jeffrey Jerome Cohen. Minneapolis: U. Of Minnesota Press, 1996. 3-25.     ["'This thing of darkness, I acknowledge mine.' Monsters are our children.They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return. And when they come back, they bring not just a fuller knowledge of our place in history and the history of knowing our place, but they bear self-knowledge, human knowledge - and a discourse all the more sacred as it arises from the Outside. These monsters ask us how we perceive the world, and how we have misrepresented what we have attempted to place. They ask us to reevaluate our cultural assumptions about race, gender, sexuality, our perception of difference, our tolerance toward its expression. They ask us why we have created them."]

Dudas, Jeffrey R. and Stephen Dyson. "Is 28 Years Later: The Bone Temple the Most Important Film of the Year?" The Pop Culture Professors (January 21, 2026) ["A parable of humanism and dehumanization centered on two charismatic leaders, the movie hits its marks intellectually and aesthetically. We consider its themes and ideas, and ask whether this movie and its predecessor – last year’s 28 Years Later – will be come to be considered significant works in contemporary popular culture."]

Fontainelle, Earl. "Methodologies for the study of Magic." The Secret History of Western Esotericism (September 20, 2017) [MB - OK, quick, what comes to your mind when you hear the word magic? I like the way Earl Fontainelle looks at these subjects from multiple angles. Here in order to start off an exploration of understandings/histories of magic, he breaks down the etymology, histories, and disinformation surrounding the word/concept. Highly recommended for those that practice magic, those that think magic is silly/dangerous, those that have deep religious beliefs (especially of a Manichean nature), those that are rigidly atheist (I would say fundamentalist), and definitely those that are wrapped up in fanatical ideologies (the type where whole groups of beings/cultures are the enemy and need to be wiped out). What is good or bad - how do we decide? what are the consequences of those decisions? What comes to your mind when you think of magic - what happens when we actually explore a concept and think about the multiple ways it is framed?]

Galimi, Rossana. "The ageing female body between feminist video art and horror cinema." NECSUS (Autumn 2025) ["Contemporary horror cinema continues to construct the ageing female body as a privileged source of fear and repulsion, as seen in films such as The Visit (M. Night Shyamalan, 2015), Hereditary (Ari Aster, 2018), or X (Ti West, 2022), where what Dolan terms ‘designed abjection’ is employed to pathologise the ageing female body, underscoring the impermanence of youthful beauty. X, for instance, cast the same actress (Mia Goth) in the double role of Maxine, the film’s young and promiscuous Final Girl, and of the abject old killer, Pearl. As noted by Rose Steptoe, Maxine’s sexual activity and youthfulness are punished not by death, as required by the slasher formula, but by survival, which will inevitably lead her to age and embody that very abjection. Barbara Creed’s notion of the monstrous-feminine provides a productive framework for understanding the ageing female body as a locus of abjection: initially associated with the maternal and reproductive body, the monstrous-feminine embodies the threat to the symbolic order through its excess and proximity to death, and can therefore be extended to later life. The ageing female body, marked in horror cinema by material decay and loss of reproductive capacities, acts both as a reminder of mortality and, as underlined by Erin Harrington, ‘a threat to the phallocentric order that centralises reproduction as the use-value of the female subject’. Within this visual and discursive landscape came the release of The Substance in 2024, a film whose exceptional success in the realm of both female-directed cinema and body horror can be linked to its ability to capture the zeitgeist about women and ageing. Coralie Fargeat’s second film features Demi Moore as Elisabeth Sparkle, stunning and athletic fitness television star who is sidelined by her broadcasting network upon reaching her 50th birthday. Offered a chance to try the titular substance, a biotech formula that creates a younger, improved version of oneself, she sees it as an opportunity back to youth, beauty, and visibility. However, the process comes with strict rules: only one version of Elisabeth can live at a time, while the other lives in a sort of coma for a week, otherwise the system begins to collapse. Reflecting on the biomedical commodification of youth and the co-optation of ageing female bodies by biotechnologies and practices of self-monitoring, the film sparked discussion on beauty standards and ageism. It reinvigorated feminist debates around women’s discipline over their image, the beauty industry, and, not least, the commodification of feminism – being marketed as ‘feminist’ despite its controversial treatment of the female body."]

Johnson, David. "Attention is the Last Frontier: Bernard Stiegler and the Age of Distraction." The Observing 1 (August 24, 2025) ["Bernard Stiegler’s life reads like something out of a parable. A young man with no future robs banks in 1970s France, spends years behind bars, and in that captivity rebuilds himself with philosophy. He walks out of prison not as a criminal, but as a thinker possessed, convinced that the real theft in our time is not money, but attention. In this episode of The Observing I, we explore Stiegler’s haunting philosophy of technology. For him, every tool humanity creates is a pharmakon, a drug that is both poison and cure. Writing, television, the internet, the smartphone. Each expands memory and possibility, while at the same time eroding our ability to care, to think slowly, to live with depth. Stiegler saw consumer capitalism as an attention factory, engineering desire, fragmenting focus, and hollowing out culture. He warned that the collapse of care, the long, patient work of knowledge, intimacy, and love, was not a side effect but the central mechanism of the system we live inside. Burnout, anxiety, distraction: these are not private pathologies, but collective symptoms of a civilization addicted to speed. We trace Stiegler’s journey from outlaw to philosopher, his obsession with memory and time, his warnings about the industrialisation of attention, and the tragic end of his life that makes his work feel even more urgent. At the heart of it all lies the question he left for us: if attention is the last scarce resource, can care itself survive? This is not just an episode about a philosopher. It’s about the world we live in now. A world where our memories are outsourced, our futures feel stolen, and our very capacity to care is on the line."]

Kim, Hannah H. "When Story Loses the Plot." The Los Angeles Review of Books (December 20, 2025) ["Byung-Chul Han’s The Crisis of Narration (2024) adds two forces to the critiques of storytelling: fragmentation of attention and the loss of narrative communities. In the past, the hectic pace of life might have driven us toward stories for closure and coherence; instead, today, the same pace—amplified by ongoing political and climate crises—collides with a media environment that undermines narrative form. We traffic in information that is additive and cumulative, stimulating but contingent, never shaped into an arc. Narrative depends on pacing the release of relevant information, but today we are either bombarded with an endless stream of updates or confronted with institutional opacity that withholds crucial information. Both forces prevent events from organizing into a meaningful arc, and Han thus argues that we now live in a post-narrative world. In this environment, “storytelling” becomes “storyselling,” a communication technology that can be more or less effective. And the kinds of stories that do thrive tend to be narrow in form: either “those people are the problem (and the truth will save us)” (e.g., news, conspiracy theories) or “you’re wounded, and understanding that will help you live differently” (e.g., therapy). The potent mix of capitalism, social media, and information overload has rendered most “stories” brief, disconnected, and designed for consumption rather than connection. Think TikTok reels, Instagram Stories, or the news cycle."]

Koopman, Colin. "The Power Thinker." Aeon (March 15, 2017) ["Foucault never denied the reality of state power in the Hobbesian sense. But his political philosophy emanates from his skepticism about the assumption (and it was a mere assumption until Foucault called it into question) that the only real power is sovereign power. Foucault accepted that there were real forces of violence in the world, and not only state violence. There is also corporate violence due to enormous condensations of capital, gender violence in the form of patriarchy, and the violences both overt and subtle of white supremacy in such forms as chattel slavery, real-estate redlining, and now mass incarceration. Foucault’s work affirmed that such exercises of force were exhibits of sovereign power, likenesses of Leviathan. What he doubted was the assumption that we could extrapolate from this easy observation the more complex thought that power only ever appears in Leviathan-like form. ... One need not be locked away in a prison cell to be subject to its designs of disciplinary dressage. The most chilling line in Discipline and Punish is the final sentence of the section entitled ‘Panopticism’, where Foucault wryly asks: ‘Is it surprising that prisons resemble factories, schools, barracks, hospitals, which all resemble prisons?’ If Foucault is right, we are subject to the power of correct training whenever we are tied to our school desks, our positions on the assembly line or, perhaps most of all in our time, our meticulously curated cubicles and open-plan offices so popular as working spaces today. To be sure, disciplinary training is not sovereign violence. But it is power. Classically, power took the form of force or coercion and was considered to be at its purest in acts of physical violence. Discipline acts otherwise. It gets a hold of us differently. It does not seize our bodies to destroy them, as Leviathan always threatened to do. Discipline rather trains them, drills them and (to use Foucault’s favoured word) ‘normalises’ them. All of this amounts to, Foucault saw, a distinctly subtle and relentless form of power. To refuse to recognise such disciplining as a form of power is a denial of how human life has come to be shaped and lived. If the only form of power we are willing to recognise is sovereign violence, we are in a poor position to understand the stakes of power today. If we are unable to see power in its other forms, we become impotent to resist all the other ways in which power brings itself to bear in forming us."]

Leonido, Tim. "Natural Systems: Gurney Norman and the dream of the counterculture." The Point (December 16, 2025) ["Running along the lower right-hand corner of The Last Whole Earth Catalog was something unexpected: a serialized novel that unfolded segment by segment across its 450 pages. The novel was Divine Right’s Trip. Though inspired by the ethos of the counterculture movement, it also posed the essential question of what should follow in the wake of the communes. In retrospect, the novel reads as a hinge between two emerging visions of human connection: one drifting toward abstract, digital networks, and the other toward engagement with tangible, place-based community. Reissued this August from Gnomon Press, months before the passing of its author, Gurney Norman, in October, the novel’s animating question still feels like an urgent one: In an increasingly networked world, what would it mean to return home, and to forge a literature that was rooted in place?"]

Magdoff, Fred. "Food as a Commodity." Monthly Review (January 1, 2012) ["Food is one of the most basic of human needs. Routine access to a balanced diet is essential for both growth and development of the young, as well as for general health throughout one’s life. Although food is mostly plentiful, malnutrition is still common. The contradiction between plentiful global food supplies and widespread malnutrition and hunger arises primarily from food being considered a commodity, just like any other."]

Mann, Sally. "Art Work: On the Creative Life." LARB Radio Hour (January 2, 2026) ["This week, we are revisiting our episode with [Appalachian] photographer and writer Sally Mann about her book, "Art Work: On the Creative Life." Medaya Ocher and Kate Wolf speak with Mann, whose book describes her path to becoming an artist and provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann’s rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann’s advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it’s a job like any other: you have to work at it."]

Nyirenda, Hardy. "You Are Not Invited to the Orgy." Hardy's Substack (December 5, 2025)  ["Bataille rejected this denunciation of excess. Bataille flipped the core views of economics. For Bataille, life on Earth is not a frugal economy of scarcity but a profligacy of cosmic excess. He proclaimed that the sun showers energy upon us without asking for return; this is the source of what he called la part maudite, “the accursed share”. The surplus energy-biological, economic, down to the psychological-that any system must expend, one way or another. All life on Earth uses solar energy or stored parcels of solar energy, so there is a massive excess of it. The sun’s energy sustains all life on Earth; everything that we consume can have its route of existence traced through a chain that starts with the sun. Even in resources of oil and coal, fossilised plants and animals are just conduits that have held the energy of the sun underground for millennia until we can bring it back up to use again. Societies throughout history, with their abundance of energy, cannot sustain the critical mass of all of this excess. And Bataille states that here is where societies must spend the excess, ‘either gloriously, or catastrophically’. But not just spend the excess, but waste it for the sake of ridding of it. The modes of expenditure, gloriously, would involve non-productive, sumptuous but nonetheless socially constructive reasons; this would include art, festivals, rituals, monuments and the gift-giving ceremony of ‘potlatch’. Imagine the ancient societies that would have exquisite parties or animal sacrifice after a bountiful harvest. This relinquish in abundance to Bataille was what was truly sacred in societies, the extravagant art, banquets, cathedrals and offerings to the Gods, celebration for its own sake. What is truly human and opposed to the profane is relinquishing and making or doing things for the action itself, not utility. What makes life, life, more than the moments squandered against utility? Lounging for pleasure, intoxication and big beautiful parties. To look back on one’s life through the points of utility, repetition of chores and work are not the points we use to distinguish what made our lives worth living."]

O'Connor, Anahand. "How the Food Industry is Influencing Your TikTok Feed." On the Media (September 20, 2023) ["In July, the World Health Organization issues a report indicating that aspartame, an artificial sweetener used in many low calorie sodas and snacks, was "possibly carcinogenic to humans." The new statement on a widely utilized artificial sweetener led to controversy in the medical community, with the Federal Drug Administration saying they saw no concern over aspartame consumption. Some dietitians even took to social media to voice their contradicting opinions. Anahad O’Connor, a health columnist at The Washington Post, the response to the announcement on social media smelled a bit fishy. In a report released earlier this month with colleagues Caitlin Gilbert and Sasha Chavkin, O’Connor found that dozens of registered dietitians, some with more than 2 million followers each, were paid to counter the WHO’s announcement. He and his colleagues followed the money back to industry groups like American Beverage, which represents companies like Coca-Cola and PepsiCo. This week, OTM correspondent Micah Loewinger sits down O'Connor to learn more about the growing trend of influencer dietitians and the long history of food and beverage lobbies attempting to influence our eating habits."]

Rexer, William. "Clubhouse Conversations -The Testament of Ann Lee." American Cinematographer (November 24, 2025) ["In this episode, cinematographer William Rexer, ASC is joined by interviewer Tari Segal, ASC to discuss his work on The Testament of Ann Lee — an historical musical drama from director Mona Fastvold that examines the life of the founding leader of the Shakers religious sect in the 18th century. The Testament of Ann Lee charts the radical religious journey of Ann Lee (Amanda Seyfried), an England-born woman who envisioned and established the United Society of Believers in Christ's Second Appearing — a religious sect that became widely known in America as the Shakers, due to their ecstatic manner of worship and Quaker roots. The film marks the third for director Mona Fastvold, who co-wrote the screenplay with creative partner Brady Corbet; Fastvold and Corbet's previous feature, The Brutalist, won Oscars for Best Picture and Best Cinematography (Lol Crawley, ASC, BSC) earlier this year."]

Roberto, Michael Joseph. "In The Coming Of The American Behemoth Fascism Hits Close To Home." The State of Things (January 29, 2019) ["Many Americans know fascism as an authoritarian ideology which blossomed in early 20th century Europe — first with Italian dictator Benito Mussolini and later with Adolf Hitler and the rise of Nazi Germany. But historian Michael Joseph Roberto argues that while Mussolini and Hitler were capturing the world’s attention, a type of fascist ideology was also taking hold in the United States, although the system looked different. Roberto says monopoly-finance capitalism and the dominance of big business over personal liberties is America’s own mutation of fascism. He articulates this argument in the book “The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920–1940” (NYU Press/2018)."]

Rosen, Jay. "On the Digital Revolution That Wasn't." The Kicker (December 29, 2025) ["In 2006, Jay Rosen, the media scholar, published his influential article “The People Formerly Known as the Audience.” His medium was as important as his message. Although the essay would later appear in media-studies textbooks, it was first published on his blog, a form invented in the late 1990s that seemed, in Rosen’s words, to give everyone their own printing press. Armed with such technologies, he said, the public would no longer simply consume journalism as passive spectators. They now owned the means of media production. A beautiful democracy and a newly accountable press were sure to flourish. As Rosen knows as well as anyone, the world did not quite pan out that way. What was initially understood to be a technology of liberation became, increasingly, a mechanism of control: a means of surveilling the public, selling ads, and generating enormous profits for a small number of companies. Journalism and democracy both entered periods of sustained crisis from which they have yet to recover. The internet has even begun to abandon participation as part of its core ethos. As a recent analysis by the Financial Times shows, “social media has become less social”: partly because of these platforms’ algorithms, people are interacting with one another less and returning to the passive media consumption that the internet was supposed to disrupt. In this context, it seems that the people formerly known as the audience are… once again the audience. In this episode of Journalism 2050, Rosen joins Emily Bell and Heather Chaplin to discuss where it all went wrong and what journalists can do to fight back. Were the assumptions that the internet would help democracy and journalism simply naive? What did commentators fail to see at the time? What should we make of the return to blogging culture via platforms like Substack and Medium?"]

Silverman, David. "Silicon Valley's Dark Quest For Techno Fascism." Breaking Points (December 22, 2025) ["Krystal is joined by Jacob Silverman to discuss Silicon Valley's quest for techno fascism. David Silverman's newest book is Gilded Rage: Elon Musk and the Radicalization of Silicon Valley: "What happens if the world's richest and most powerful men decide to dismantle democracy? In Gilded Rage, New York Times bestselling author Jacob Silverman takes us inside the surreal, high-stakes world of Silicon Valley. This is the story of the political awakening and radicalization of a cabal of tech billionaires and their descent into ideological extremism. Flush with cash from the zero-interest era, addicted to their own mythology, these men have began reshaping the world in their image -- and it should terrify us all. At the center is Elon Musk, the mogul whose obsession with the “woke mind virus” has turned him from a tech innovator to an ideological crusader. But Musk is just the beginning. Silverman maps a sprawling network of radicalized elites - from Peter Thiel and JD Vance to the financiers bankrolling Donald Trump's return - who are using their platforms and their money to ensure a political revolution that's already underway. This is not just a book about tech. It's about power. We meet the billionaires funding life-extension labs and embracing apocalyptic visions of AI. We examine the populist rhetoric that is leading to the ruthless dismantling of democratic norms. And we enter the strange, darkly comic world of the tech-oligarchy where libertarian dreams meet authoritarian impulses, and where the people with the most influence over our lives are the least accountable. Silverman travels from San Francisco to Miami, New York to DC, following a movement that's rewriting the rules and oftentimes fighting a war against reality itself. With sharp reporting and a cast of extraordinary characters, Gilded Rage is a gripping, essential dispatch from the front lines of the billionaire revolution. If you want to understand who is trying to control the future, and why, then this is the book you need to read."]

Thalos, Mariam. "Resist and Be Free." Aeon (April 4, 2019) ["If we shift our focus away from thinking about ‘options’ or ‘alternatives’, and consider instead the opportunities for moulding our self-image in the course of resisting oppressive forces, we might be able to promote real freedom. That way, we can help people use instances of restraint or repression as moments of self-creation, by preparing people in advance of threats to their liberty. This new approach to freedom demands a metamorphosis in how we think about creating an identity, particularly in situations where we have been disciplined to rule out eligible options. Friends and critics alike do us no service when they point out that we can ‘do anything we want’. If we can’t see the alternatives as genuinely open, because of stereotypes or other forms of expectation, it doesn’t matter if they technically exist. True freedom is fundamentally about self-fashioning: you are free when you act out of your self-conception, even (or especially) when doing so defies what others think you are capable of."]

Tulleken, Chris van. Ultra-Processed People: The Science Behind Food That Isn't Food. W.W. Norton, 2023. ["A manifesto to change how you eat and how you think about the human body. It’s not you, it’s the food. We have entered a new age of eating. For the first time in human history, most of our calories come from an entirely novel set of substances called Ultra-Processed Food. There’s a long, formal scientific definition, but it can be boiled down to this: if it’s wrapped in plastic and has at least one ingredient that you wouldn’t find in your kitchen, it’s UPF. These products are specifically engineered to behave as addictive substances, driving excess consumption. They are now linked to the leading cause of early death globally and the number one cause of environmental destruction. Yet almost all our staple foods are ultra-processed. UPF is our food culture and for many people it is the only available and affordable food. In this book, Chris van Tulleken, father, scientist, doctor, and award-winning BBC broadcaster, marshals the latest evidence to show how governments, scientists, and doctors have allowed transnational food companies to create a pandemic of diet-related disease. The solutions don’t lie in willpower, personal responsibility, or exercise. You’ll find no diet plan in this book—but join Chris as he undertakes a powerful self-experiment that made headlines around the world: under the supervision of colleagues at University College London he spent a month eating a diet of 80 percent UPF, typical for many children and adults in the United States. While his body became the subject of scientific scrutiny, he spoke to the world’s leading experts from academia, agriculture, and—most important—the food industry itself. But more than teaching him about the experience of the food, the diet switched off Chris’s own addiction to UPF. In a fast-paced and eye-opening narrative he explores the origins, science, and economics of UPF to reveal its catastrophic impact on our bodies and the planet. And he proposes real solutions for doctors, for policy makers, and for all of us who have to eat. A book that won’t only upend the way you shop and eat, Ultra-Processed People will open your eyes to the need for action on a global scale."]

West, Stephen. "The Frankfurt School - Introduction." Philosophize This #108 (August 17, 2017) ["This episode explores the philosophical undercurrents of the 20th century by framing key figures like Sartre, de Beauvoir, Nietzsche, Marx, and Camus not just as isolated thinkers but as participants in larger historical and intellectual movements. The discussion begins with Nietzsche’s famous declaration that “God is dead,” reframing it as a mournful observation about the collapse of shared sources of meaning in the wake of scientific progress. From there, it examines how this loss of moral certainty gave rise to new ideological structures—nationalism, Marxism, and existentialism—as modern people searched for meaning in an increasingly fragmented world. French existentialists emphasized individual freedom and responsibility in response to the horrors of groupthink during World War II, while the Frankfurt School sought to revise Marxism in light of its historical failures and Enlightenment’s limits. The episode ends with a reflection on Camus’ Myth of Sisyphus, proposing that meaning can be reclaimed not through abstract reflection but through deep engagement with our everyday tasks—even when they seem absurd.
Further Reading:
Existentialism from Dostoevsky to Sartre by Walter Kaufmann (2004)
The Frankfurt School: Its History, Theories, and Political Significance by Rolf Wiggershaus (1995)
Camus and the Challenge of Political Thought: Between Despair and Hope by Patrick Hayden (2016)]

---. "The Frankfurt School (Part 7): The Great Refusal." Philosophize This! #114 (December 23, 2017) ["This episode explores Herbert Marcuse’s concept of the Great Refusal—not as a set of actionable political tactics, but as a deeply personal, transformative process of resisting the dominant culture of aggression, domination, and control. Marcuse challenges the assumption that political revolution can succeed without first reexamining and reshaping one’s own subjectivity, which is often shaped by consumerism, media narratives, and social conditioning. He warns that even well-meaning movements risk reproducing the very systems they aim to dismantle if they fail to confront how monopoly capitalism has conditioned their instincts, perceptions, and values. Drawing from Marx and psychoanalysis, Marcuse emphasizes the need to “emancipate the senses” and cultivate a “new sensibility”—a more humane way of seeing and being that rejects the commodified, aggressive impulses normalized by society. The episode closes by framing this ethical and psychological transformation as essential for genuine liberation, setting the stage for a broader discussion on subjectivity and postmodern critiques." Further Reading:
The Great Refusal: Herbert Marcuse and Contemporary Social Movements – Edited by Andrew T. Lamas, Todd Wolfson, and Peter N. Funke (2017)
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society – Herbert Marcuse (1964)​
Counterrevolution and Revolt – Herbert Marcuse (1972)​]

---. "Simone De Beauvoir Pt. 1 - The Ethics of Ambiguity." Philosophize This! #106 (July 19, 2017) ["In this episode, the discussion builds on Sartre’s view of human existence as a constant tension between facticity—the unchangeable facts of our lives—and transcendence—the possibilities we have to shape ourselves. Simone de Beauvoir deepens this idea in The Ethics of Ambiguity by arguing that human beings do not live in just one tension but inhabit a web of overlapping dualities: subject and object, individual and collective, mind and body. Rather than simplify these contradictions, she insists we must face them honestly, embracing the inherent ambiguity of existence. De Beauvoir critiques historical philosophy and religion [MB: Performative professional politicians are also guilty of this] for offering comforting but false narratives that obscure this truth. She emphasizes that freedom—our unavoidable capacity to choose—is the foundation of any ethical life. However, she warns that many fall into “bad faith,” adopting fixed identities or nihilism to escape the discomfort of freedom. Instead, true ethical living requires not only accepting our own freedom but working to maximize the freedom of others. Through this lens, meaning is not discovered but created through action, and ethics begins with the acknowledgment that we are condemned to be free."
Further Reading:
At the Existentialist Café: Freedom, Being, and Apricot Cocktails by Sarah Bakewell (2016)​
Existentialism from Dostoevsky to Sartre edited by Walter Kaufmann (1956)​
Existentialism for Everyday Life: Finding Meaning in a Chaotic World by Aurora Koskinen (2023)​]

Wright, Joe. "The Making of an Autocrat: Co-opt the Military." The Conversation Weekly (December 4, 2026) {'In November, six Democratic lawmakers recorded a video directed at members of the US military and intelligence agencies. In it, they issued a blunt reminder: "The laws are clear: you can refuse illegal orders. […] You must refuse illegal orders." The lawmakers were issuing the warning against the backdrop of US airstrikes on boats off the coast of Latin America the Trump administration claims are suspected drug runners. Many Democrats and legal experts, however, argue these strikes are illegal. Since returning to office, Trump has successfully expanded his power over his own party, the courts and the American people. Now, like many autocrats around the world, he’s trying to exert control over the military. In the final episode of The Making of an Autocrat, Joe Wright, a political science professor at Penn State University, says: "I am very concerned that getting the military to do illegal things will not only put US soldiers at more risk when they do engage in international missions in the future […] it’s a first step to using the military to target domestic political opponents. That’s what really worries me.""]


Strength Side (Workout)

100 Bodyweight Squats a Day (4 x 26)

Perfect this slow and full pushup routine

Mace Ballistic Curls (50)

Pancake Stretch (perfect)

100 pushups a day (5 x 20)

Staying Young sequence (Watch how he does it; perfect it: Horse stance 25s; Split Squat 4; Push Up 15; Shoulder Roll; Resting Squat 25; Broad Jump; Bridge Push Up 25; Duckwalk 4; Cossalk Squat 4; Crawling 2 laps; Pull Up)

S

Sandbag (see chart)

Animal Movement Conditioning (The Frog; The Cat Crawl; The Monkey; The Crab; The Crawl Switch; The Bear; The Duck)

The Hindu Pushup

Slant Board Exercises

Shoulder, Hip, and Back (Do the sequences he outlines: Crawling; Squat; Hang; Lifting from the Ground; Rolling)

 Club Exercises (you need to make two equally weighted clubs)

Weekly Longevity Workout Plan (see print outs)

Carries (Rucking; Farmer's Carry; Suitcase Carries; Sandbags)

Ancient Mobility Exercises (Cossack Squat; Table Top to Downward Dog; The Crab)

Crawling





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Salutations/neck & shoulders
Leg Stretches
Warrior Stretches
Five Tibetan Rites
Magazine/Books
Work Out Circuits
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Board List
Strength Side