Thursday, October 23, 2014

High Plains Drifter (USA: Clint Eastwood, 1973)




High Plains Drifter (USA: Clint Eastwood, 1973: 105 mins)

Carlson, Michael. Clint Eastwood. Pocket Essentials, 2002.

Cornell, Drucilla. Clint Eastwood and Issues of American Masculinity." NY: Fordham University Press, 2009.

Dirks, Tim. "Western Films." Film Site (No Date)

Engel, Leonard, et al. New Essays on Clint Eastwood. Salt Lake City, UT: Utah University Press, 2012.

Flynn, Erin E. "The Aesthetic Representation of Justice in Eastwood’s High Plains Drifter." Proceedings of the European Society for Aesthetics #4 (2012)

El Goro. "High Plains Drifter (1973) and The Outlaw Josey Wales (1976)." Talk Without Rhythm #366 (April 16, 2017)

Hughes, Howard. Aim for the Heart: The Films of Clint Eastwood. NY: I.B. Tauris, 2009.

McGee, Patrick. From Shane to Kill Bill: Rethinking the Western. Malden, MA: Blackwell, 2007.[Professor has copy]

Smith, Paul. Clint Eastwood: A Cultural Production. Minneapolis: University of Minnesota Press, 1993.

The Western: A Teacher's Guide. London: British Film Institute, No Date.

Williams, Jacob A. "Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western." (A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies: University of Washington, 2012)







1 comment:

  1. Clint Eastwood's film High Plains Drifter (1973)

    The first time I saw High Plains Drifter was probably in the late 1970s. Clint Eastwood stars in and directs the film. Most westerns are either about cattle drives or cowboys and Indians. High Plains Drifter is different: this is a God's-Judgment-on-the-wicked western.

    Clint Eastwood plays a stranger who rides into the town of Lago--and he has a really bad attitude. This stranger is also very good with a side arm. During the course of the film, the stranger ends up killing some bad guys and burning the town of Lago to the ground. There are a couple of flashbacks of one Marshall Jim Duncan being whipped to death. At the end of the film, the audience can see that the stranger was the Second Coming of Marshall Duncan:

    The stranger rides out of the town of Lago past the cemetery. This little guy named Mordecai is writing something on a grave marker.

    The stranger looks at Mordecai and Mordecai looks up and says, "I'm almost done here."

    Then Mordecai asks the stranger, "I never did know your name."

    And the stranger replies, "Yes, you do."

    As the stranger rides off, the camera shows the grave marker: "Marshall Jim Duncan."

    I have a short story entitled "High Plains Drifter" (Ethos, March & May 1995); I have a book entitled High Plains Drifter: A Hitchhiking Journey Across America (PublishAmerica, December 2008); I have a blog called "High Plains Drifter." So is this some sort of gunslinger fixation or is there method to my madness? The clue is in one Scripture: "In the mouth of two or three witnesses let every word be established."

    There is a lot of sin (unrepented sin) in the United States and in the world. When people continue to live in sin, eventually God's Judgment falls. The more people try to hide their sin, the greater God's Judgment. The people of Lago tried to hide the murder of Marshall Duncan, but their sin was found out. You can't hide from God.

    There is a scene in High Plains Drifter where this lady tells the stranger, "Ever since Marshall Duncan's death, the people in this town are afraid of strangers."

    There is another scene in High Plains Drifter where the people of Lago [the town of Lago reminds me of Algona, Iowa] are meeting at the church. One of the guys is speaking in the front of the church. The camera then pans to the right and shows a bulletin board with this Scripture:

    Isaiah 53: 3-4: "Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed."

    Marshall Jim Duncan was whipped to death; Jesus Christ was at least nine-tenths whipped to death. The stranger riding into Lago (the first scene of the film) is a symbol of the Second Coming of Jesus Christ: not as the Lamb of God, but as the Lion of the Tribe of Judah.

    Isaiah 63: 1-6: "Who is this that cometh from Edom, with dyed garments from Bozrah? this that is glorious in his apparel, travelling in the greatness of his strength? I that speak in righteousness, mighty to save. Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winefat? I have trodden the winepress alone; and of the people there was none with me: for I will tread them in mine anger, and trample them in my fury; and their blood shall be sprinkled upon my garments, and I will stain all my raiment. For the day of vengeance is in mine heart, and the year of my redeemed is come. And I looked, and there was none to help; and I wondered that there was none to uphold: therefore mine own arm brought salvation unto me; and my fury, it upheld me. And I will tread down the people in mine anger, and make them drunk in my fury, and I will bring down their strength to the earth."

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