A.I.: Artificial Intelligence (USA: Steven Spielberg, 2001: 146 mins)
"Artificial Intelligence (2001)." Philosophical Films (ND)
Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination." Department of Communication Dissertation, Georgia State University, 2012.
Booker, M. Keith. "A.I. ARTIFICIAL INTELLIGENCE (2001, Directed by Steven Spielberg)." Comments on Culture (ND)
Haskell, Molly, Michael Koresky and Violet Lucca. "Steven Spielberg." Film Comment Podcast (October 3, 2017) ["Looking ahead to the New York Film Festival premiere of Susan Lacy’s documentary Spielberg, this week’s Film Comment podcast considers the household-name auteur: the architect of the modern blockbuster, and a surviving (and thriving) master of the Classical Hollywood vernacular. Molly Haskell is on hand to impart wisdom from her most recent book Steven Spielberg: A Life in Films, which came out in the spring, as well as firsthand recollections of writing about Spielberg in the age of second-wave feminism. She joins Film Society of Lincoln Center Editorial Director Michael Koresky, who edited the Reverse Shot book Steven Spielberg: Nostalgia and the Light, published with Museum of the Moving Image this summer, and FC Digital Producer Violet Lucca for a discussion spanning Spielberg’s big marquee titles and his less appreciated works."]
Lee, Kevin B. "The Spielberg Face." (Posted on Vimeo: 2012)
Sampson, Benjamin. "A.I. Artificial Intelligence – A Visual Study." Press Play (May 10, 2012)
Haskell, Molly, Michael Koresky and Violet Lucca. "Steven Spielberg." Film Comment Podcast (October 3, 2017) ["Looking ahead to the New York Film Festival premiere of Susan Lacy’s documentary Spielberg, this week’s Film Comment podcast considers the household-name auteur: the architect of the modern blockbuster, and a surviving (and thriving) master of the Classical Hollywood vernacular. Molly Haskell is on hand to impart wisdom from her most recent book Steven Spielberg: A Life in Films, which came out in the spring, as well as firsthand recollections of writing about Spielberg in the age of second-wave feminism. She joins Film Society of Lincoln Center Editorial Director Michael Koresky, who edited the Reverse Shot book Steven Spielberg: Nostalgia and the Light, published with Museum of the Moving Image this summer, and FC Digital Producer Violet Lucca for a discussion spanning Spielberg’s big marquee titles and his less appreciated works."]
Koski, Genevieve, et al. "Bye, Robot Pt. 1 — A.I. Artificial Intelligence." The Next Picture Show #320 (March 15, 2022) ["Kogonada’s new science-fiction film AFTER YANG wrestles with the humanity of artificial beings, and their relationship to humanity, in a way that feels distinctly reminiscent of Steven Spielberg’s 2001 feature A.I. ARTIFICIAL INTELLIGENCE. Both films are highly sympathetic toward the android companions on which they center, but Spielberg’s film, which began life as a Stanley Kubrick endeavor, has a more sour view of humanity… or does it? That’s one of the main questions up for discussion this week as we delve into the complexities and contradictions of A.I., a film with no shortage of discussion points, many of which coalesce around the film’s still-divisive ending."]
---. "Bye, Robot Pt. 2 — After Yang." The Next Picture Show #321 (March 22, 2022) ["Kogonada’s new AFTER YANG plays in many ways like a mirror to Steven Spielberg’s misunderstood android epic A.I. ARTIFICIAL INTELLIGENCE as it explores ideas about human nature through the experiences of an artificial being. It’s also an unusually warm, thematically rich science-fiction film that opens up countless avenues of discussion, a few of which we travel down before bringing AFTER YANG into conversation with Spielberg’s earlier model to consider these stories’ shared features: a disrupted family unit, a journey of discovery, adoption ethics, and rumination on what it means to be human."]
Sampson, Benjamin. "A.I. Artificial Intelligence – A Visual Study." Press Play (May 10, 2012)
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