Buckler, Dana. "Point Break (1991)." H.I.T.M? (August 9, 2016)
Emmons, Alex. "Newly-Released Documents Confirm Bureau of Prisons Visit to CIA Torture Site in Afghanistan." The Intercept (November 25, 2016)
Kayyali, Dia. "Getting Started with Digital Security: Tips and Resources for Activists." Witness (November 2016)
Koski, Genvieve, et al. "In the Mood for Love / Moonlight, Part 1." The Next Picture Show #51 (November 22, 2016) ["Inspired by one of the year’s biggest indie sensations, Barry Jenkins’ MOONLIGHT, we’re looking at another highly romanticized tale of unrequited love: Wong Kar-wai’s beautiful 2000 film IN THE MOOD FOR LOVE. In this half, we talk about how affecting LOVE’s central non-love-story is - and why - and consider how the film reflects Wong’s improvisational methods and his desire to create a dreamlike return to the Hong Kong of his childhood."]
---. "In the Mood for Love / Moonlight, Part 2." The Next Picture Show #52 (November 24, 2016) ["Our discussion of lyrical portraits of unrequited love turns its attention to Barry Jenkins’ MOONLIGHT, the look and feel of which—the final third in particular—recalls the bittersweet tone of Wong Kar-Wai’s IN THE MOOD FOR LOVE. We share our reactions to MOONLIGHT, and consider the two films’ shared qualities, including their use of unusual framing and the thematic importance placed on food."]
Orr, Christopher. "Love Actually Is the Least Romantic Film of All Time." The Atlantic (December 6, 2013)
Perlstein, Rick, et al. "Ghosts." On the Media (November 25, 2016) ["A special hour on memory, both historical and personal, and how what we remember shapes our world."]
Schamus, James. "Indignation." The Treatment (August 3, 2016) ["As the former CEO of Focus Features, James Schamus has been instrumental behind the scenes launching films like Brokeback Mountain and Crouching Tiger, Hidden Dragon, often involving his long-time screenwriting partner Ang Lee. He has now tried his hand at directing in his debut Indignation, the adaptation of Philip Roth's book of the same name. Schamus visits The Treatment to discuss his first time working directly with the camera and actors as well as going to great lengths in properly reflecting the essence of the 1950's."]
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