Sunday, December 4, 2016

Resources for December 4, 2016

"'True philosophy needs communion to come into existence,' he wrote and added, 'Uncommunicativeness in a philosopher is virtually a criterion of the untruth of his thinking.'" -- The Philosopher Karl Jaspers quoted by Sarah Bakewell in At the Existentialist Cafe : 83.

"Army will not grant easement for Dakota Access Pipeline crossing." US Army (December 4, 2016)
Bush, John. "Teach Your Children Wild Edible and Medicinal Plants with this Creative Board Game." The Homestead Guru (December 2016)

D'anna, Becky, James Hancock and Jacob Rivera. "Woody." Wrong Reel #205 (November 2016) ["Wide ranging discussion of his comedies prefaced by some clear analysis of his personal controversies"]

Fleur, Nicholas St. "Four New Names Officially Added to the Periodic Table." The New York Times (December 1, 2016)

Fox, Jeremy C. "Un Maricon Brillante: The Films of Pedro Almodovar." Pajiba (July 12, 2006)

Hauck, Dennis. "Too Late." The Treatment (August 10, 2016) ["Director Dennis Hauck joins Elvis Mitchell to discuss the importance of Techniscope and the 1962 film Carnival of Souls in his directorial debut Too Late."]

Koski, Genevieve, et al. "Contact / Arrival. Pt. 1." The Next Picture Show (November 29, 2016) ["This week, we look to the skies to consider two films about the difficulty of communication between worlds, and the inward journeys involved in looking to the stars. Inspired by Denis Villeneuve’s new ARRIVAL, we begin with an in-depth discussion of an earlier film with which it shares many thematic and narrative elements: Robert Zemeckis' 1997 Carl Sagan adaptation CONTACT. We consider the film’s ambition, dissect its blockbuster qualities, and try to determine what makes this unwieldy, emotional movie work so well, almost despite itself. (Spoiler: It’s mostly Jodie Foster.)"]

---. "Contact / Arrival, Pt. 2." The Next Picture Show (December 1, 2016) ["Our conversation about movies about talking to aliens moves to the present with Denis Villeneuve’s new ARRIVAL, which hits many of the same narrative points as CONTACT, but points them in a different emotional direction. We talk about our reactions to the newer film, and how its ideas about science, communication, and emotion compare with CONTACT’s."]

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