Cole, Nikki Lisa. "What is Cultural Hegemony?" ThoughtCo. (January 6, 2020)
Dennis, Brittney. "On Cultural Hegemony, Cultural Appropriation, and Blackness." Sociology Lens (April 12, 2017)
Dornan, Tim, et al. "Cultural hegemony? Educators’ perspectives on facilitating cross-cultural dialogue." Medical Education Online #21 (November 25, 2016)
Duncombe, Stephen. "Cultural Hegemony." Beautiful Trouble (ND) ["Politics is not only fought out in state houses, workplaces or on battlefields, but also in the language we use, the stories we tell, and the images we conjure — in short, in the ways we make sense of the world."]
Laclau, Ernesto and Chantal Mouffe. Hegemony and Socialist Strategy: Towards a Radical Democrat Politics. 2nd ed. Verso, 2001.
Robinson, Andrew. "Bakhtin: Carnival against Capital, Carnival against Power." Cease Fire (September 9, 2011) ["The dominant worldview of medieval Europe was of a natural order which is hierarchical, stable, monolithic and immutable, but poised on the brink of disaster or ‘cosmic terror’, and hence in need of constant maintenance of order. This is similar to Aristotle’s view. For Bakhtin, such a view is oppressive and intolerant. It closes language to change. The fear of ‘cosmic terror’, the pending collapse of order if things got out of control (or the threat posed by the Real to the master-signifier), was used by elites to justify hierarchy and to subdue popular revolt and critical consciousness. Today, we might think of this vision of monolithic order in terms of fantasies of ‘broken Britain’, of civilisation under siege from extremists, and a discourse of risk-management (and the crisis-management of ‘ungovernability’) in which ‘terrorism’, disease, protest, deviance and natural disaster fuse into a secularised vision of cosmic collapse. This vision of collapse has infiltrated legal and political discourse to such a degree that any excess of state power seems ‘proportionate’ against this greater evil. The folk view expressed in carnival and carnivalesque, and related speech-genres such as swearing and popular humour, opposes and subverts this vision. For Bakhtin, cosmic terror and the awe induced by the system’s violent power are the mainstays of its affective domination. Folk culture combats the fear created by cosmic terror.""]
Stoddart, Mark C.J. "Ideology, Hegemony, Discourse: A Critical Review of Theories of Knowledge and Power." Social Thought & Research #28 (ND): 191-225.
Subissati, Andrea. "Glossary of Gore: Cultural Hegemony." Faculty of Horror (June 7, 2020)
West, Stephen. "Antonio Gramsci on Cultural Hegemony." Philosophize This! #131 (May 23, 2019) ["Gramsci begins his explanation by evoking and repurposing a word that had been thrown around all throughout human history but it was a word that he thought in recent years was starting to take on an entirely new meaning. The thing that was responsible for allowing a particular social class to ascend to power and then maintain a privileged status…was what he called Cultural Hegemony. This concept of hegemony is going to become massively important to the political conversation of the 20th and 21st centuries and by the end of this arc of the show we’re going to have looked at it from a lot of different perspectives. Maybe we should start from the origins of the word…the word hegemony originates in ancient Greece…the root of the word comes from the greek word meaning “to lead”, some translators say it’s closer to “to rule over”…but either way during antiquity there were things called hegemons…now in the context of ancient Greece a hegemon was typically a state that had a significant military advantage over another state…the arrangement being that if the weaker state didn’t comply with certain demands from the hegemon they would be annexed or dominated militarily or burned to the ground, take your pick. The term hegemony implied the threat of physical dominance over a population of people…this was the case all throughout human history. But Gramsci is going to say that in our modern world the definition of the word hegemony needs to evolve with the political reality we are living in. We are no longer living in a world where most political control is exercised by military dominance over a population of people. Since the advent of mass media people in positions of power have realized that a much more effective way of controlling populations is by manipulating the cultural parameters that citizens have to navigate. The general idea is this: to be a human being living a life in our modern world…you always HAVE to be living that life immersed within a particular culture. But what IS a culture other than an elaborate collection of norms, rules, structures, mores, taboos, rituals, values, symbolic gestures…these things are not exactly abstract concepts…they are acute. They are visible. This is the cultural custom of a handshake to pay deference to someone else. This is not talking with your mouth full. This is the sum total of every ritual we engage in on a daily basis that all come together to create a cohesive society. But what Gramsci is going to ask is: who exactly created all of these norms and taboos that we abide by?"]
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