Crash (Canada/United Kingdom: David Cronenberg, 1996: 100 mins)
Allinson, Ashley. "Great Directors: David Croneberg." Senses of Cinema #22 (October 2002)
Armand, Louis. "In Suspense of the Real: Cronenberg, Gilliam and Lynch." The New Critique (February 1, 2016)
Bale, Miriam. "They Came From Within: Yonic symbolism in the films of David Cronenberg." Moving Image (January 20, 2012)
Bergstrom, Aren. "The Reshaping of the Human Body by Modern Technology: The Evolutionary Eroticism of David Cronenberg's Crash." Bright Wall/Dark Room #97 (July 6, 2021)
Ebert, Roger. "Crash (1997)." Chicago Sun-Times (March 21, 1997)
Goldberg, Daniel N. "David Croneberg: The Voyeur of Utter Destruction." Morningside Review #4 (2008)
Kiang, Jessica. "Crash: The Wreck of the Century." The Current (December 1, 2020)
Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)
Goldberg, Daniel N. "David Croneberg: The Voyeur of Utter Destruction." Morningside Review #4 (2008)
Kiang, Jessica. "Crash: The Wreck of the Century." The Current (December 1, 2020)
Land, Joshua. "Migrating Forms: David Cronenberg and the challenge of the impossible adaptation." Moving Image Source (February 3, 2012)
Lelievre, Ben. "Crash (1996)." Dead End Follies (June 6, 2021)
Longworth, Karina. "Crash and David Cronenberg (Erotic 90’s, Part 16)." You Must Remember This (September 18, 2023) ["One of the only high-profile NC-17 releases post-Showgirls, David Cronenberg’s Crash was the kind of dark adult art film that the rating was supposedly created to support. We’ll talk about how Crash fits into Cronenberg’s filmography, why it was controversial when it premiered at the Cannes Film Festival in 1996 and when it was released in the US in 1997, how it played into the UK general election of 1997, how it functioned as an early warning against charismatic billionaires, and how it embodied a post-Prozac and pre-Viagara moment."]
Nayman, Adam. "Dead Man’s Curve: David Cronenberg’s Crash, 25 Years After Cannes." The Ringer (May 20, 2021) ["Two and a half decades ago, the iconoclastic Canadian filmmaker delivered one his most controversial features to the most hallowed of film festivals. The jury was so flabbergasted, they had to invent an award for it."]
Harnessing Perversity: J.G. Ballard, David Cronenberg, and Crash from Jonathan Bygraves on Vimeo.
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