Thursday, September 10, 2026

ENG 282: International Film Studies - Spring 2027 (Weird Studies and Monster Theory)

Weird Studies - my definition:


I classify "weird fiction" as not necessarily a genre-in-itself, instead it operates in the interstices of mainstream genres, creating through poetic prose, vivid imagery, hallucinatory experiences, existential angst, dream logic and shocking stories, a powerful effect upon the reader, provoking them to start to see the mundane world with a slant. If you look at the etymology of 'wyrd' it originates as the "power to control destiny" (no doubt in a magical or ritual sense) and morphs to the latter "weird" meaning of "unearthly" or strange. These stories stay with you, taking root deep inside your consciousness, reverberating like the ripples of a deep pond disturbed by a thrown rock and provoke you to rethink what you have always taken for granted. There is a commercial genre called "the new weird" (also an older pulp magazine "weird" usually involving cosmic horror) and some of these books/authors would be slotted into my broad genre classification here (many are not), but in the spirit of actual weirdness I include other books/films that operate under the aesthetic classification described above without being marketed as "new weird." The disturbance to perceived reality also may take place through a decoding/encoding process that challenge and restructure (exposing the myths and inconsistencies) dominant narratives/pathways (also see situationist détournement and derive). Often these weird narratives represent/present a dream logic as being just as important/relevant as our waking logic. The purpose is to expose the cracks in the foundations of controlling narratives, destabilizing them through weird narratives that shake the assured assumptions of its adherents. The concepts of carnivalesque revelry and the dialogic nature of consciousness as theorized by Mikhail Bakhtin are equally important, in that they involve the reversal of a dominant order and/or an exposure of the fantasy of the controlling order, in the process revealing the many perspectives/voices that are silenced/masked. As disturbing as these can be for many, perhaps the most problematic aspect of many weird narratives would be the decentering of humans (as the center of the universe) and explorations/recognitions of non-human perspectives. Importantly, in the context of my own American culture, this also involves narrative & theoretical displacement of our particular hegemonic way of seeing & being as the baseline for thinking about and understanding the world. In film studies there has also been a classification of Mind Fuck films which would be included here. All of these can provide a cathartic release from the anxiety/terror of the really weird situation we are living through and the twisted creatures that our at the helm of planet earth. [Editorial note: my definition was originally written during the 2020 COVID-19 Pandemic]. Under no circumstance is weird meant in a derogatory way.  Anyone who does a deep dive into science, especially theories of consciousness and reality, knows that science is seriously weird. I appreciate works that challenge our constructed reality, pushing us to see that there is not just one way. Also it should be understood that what seems weird to some may seem obvious and normal to others. One of the great benefits of learning across time and space/places is that it can, following Bertolt Brecht, "make the familiar strange." Michael Dean Benton (May 2020; revised July 2022)

"Monstrosity, for me, is always positive. It's about debunking all the normative ways of society and social life. (1)" - Julia Decournau (2021) [quoted in Creed]




Bibliography (Print Culture):

Cohen, Jeffrey Jerome.  "Monster Culture (Seven Theses)." Monster Theory: Reading Culture. ed. Jeffrey Jerome Cohen. University of Minnesota Press, 1996: 3 - 25.  

Creed, Babara. Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor and Francis, 2022. ["This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses."]

Martel, J.F. Reclaiming Art in the Age of Artifice. Basic Books, 2025. ["Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a “work of art” largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, JF Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, although normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages ​​and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric amusement that the current world order has woven around us."]


Documentaries:

The American Nightmare (USA: Adam Simon, 2000) This is available for free on Youtube. How the horror genre changed post 1968.

Horror Noire: A History of Black Horror (USA: Xavier Burgin, 2019) Description: "Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre." Here is a collection of resources that go with the film: Horror Noire syllabus

Nightmares in Red, White, and Blue: The Evolution of Horror (USA: Andrew Monument, 2009) This is available for free on Youtube (click on the link to watch). It is a look at the socio-political context of horror films.

Woodlands Dark and Days Bewitched: A History of Folk Horror (USA: Kier-La Janisse, 2021) Description: "Explores the folk horror phenomenon from its beginnings in a trilogy of films – Witchfinder General, Blood on Satan’s Claw and The Wicker Man – through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre’s revival over the last decade."


Online resources: 

"28 Days Later (UK: Danny Boyle, 2002: 113 mins)." Dialogic Cinephilia (Ongoing Archive)

"2001: A Space Odyssey (USA/UK: Stanley Kubrick, 1968: 141 mins)." Dialogic Cinephilia (Ongoing Archive)

"A Clockwork Orange (UK/USA: Stanley Kubrick, 1971: 136 mins)." Dialogic Cinephilia (Ongoing Archive)

"A Girl Walks Home Alone at Night (USA: Ana Lily Amirpour, 2014: 99 mins)." Dialogic Cinephilia (Ongoing Archive)

"Alien (UK/USA: Ridley Scott, 1979: 117 mins)." Dialogic Cinephilia (Ongoing Archive)

"Alien 3 (USA: David Fincher, 1992: 114 mins)." Dialogic Cinephilia (Ongoing Archive)

"American Psycho (USA: Mary Harron, 2000: 102 mins)."  Dialogic Cinephilia (Ongoing Archive)

"A Nightmare on Elm Street (USA: Wes Craven, 1984: 91 mins)." Dialogic Cinephilia (Ongoing Archive)

"Annihilation (UK/USA: Alex Garland, 2018: 115 mins)." Dialogic Cinephilia (Ongoing Archive)

"Arrival (USA: Denis Villeneuve, 2016: 116 mins)." Dialogic Cinephilia (Ongoing Archive)

"The Babadook (Australia: Jennifer Kent, 2014: 93 mins)." Dialogic Cinephilia (Ongoing Archive)

Being John Malkovich (USA: Spike Jonze, 1999: 112 mins) Dialogic Cinephilia (Ongoing Archive)



Brazil (UK: Terry Gilliam, 1985: 132 mins) Dialogic Cinephilia (Ongoing Archive)
 
The Cabin in the Woods (USA: Drew Goddard, 2012: 92 mins) Dialogic Cinephilia (Ongoing Archive)

Cam (USA: Daniel Goldhaber, 2018: 94 mins) Dialogic Cinephilia (Ongoing Archive)







"Earl Fontainelle: Esotericism/Religion/Philosophy." Dialogic Cinephilia (Ongoing Archive)

"Phil Ford and J.F. Martel: Weird Studies/Art/Culture/Esotericism." Dialogic Cinephilia (Online Archive)

Muncer, Mike and Chris Newton. "The Evolution of the Vampire." The Evolution of Horror (September 3, 2026) ["Chris Newton joins Mike to discuss the sexiest, broodiest, gayest monster of them all, the vampire!."]

Tafoya, Scout. "The Post-Punk Cinema Manifesto - Side A." (Posted on Vimeo: 2017) 

---. "The Post-Punk Cinema Manifesto - Side B." (Posted on Vimeo: 2017)


Quote file:

"This is the mystery we thrust ourselves into: A single neuron is not conscious of its existence. A network of billions of unconscious single neurons is. These monads living in a world without perception become a being that perceives, thinks, and acts. Consciousness lies not in neurons, but in a sophisticated pattern of connectivity (125)." - Dr. Arnkatla Minervudottr-Chan in Nayler, Ray. The Mountain in the Sea. Picador, 2022. 





Wednesday, September 9, 2026

Fight Club (USA: David Fincher, 1999)



 



“Our great war is a spiritual war; our great depression is our lives!” - Tyler Durden

"The most strongly enforced of all known taboos is the taboo against knowing who or what you really are behind the mask of your apparently separate, independent, and isolated egos." -- Alan Watts, The Book on the Taboo Against Knowing Who You Are (1966)

Fight Club (USA: David Fincher, 1999: 139 mins)

Adkins, Ashleigh. "Fight Club: The Case of Psychological Misdirection and Bloodied Knuckles." Letterboxd (October 17, 2019)

Baker, Peter. "The Men Who Still Like Fight Club." The New Yorker (November 4, 2019)

Church, David. "Remaining Men Together: Fight Club and the (Un)pleasures of Unreliable Narration." Offscreen 10.5 (Mat 2006)

Eig, Jonathan. "A beautiful mind(fuck): Hollywood structures of identity." Jump Cut #46 (2003)

Kuersten, Erich. "CinemArchetype #7: The Shadow." Acidemic (March 8, 2012)

Graeber, David. Debt: The First 5,000 Years. Brooklyn, NY: Melville House Publishing, 2011. [Was reading the 1st chapter of this book at the same time as I was preparing for the Fall 2012 Ethics/Film screening of Fight Club -- it changed the way I conceived of the meaning of the dramatic ending of the film: "By the same token, for the last five thousand years, with remarkable regularity, popular insurrections have begun the same way: with the ritual destruction of the debt records--tablets, papyri, ledgers, whatever form they might have taken in any particular time and place. (8)"]

---. "On the phenomenon of bullshit jobs." libcom (August 20, 2013) [In regards to Tyler Durden's complaint of these types of jobs]

Koski, Genvieve, et al. "Man Up, Pt. 1 - Fight Club." The Next Picture Show #186 (July 31, 2019) ["We’re looking at two films featuring underground fight clubs, secret identities, and male protagonists trying to reclaim their self-worth through violence, beginning with David Fincher’s Fight Club, which traffics in many of the same themes as Riley Stearns’ new The Art of Self Defense, albeit with decidedly more stylistic flourish. In this half of our toxic masculinity double feature, we dig into what made Fight Club so divisive in 1999, and what makes it seem so prescient today."]

---. "Man Up, Pt. 2 - The Art of Self-Defense." The Next Picture Show #187 (August 6, 2019) ["Riley Stearns’ new dark comedy The Art of Self Defense centers on an underground scene of fighters who engage in their own version of the transgressive tactics Tyler Durden plays with in 1999’s Fight Club, but both films are ultimately about the catharsis of violence. After digging into how The Art of Self-Defense spins the “fight club” premise to its own ends, we pit these two films against each other to see which reigns supreme!…Or, to determine what each movie has to say about their shared interests in misogyny, toxic masculinity, and the dehumanization of life in corporate America."]

Like Stories of Old. "Fight Club - How (Not) to Become a Space Monkey." (Posted on Youtube: November 16, 2019) ["Video essay on Fight Club; examining how charismatic leaders like Tyler Durden turn men into Space Monkeys."]

---. "The Myth of Heroic Masculine Purpose." (Posted on Youtube: February 28, 2022) ["A critical analysis of the myth of heroic masculine purpose, and its effect on men’s perception of manhood, and on their connection to others and to the world."]

O'Connell, Max. "Men's Rights Activists, GamerGate, and Why Fight Club is Still Worth Debating 15 Years Later." IndieWire (October 15, 2014)

Palahniuk, Chuck (Interviewed by Joe Rogan). "Why Men Like Fight Club." Jer Films (Posted on Youtube: April 27, 2020)

Rushkoff, Douglas. "They Say." Coercion: Why We Listen to What 'They' Say'. (NY: Metropolitan Books, 1999: 1-26) [A question that is raised, for me, is why we so easily accept what "they say?" Here is media theorist Douglas Rushkoff's brilliant critical and self-reflective exploration of this question.]

Sevilla, Susanna. "Things Are Not What They Seem." (Posted on Vimeo: February 2015) ["A video essay on title sequences from Hitchcock and Fincher films. An exploration of motion graphic design from analog to digital."]

Szhou, Tony. "David Fincher - And the Other Way is Wrong." Every Frame a Painting (October 1, 2014)

Zavodny, John. “I Am Jack’s Wasted Life: Fight Club and Personal Identity.” Movies and the Meaning of Life: Philosophers Take on Hollywood. eds. Kimberly A. Blessing and Paul J. Tudico. Chicago: Open Court, 2005: 47-60. [Professor has copy]











Saturday, September 5, 2026

ENG 102 2026: Resources Archive #16

"Every day
I see or I hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It is what I was born for—
to look, to listen . . ."
Mary Oliver, "Mindful"


Vesica Piscis by Joe Goodwin (2015: Acrylic on canvas and board)

Presented at a conference on art and psyche in Siracusa, Italy - Vesica Piscis, by contemporary artist Joe Goodwin, is an exercise in synchronicity. The work, not then complete, was noted by the artistas having a 'glaring compositional problem,' in the form of empty space. The addition of an off-centre circle, overlapping the one already on the canvas, resulted in an important symbol of sacred geometry, representing the intersection of the world of the divine with the world of matter and also the beginning of creation. Given that the conference held an audience mostly composed of Jungian analysts, the process and experience was well understood. - Elizabeth, S. The Art of the Occult: A Visual Sourcebook for the Modern Mystic. White Lion Publishing, 2020: 24.

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Amad, Thaer, Feroze Sidhwa, and Poh Si Teng. "“American Doctor”: New Film Follows U.S. Doctors to Gaza as Israel Bombs Hospitals, Kills Staff, Patients." Democracy Now (August 14, 2026) ["The new documentary American Doctor tells the story of how the besieged hospitals of Gaza have continued to treat the sick and wounded throughout Israel’s genocidal war on the Palestinian territory, with local medical staff risking their own lives in the process. According to Palestinian officials, Israeli attacks have killed about 1,700 healthcare workers in Gaza since October 2023. The documentary follows three U.S. doctors as they volunteer in Gaza hospitals. Director Poh Si Teng says the film rose out of her “deep despair” over what was happening in Gaza, including deadly Israeli attacks on her former Al Jazeera colleagues. American Doctor is her attempt “to bring Palestine back to the United States,” Teng says. We also speak with two of the subjects of the film: trauma surgeon Dr. Feroze Sidhwa and emergency physician Dr. Thaer Ahmad, who is Palestinian American."]

Beaupre, Mitchell. "Flesh and Fluids: Jane Schoenbrun on fighting repression through Teenage Sex and Death at Camp Miasma." Letterboxd (August 6, 2026) ["Our relationship to sex as a culture is so unhealthy. So, of course we try to compartmentalize it or keep it on our browser window and never share it with another human being. I don’t think that is serving us as a people. I think that repression is the enemy, and especially the enemy of the artist, and this is a movie against repression." —⁠Jane Schoenbrun]

Berry, Wendell. "The Work of Local Culture." What Are People For? San Francisco: North Point Press, 1990: 153-169 [Excerpts posted on Dialogic with links to the entire text: July 8, 2012]

Bird, Kai. "On Roy Cohn, a Founding Father of Donald Trump’s America." The New Yorker Radio Hour (August 28, 2026) ["During the height of Roy Cohn’s friendship with Donald Trump, according to the historian Kai Bird, “they were on the phone with each other a dozen times a day.” Bird’s new book, “American Scoundrel,” details Cohn’s profound influence on Trump—whom he met as a young real-estate heir in the nineteen-seventies—and how Cohn is “haunting” politics in our time. “I had written about Roy Cohn in [previous biographies] as this nefarious, minor, awful figure who was disruptive and divisive and unethical. And I suddenly realized that the establishment that I’d been writing about for forty years is gone. Their values and culture, the politics, the bipartisanship . . . that’s all gone,” he tells David Remnick. “Roy Cohn explains something about the dark side of America that I just didn’t understand.” They discuss Cohn’s early career as a prosecutor and his role as the “mastermind” of the McCarthy purges; his service as a lawyer and fixer for Mafia members, politicians, and celebrities; and an allegation of being involved in sex trafficking."]

Bui, Kevin. "Knives Out: Johnnie To's Election." Senses of Cinema #118 (May 2026) ["The specific intricacies of triad society have formed the backbone for many of To’s most acclaimed works since the creation of his Milkyway Image production banner, with films such as Chan sam ying hung (A Hero Never Dies, 1998) and Cheung foh (The Mission, 1999) probing the ways in which gang members juggle codes of loyalty and honour in their day-to-day duties, while others like PTU (2003) and Dai si gin (Breaking News, 2004) explore the group’s inextricably parasitic relationships with the police and the media. Premiering at Cannes in the spring of 2005, the synopsis of Hak se wui (Election, 2005) places it in the same breath as To’s other crime sagas. Another two years have passed, and it’s time for the elders of the Wo Shing to place their votes on who will be the organisation’s next chairman. A significant contingent voice their support for Lok (Simon Yam), a level-headed, ‘professional’ career criminal who would likely run the business with the discretion and finesse required to stay out of the warpath of the Hong Kong Police Force. But others in the committee make it known that they would rather have Big D (Tony Leung Ka-fai) in charge; the much more volatile but otherwise effective candidate who they believe will strike fear back into the hearts of their enemies."]

Goldin, Hana Lee. "Books Have Always Been Destroyed. But Never Like This."  Card Catalog (August 25, 2026) ["Every one of these books, preserved to the letter, can now be read by no one. The scanned texts sit in Anthropic’s private collection, a library with no reading room and no public catalog. Models trained on that collection are built to avoid quoting it at length, because reproducing long passages for users is the copyright violation no court has excused. So the machines answer questions about books without ever showing the books themselves. When someone asks a model about a title that survives only in that collection, what comes back is a summary, written in the model’s words, with the original nowhere in reach. That arrangement changes something basic about how we can know things. Checking a claim against its source is the foundation of thinking for ourselves. When we can pull the book, find the page, and read the passage in context, we get to judge whether the summary was faithful and whether the quote meant what someone claims it meant. Remove the book and that judgment has nowhere to stand. We’re left taking the summary on trust, with no way to confirm and no standing to doubt. Whatever the model says the book said becomes, for all practical purposes, what the book said. That’s a transfer of authority from the page to the tool, from a source anyone could check to an answer nobody can. The transfer happens one unreachable book at a time. Maddeningly, every piece of this design is legal. Each one also removes a question that used to have an answer. The anonymous purchasing means nobody can list which books were destroyed, so nobody can rule out that some were the last copies anywhere. With the collection sealed, nobody can compare a stored text against the printed original it replaced, so even perfect fidelity can never be shown. As for whether the buying ever stopped, nobody outside knows that either, since the only reason anyone knows it started is that a piracy lawsuit dragged the records into the open. None of this took a conspiracy, only ordinary business decisions about what to disclose, all of them legal and every one of them closing a door."]

---. "The Unspoken Rules of Information Etiquette." Card Catalog (July 28, 2026) ["The rules of information etiquette can be traced by looking at where they get broken. Six come up over and over across every kind of exchange between people who know each other. Each is a norm we already follow most of the time, and every one registers as felt friction the moment it gets broken."]

Gullifer-Laurie, Isabella. "Through the Looking Glass: The Gold Diggers." Senses of Cinema #118 (May 2026) ["Sally Potter characterised her first feature, The Gold Diggers (1983), as “a musical describing a female quest.” A labyrinthine, post-punk exploration of “the connections between gold, money and women,” Potter’s film is a mischievous, magic, anti-realist countercinema. It was poorly received in some quarters. “By any reasonable earthly standard,” wrote Janet Maslin in The New York Times, “this thing – a 1983 oddity, sort of a feminist, deconstructionist, riddle-filled anti-musical, much of it set on the Icelandic tundra – is pure torture.” Indeed Potter’s film evinced a “promiscuous cross-breeding of avant-garde and mainstream” styles, mixing anti-capitalist satire with film theory about the male gaze, and Marxist conceptions of class and labour. “Perhaps,” as Sophie Mayer writes, it was the “determination to laugh in the face of power [that] upset those critics more than anything that the film says explicitly.” The Gold Diggers is challenging and erudite, a witty, ambiguous experiment resourced by inventive plans, schemes, and dreams."]

 Hinman, Ed. "The Barbarian in You: Vigor, Wonder, and Fellowship." The Personal Success Podcast #186 (August 24, 2026) ["Ed Hinman graduated from the U.S. Naval Academy, played four years of college football, served eight years in the Marine Corps, earned a master's degree in history, and has spent the last seventeen and a half years in public figure protection at Gavin de Becker & Associates. On paper that reads like a straight line. It was not. In this conversation, Ed lays out the idea behind his book, The Barbarian in You: we inherited bodies and nervous systems built for vigor, wonder, and fellowship, and almost everything about modern life pulls us away from all three. Vigor is physical effort and the state change that follows it. Wonder is the spiritual and imaginative side, the part you reach through nature, art, reading, or belief. Fellowship is the one Ed says we are losing fastest, especially men. Ed explains why he redefines barbarian as anyone who lives with those three things, which is how a book about Julius Caesar and the Battle of Hastings also has chapters on Ralph Waldo Emerson, Arnold Schwarzenegger, and David Lee Roth. The turn in the conversation comes when Ryan asks where Ed's self-trust came from. Ed describes standing at a service academy career conference, surrounded by employers who wanted to hire him, feeling like a product on a shelf. He went home and told his wife he would rather eat baloney cereal than take one of those jobs. Ryan shares his own version of that moment, finishing an MBA and realizing he had completed somebody else's checklist. They also get into the part most conversations about this skip. Ed does not tell anyone to quit. He says there is honor in doing work you do not want to do so you can provide for your family, and then moves the question to the hours you actually control. What are you doing at home? The back half turns to men, fellowship, and resistance. Ed's advice on checking in on a struggling friend is two words long, and it is the most useful thing in the episode."]

Hudson, David. "We Will Always Love Dolly Parton." The Daily (August 27, 2026) ["“I try not to get into the politics of everything,” Parton told Mesfin Fekadu in the Hollywood Reporter in 2023. “I try to get into the human element of it. I have some of everybody in my own immediate family and in my circle of employees. I’ve got transgender people. I’ve got gays. I’ve got lesbians. I’ve got drunks. I’ve got drug addicts—all within my own family. I know and love them all, and I do not judge . . . If there’s something to be judged, that is God’s business. But we are all God’s children and how we are is who we are.”"]

Huh, Minj. "Embodied allegory in Sorry to Bother You: art, performance and movement in neoliberal capitalist ruins." Jump Cut #62 (Winter 2023 - 2024) ["In this paper, I examine how Riley brings art and politics together in Sorry to Bother You, specifically through embodied allegory. Such a deployment of allegory in recovering the bodies of the marginalized—in this case racially- and gender-marked laborers—resonates with how Annabel Patterson in Fables of Power (1991) shifts our attention towards Aesop as a “philosopher of materialism and the body” (38), an essential facet of Aesop which has long been eclipsed by “the legend of the witty Aethiopian slave” (34). To be sure, many episodes in Aesopian fables function as a critique of unequal power relations. The political message of these fables grasps wage laborers’ attention to this day when the urge to liberate oneself from the social hierarchy is still founded in capitalism, whose internal mechanism has an uneasy proximity to enslaved labor in pre-capitalist societies. I propose that Sorry to Bother You is a viable fable for this day and age, alerting us to the possible subversion of official values and dominant culture, and at the same time, encouraging us to attend to another device of allegory, which is the historical situatedness of its current author."]

Moon, Alexis. "Inherit the Wind: Kiyoshi Kurosawa’s The Samurai and the Prisoner." Notebook (August 31, 2026)  ["“I think this act of taking something that we cannot typically see and then, through its movement, being able to confirm its existence—to show us and reassure us that it’s actually there—is very much akin to cinematic expression itself,” Kurosawa told The Film Stage. “So wind, to me, is not so much something that is spiritual, but I think of cinema as something that is there for us to be able to capture the wind … [it is] almost like cinematic expression itself. The finale is divorced from that which came before, seemingly standing outside of both time and space, with an ascension for the characters who have abandoned their agendas in favour of responding appropriately to the way the wind blows.”"]

Moor, Robert. "Tree Thinking." Wonder Cabinet (August 29, 2026) ['Can you imagine being a tree? Robert Moor has spent years trying—climbing into their canopies, studying their biology and learning to see trees in ways most of us don’t. He considers himself a “tree person.” Moor believes that when you spend a lot of time in trees, time slows down—and branching and pruning can become life lessons. He’s interested not just in how trees grow, but in what they might teach us about ourselves. In his book In Trees, he says his goal isn’t to anthropomorphize trees but to “arborize” humanity. Moor has taken his obsession with trees to unusual places: climbing to the tops of giant sequoias; traveling to Tokyo to meet master bonsai artists; becoming a “tree sitter” to protest an oil pipeline. He’s fascinated by “family trees” and Darwin’s Tree of Life, and by our own evolutionary history in the trees of Africa. He traveled to Ethiopia to see Lucy, the famous 3-million-year-old fossil skeleton, and to Tanzania to sleep in a chimpanzee nest. (It was a miserable experience.) He knows something about living among trees: 13 years ago, he and his husband moved from New York City to a cabin in the woods of British Columbia—and never left."]

Mrachacz, Lena. "Cinema as Commons: The Radical Act of Going to the Movies." Notebook August 24, 2026) ["A cinema as commons is not simply a different way of programming films. It is a different kind of social proposition altogether. What happens when a community gathers to watch a film it has chosen together, in a space it has collectively claimed, cannot be replicated by watching the same film alone. The film becomes a shared reference point, a starting place for conversation, a way of recognizing something in each other. The room produces a temporary public, and that public, however briefly, understands itself as one. People sit in the same room, encounter the same thing, and agree or disagree about what it means. That is very close to what democratic culture requires in order to function. It is also worth asking what those spaces are fighting against, or rather, what kind of relationship to cinema they are refusing. The dominant model of moving-image consumption today is not simply commercial; it is algorithmic. A small number of platforms now control not just distribution but also the conditions under which films get made, the data that determines what gets commissioned, the interface through which most people on earth encounter moving images. The logic is one of personalization: Every scroll, every pause, every abandoned film feeds a system designed to predict and preempt your next choice. What gets optimized, in the end, is your continued individual engagement with the platform. This is a form of enclosure of attention, of taste, of the very capacity to be surprised by something you didn’t already know you wanted. What gets lost is the condition of watching together in a room, with strangers and friends. This is why gathering matters. Streaming has made watching films easier, cheaper, and more solitary than at any point in cinema’s history. It has also made the act of gathering to watch something together feel, quietly, like a choice, one that requires a little more intention than it used to. But what the history of cinema as commons suggests is that this gathering was never incidental, that the room has always been part of the argument, as much as the film inside it. That idea is worth holding onto: a cinema that refuses to offer a service and insists on building a commons, and a public that understands itself as such. The cinemas carrying this impulse forward today are not simply alternatives to the multiplex but a response to a specific moment. It is not a coincidence that they are multiplying now, in a moment when public space is contracting, when political life feels increasingly managed from above, when the simple act of gathering together has started to feel like a position in itself. What these cinemas insist on, each in its own way, is that cinema can be more than entertainment delivered to an audience, that the room, and who fills it, and what happens after the lights come up, are themselves political questions worth taking seriously, and that those questions don’t resolve themselves once and for all. They have to be asked again and again, by every community. The cinema has always had the potential to function as a commons. In certain moments of political urgency, people have insisted on it. This is one of those moments."]   

Orleck, Annelise, et al. "Worker protections help (almost) everyone (Labor Rights)." Best of the Left #1263 (April 9, 2019) ["Today we take a look at the overwhelming benefits to society of labor, health and safety regulations and how the only people who don't come out ahead are those who have to pay for them."]

O'Sullivan, Suzanne. "The History of Bad Ideas: Overdiagnosis." Past Present Future (August 12, 2026) ["We come to the end of this series of bad ideas with a conversation with neurologist Suzanne O’Sullivan about the problems of living in an age of diagnosis, when all medical conditions need a label and new labels appear all the time. What happens when the classification criteria for conditions like autism and ADHD get broader and broader? Are doctors or patients driving this? When does predictive testing do more harm than good? Why does advocacy for sufferers get in the way of good health? Is de-diagnosis achievable? The Age of Diagnosis by Suzanne O’Sullivan is available now https://bit.ly/3U1ZwOu]

Palmquist, Ben. "The 80 Year PR Campaign That Killed Universal Healthcare." Citations Needed #134 (April 21, 2021) ["Almost every wealthy country in the world has some type of universal healthcare system--except for the United States. With over 170 million of its citizens left to fend for themselves in a sprawling and complex maze of Medicare, Medicaid, private insurance, tax credits, child care subsidies, co-pays, deductibles and cost-sharing, the U.S. has not only the largest uninsured population, but also the most expensive system on Earth per capita. Why America doesn’t have a universal healthcare system has historically been explained away with a reductionist mix of pathologizing and circular reasoning. "America hates big government," "we love choice," "Americans distrust anything that reeks of socialism." And while this is true in some limited sense, it avoids the bigger question of why has American so-called "democracy" rejected the numerous proposals to enact a single payer or other forms of universal healthcare? While there may be some innate Protestant work ethic or rugged individual mentality at work here, there’s also been a decades-long multimillion dollar campaign funded by big business, doctor, pharmaceutical and hospital industry interests, and the insurance industry to convince the public to reject universal public healthcare. Indeed, if Americans were somehow intractably opposed to the notion––if they were hardwired to reject socialized medicine––these forces would never have had to spend so much money in the first place. On this episode, we explore the 80-year long campaign by capital to convince you to not support universal health programs, how these campaigns have historically fear-mongered against Communists, immigrants and African Americans, who benefits from a precarious, employer-controlled healthcare insurance system, and how this propaganda war on the American mind is anything but over. Our guest is Ben Palmquist, Director of the Health Care and Economic Democracy Program at Partners for Dignity and Rights."]

Richardson, Heather Cox. "The Right to Run For Office." Letters from an American (August 29, 2026) ["Republican lawmakers are attempting to restrict the ability of naturalized and dual citizens to run for office, At least five Republican members of Congress want to prohibit them from holding federal judgeships, Cabinet posts, and ambassadorships as well, Americans have struggled over questions of equality and immigration for more than a century, Anti-immigrant sentiment on the East Coast over Irish immigrants and on the West Coast over Chinese immigrants led to limits to their rights and created a caste system, Abraham Lincoln understood that giving up the principle of equality is an excuse for enslaving people and that we cannot make exceptions to the Declaration of Independence, Americans added the 14th Amendment to the Constitution to ensure that these exceptions could not be made, The Constitution's requirements for officeholders are the only allowable qualifications, neither states nor the federal government can add additional qualifications, The idea of discriminating against naturalized citizens is, in the words of law professor Pamela Karlan, "ugly, stupid, and unconstitutional.""]

Scheonbrun, Jane. "On Teenage Sex and Death at Camp Miasma." Film Comment (August 6, 2026) ["Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s third narrative feature, opens in theaters tomorrow. Dizzyingly meta-textual and deliciously, well, campy, the film stars Hannah Einbinder as an emerging queer filmmaker tasked with directing a reboot of a fictional ’80s slasher franchise titled Camp Miasma. She decides to visit the final girl of the original movie who is now an eccentric middle-aged recluse, played by Gillian Anderson, who’s living on the campgrounds where the first movie was shot. What unfolds is, in the of our critic Nathan Lee, a “gore-soaked, titty-bouncing, sexploitation fever dream girded by real conceptual brio.” Meditations on the perverse riddles of desire as well as the queer subtexts of many slasher films and the kind of strange identification they invite from the spectator are rendered with perfectly pitched horror theatrics and laugh-out-loud humor. Film Comment Editor Devika Girish spoke with Schoenbrun about this very rich text, trying to unpack the film’s layers—but not too hard, because if there’s one thing you can take away from Teenage Sex and Death at Camp Miasma, it’s that analysis is a boner-killer and mystery is hot."]

Stryker, Susan. "Changing Gender." LARB Radio Hour (August 28, 2026) ["Medaya Ocher and Eric Newman speak with Susan Stryker about her new book Changing Gender. Part cultural history, part grammar lesson, and part memoir, Changing Gender confronts not only the long historical slipperiness of gender and identity in U.S. culture, but also the ways in which the very language we use to describe and understand gender becomes a cultural battleground for meaning and identity. Stryker discusses the relatively recent origins of our thinking about "gender," the ways that thinking has been misunderstood and misappropriated for political skirmishes, and the difficulty of pinning down exactly what we're talking about when we talk about gender."]

Suri, Jeremi. "American Civil War." Lex Fridman Podcast (January 25, 2023) [Jeremi Suri discussing his latest book Civil War By Other Means: America's Long and Unfinished Fight for Democracy "The Civil War may have ended on the battlefield, but the fight for equality never did. In 1865, the Confederacy was comprehensively defeated, its economy shattered, its leaders in exile or in jail. Yet in the years that followed, Lincoln’s vision of a genuinely united country never took root. Apart from a few brief months, when the presence of the Union army in the South proved liberating for newly freed Black Americans, the military victory was squandered. Old white supremacist efforts returned, more ferocious than before. In Civil War by Other Means, Jeremi Suri shows how resistance to a more equal Union began immediately. From the first postwar riots to the return of Confederate exiles, to the impeachment of Andrew Johnson, to the highly contested and consequential election of 1876, Suri explores the conflicts and questions Americans wrestled with as competing visions of democracy, race, and freedom came to a vicious breaking point. What emerges is a vivid and at times unsettling portrait of a country striving to rebuild itself, but unable to compromise on or adhere to the most basic democratic tenets. What should have been a moment of national renewal was ultimately wasted, with reverberations still felt today. The recent shocks to American democracy are rooted in this forgotten, urgent history. "]

Torchin, Leshu. "Themed Playlist: The Female Gaze." Screen Culture (April 8, 2020) ["... a female gaze. This is a term often used as counterpoint to the male gaze, a term introduced by Laura Mulvey but which has enjoyed considerable escape velocity into popular culture. Whilst the male gaze centres a male spectator to identify with an active male protagonist in stories that speak to him, and which render female figures little more than an object or narrative device, a female gaze intervenes and expands and shatters this framework. A female gaze centres women and their desires. A female gaze can willfully displace the male gaze that derives pleasure from but refuses the agency of women on screen."]

Turner, Kyle. "Why Do Movies Look Like That Now?" AV Club (August 20, 2026) ["Cinematographers, colorists, and camera operators explain how shifting technologies and business expectations are blurring modern cinema's images together."]

Uzuner, Mustafa. "Universal Language: Grief is a Thing with Feathers." Off/Screen (July 2025) ["Matthew Rankin’s filmography is a kaleidoscope of surrealism, historical revisionism, and deadpan absurdism, rooted in a deep affection for what might be termed Canadiana—the quirks, contradictions, and mythologies of Canadian identity. From his early experimental shorts to his audacious feature debut, The Twentieth Century (2019), Rankin has carved a niche as a provocateur of national introspection, blending bureaucratic satire with Freudian psychodrama and visionary set design. Yet his latest film, Universal Language (2024), marks a striking evolution: a tender, cross-cultural ode to friendship, displacement, and the transcendent power of cinema. By tracing Rankin’s journey—from Québécois prime ministers and masturbating premiers to a Persian-inflected Winnipeg dreamscape—we encounter an artist whose work now bridges Canadian eccentricity with the humanist poetics of Iranian masters like Abbas Kiarostami. This synthesis situates Universal Language within transnational cinema, framing cultural hybridity not as a point of conflict but as an ongoing dialogue."]

West, Stephen. "Socrates and the Sophists." Philosophize This! #3 (June 23, 2013) ["This episode talks about how, in ancient Athens, teachers called sophists taught people how to argue well, even if they weren’t right. They believed truth was different for everyone. Socrates disagreed—he thought there were real answers about right and wrong. He spent his life asking people tough questions to help them think more clearly. People didn’t always like this, and eventually he was put on trial and sentenced to death. But his way of thinking inspired philosophy for generations." Further Reading: Socrates and the Sophists, Plato (2011); The Dream of Reason, Anthony Gottlieb (2000); Socrates: Ironist and Moral Philosopher, Gregory Vlastos (1991)]

Thursday, September 3, 2026

Fearful Symmetry - Music Mix #58

 Massive Attack; Elisabeth Fraser; Dinosaur Jr.; David Bowie; Belly; Dazy; E.R. Visit; Eliza McLamb; Jesca Hoop; Low Girl; Max Winter; The Cramps; Patti Smith; Fleetwood Mac; Herbie Hancock; Orua; Aesop Rock; Red Hot Chilli Peppers; Nirvana; Guided by Voices; Flobots; Iggy Pop; Heart; Routine Caffeine; Cream; Cardinals; Bruce Springsteen; Florence + the Machine; The Charlatans; Hillary Woods; Uncle Tupelo; Arcade Fire; The Church; Donovan; Chuck Prophet; Dominie Hooper; Okay Kaya; Alex G; Counting Crows; Dona Regina; Son Volt; The Beatles


Fearful Symmetry - Music Mix #58

Tuesday, September 1, 2026

Remembering Wendell Berry: August 5, 1934 – August 31, 2026

 I was familiar with Wendell Berry's writings before I ever came to Kentucky. His work on community and place was an influence on the direction of my Ph'D work on the "politics of place"/"the power of stories" and the development of my own personal politics. I was fortunate to meet him a couple of times at events, but most memorable was the time he let us river rats camp out on the shore of his property one night during a multiday journey (we had requested the opportunity ahead of time). We were right below the "long legged house" :) RIP


Berry, Wendell. “The Work of Local Culture.” What Are People For? San Francisco: North Point Press, 1990: 153-169.

A human community, too, must collect leaves and stories, and turn them to account. It must build soil, and build that memory of itself—in lore and story and song—that will be its culture. These two kinds of accumulation, of local soil and local culture, are intimately related. (Berry, 154)

A human community, then, if it is to last long, must exert a sort of centripetal force, holding local soil and local memory in place. (Berry, 155)

This loss of local knowledge and local memory—that is, of local culture—has been ignored, or written off as one of the cheaper “prices of progress,” or made the business of folklorists. Nevertheless, local culture has a value, and part of its value is economic. This can be demonstrated readily enough. (Berry, 157)

... when a community loses its memory, its members no longer know one another. How can they know one another if they have forgotten or have never learned one another’s stories? If they do not know one another’s stories, how can they know whether or not to trust one another? People who do not trust one another do not help one another, and moreover they fear one another. And this is our predicament now. Because of a general distrust and suspicion, we not only lose one another’s help and companionship, but we are all now living in jeopardy of being sued. (Berry, 157-158)

... most people of the present can only marvel to think of neighbors entertaining themselves for a whole evening without a single imported pleasure and without listening to a single minute of sales talk. (Berry, 159)

But if, for example, there should occur a forty-eight-hour power failure, we would find ourselves in much more backward circumstances than our ancestors. (Berry, 159)

Professionalism means more interest in salaries and less interest in what used to be known as disciplines. And so we arrive at the idea, endlessly reiterated in the news media, that education can be improved by bigger salaries for teachers—which may be true, but education cannot be improved, as the proponents too often imply, by bigger salaries alone. There must also be love of learning and of the cultural tradition and of excellence—and this love cannot exist, because it makes no sense, apart from the love of a place and a community. Without this love, education is only the importation into a local community of centrally prescribed “career preparation” designed to facilitate the export of young careerists. (Berry, 164)

Our children are educated, then, to leave home, not to stay home, and the costs of this education have been far too little acknowledged. One of the costs is psychological, and the other is at once cultural and ecological. (Berry, 164)

The natural or normal course of human growing up must begin with some sort of rebellion against one’s parents, for it is clearly impossible to grow up if one remains a child. But the child, in the process of rebellion and of achieving the emotional and economic independence that rebellion ought to lead to, finally comes to understand the parents as fellow humans and fellow sufferers, and in some manner returns to them as their friend, forgiven and forgiving the inevitable wrongs of family life. That is the old norm. (Berry, 164-165)

The new norm, according to which the child leaves home as a student and never lives at home again, interrupts the old course of coming of age at the point of rebellion, so that the child is apt to remain stalled in adolescence, never achieving any kind of reconciliation or friendship with the parents. Of course, such a return and reconciliation cannot be achieved without the recognition of mutual practical need. In the present economy, however, where individual dependences are so much exterior to both household and community, family members often have no practical need or use for one another. Hence the frequent futility of attempts at a purely psychological or emotional reconciliation. (Berry, 165)

The loss of local culture is, in part, a practical loss and an economic one. For one thing, such a culture contains, and conveys to succeeding generations, the history of the use of the place and the knowledge of how the place may be lived in and used. For another, the pattern of reminding implies affection for the place and respect for it, and so, finally, the local culture will carry the knowledge of how the place may be well and lovingly used, and also the implicit command to use it only well and lovingly. The only true and effective “operator’s manual for spaceship earth” is not a book that any human will ever write, it is hundreds of thousands of local cultures. (Berry, 166)

Lacking an authentic local culture, a place is open to exploitation, and ultimately to destruction, from the center. (Berry, 166)

Friday, August 28, 2026

Recommended Books That I Have Read: 2026

 (An ongoing year-long archive of what I have read and recommend to others)

Beatty, Paul. The Sellout. Picador, 2021.  ["A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court."]

Crabapple, Molly. Here Where We Live Is Our Country: The Story of the Jewish Bund. Penguin/Random House, 2026. ["In the aftermath of the Holocaust, Sam Rothbort created “memory paintings” with the hope of resurrecting the vanished world of his shtetl childhood. Decades later, his great-granddaughter, the award-winning artist Molly Crabapple, discovered these paintings and one stood out: a girl, her dress the color of sky, hurling a rock through a cottage window. Itka the Bundist, Breaking Windows. Itka is how Crabapple met the Jewish Labor Bund. Once the most influential Jewish political force in eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund’s rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Here Where We Live Is Our Country reanimates a band of idealists who broadened our global political imagination. As we once again contend with nationalism, repression, and the struggle for belonging, the Bund’s remarkable story and message—that liberation, dignity, and solidarity must begin where we stand—reaches across time as a guide to our own urgent moment." Print Version]

Everett, Percival. The Trees. Text Publishing Company, 2022. ["When hog thief Junior Junior Milam is found brutally murdered, the police of Money, Mississippi, are stumped. When his cousin is found dead in the same gruesome fashion, it’s time for the MBI—the Mississippi Bureau of Investigation—to step in. Special detectives Ed and Jim expect resistance from the local sheriff, the coroner and a string of racist White townsfolk. What they don’t expect is an inexplicable mystery: at each crime scene a second dead body was found—that of the same Black man. A man who looks eerily familiar. As similar murders are reported from Illinois to California, the detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. Provocative, fast-paced and morbidly funny, The Trees is an urgent novel of lasting importance, from an author with a finger on America’s pulse." Print version.]

Gibson, William. Neuromancer. Ace, 2020. [Reread: "Case was the sharpest data thief in the matrix--until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction. Neuromancer was the first fully realized glimpse of humankind's digital future--a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations." Audio version.]

Harper, Jordan. A Violent Masterpiece. Mulholland Books, 2026. ["This epic crime novel tells a story of Los Angeles power brokers and those at the edge—and a single shattering incident that threatens to bring it all crashing down. Los Angeles, right now. America with its back up against the wall. This Frankenstein’s monster of crimes and lurid dreams sewn together into something like a city. A city ready to explode: A Hollywood pedophile is arrested, and is ready to tear down the city to get his freedom. A young woman goes missing—and men in black rubber gloves who look like cops clean out her apartment in the middle of the night. And the serial killer known as the LA Ripper is on the loose, leaving tragic/graphic/brutal crime scenes in his wake. Three people trying to keep their heads above the dirty water will find themselves coming together to unite these strands into one enormous, unspeakable crime … Jake Deal is a gonzo live-streaming nightcrawler, beaming the city’s chaos straight to his audience of blood-hungry subscribers, giving them the view from the top of the mushroom cloud—until a job he can’t refuse drags him back into his old life of Hollywood glamour, drugs, sex and sleaze. Armed with cameras and hidden mics, he’ll infiltrate private clubs, gather high-class dirt—and stumble onto a conspiracy woven into the center of LA’s most powerful men, who call themselves “The Kids in the Candy Store.” Doug Gibson is a street lawyer, who fights for his clients against the army of cops, prosecutors and judges—he is the knife they bring to the gunfight. But when he’s hired by a Hollywood pedophile ready to sell out his friends for a chance for freedom, he’ll take on a fight bigger than he could have imagined. And when his client “commits suicide” in prison, Gibson will have to stop being a weapon—and become a warrior. Kara Delgado works for an underground private concierge company—a make-a-wish foundation for the terminally rich. She scores drugs, makes connections, and plans multi-million dollar sex parties.She has learned the secret truth of this world: there are no rules, only prices. Her best friend Phoebe has gone missing, and Kara’s the only person who knows that Phoebe’s place was wiped clean of evidence by men in black rubber gloves. But when she begins to unravel the mystery of what happened to Phoebe, and its connection to the killer known as the LA Ripper, it will drag her into the dark heart of the city. As Jake, Doug and Kara all investigate these crimes, they’ll encounter ketamine-addled sitcom stars, bloody riots, homeless gangsters, a killer cop on death row, secret vaults in Beverly Hills, tech-bro orgies, medical cannibals, true crime junkies, private security wet-work teams, reality shows, street takeovers, car chases, coyotes, a sadistic Tarzan, and a three day, fifty million dollar wedding, before everything is revealed and they must each make their choice about how to fight back in this violent world before the bloody, blazing conclusion." Audio Version]

---. She Rides Shotgun. Ecco, 2018. ["A propulsive, gritty crime thriller about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father. Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school into a world of robbery, violence, and the constant threat of death. And he does it to save her life. Nate made dangerous enemies in prison—a gang called Aryan Steel has put out a bounty on his head, counting on its members on the outside to finish him off. They’ve already murdered his ex-wife, Polly’s mother. And Polly is their next target. Nate and Polly’s lives soon become a desperate life on the run, a series of narrow misses, of evading the bad guys and the police, of sleepless nights in motels. Out on the lam, Polly is forced to grow up early: with barely any time to mourn her mother, she must learn how to take a punch and pull off a drug-house heist. She finds herself transforming from a shy little girl into a true fighter. Nate, in turn, learns what it’s like to love fiercely and unconditionally—a love he’s never quite felt before. But can their powerful bond transcend the dangerous existence he’s carved out for them? Will they ever be able to live an honest life, free of fear? She Rides Shotgun is a gripping and emotionally wrenching suspense novel that upends even our most long-held expectations about heroes, villains, and victims. Nate takes Polly to save her life, but in the end it may very well be Polly who saves him."]

Hawkins, Scott. The Library at Mount Char. Penguin Random House, 2016. ["A missing God. A library with the secrets to the universe. A woman too busy to notice her heart slipping away. Carolyn’s not so different from the other people around her. She likes guacamole and cigarettes and steak. She knows how to use a phone. Clothes are a bit tricky, but everyone says nice things about her outfit with the Christmas sweater over the gold bicycle shorts. After all, she was a normal American herself once. That was a long time ago, of course. Before her parents died. Before she and the others were taken in by the man they called Father. In the years since then, Carolyn hasn’t had a chance to get out much. Instead, she and her adopted siblings have been raised according to Father’s ancient customs. They’ve studied the books in his Library and learned some of the secrets of his power. And sometimes, they’ve wondered if their cruel tutor might secretly be God. Now, Father is missing—perhaps even dead—and the Library that holds his secrets stands unguarded. And with it, control over all of creation. As Carolyn gathers the tools she needs for the battle to come, fierce competitors for this prize align against her, all of them with powers that far exceed her own. But Carolyn has accounted for this. And Carolyn has a plan. The only trouble is that in the war to make a new God, she’s forgotten to protect the things that make her human. Populated by an unforgettable cast of characters and propelled by a plot that will shock you again and again, The Library at Mount Char is at once horrifying and hilarious, mind-blowingly alien and heartbreakingly human, sweepingly visionary and nail-bitingly thrilling—and signals the arrival of a major new voice in fantasy." Audio version.]

Herbert, Frank. Dune. Penguin, 2005. ["Frank Herbert’s classic masterpiece—a triumph of the imagination and one of the bestselling science fiction novels of all time. Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the “spice” melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for.... When House Atreides is betrayed, the destruction of Paul’s family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad’Dib, he will bring to fruition humankind’s most ancient and unattainable dream. A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction." Audio version]

Holt, Jim. When Einstein Walked with Gödel: Excursions to the Edge of Thought. Farrar, Strauss, and Giroux, 2018. ["From Jim Holt, the New York Times bestselling author of Why Does the World Exist?, comes an entertaining and accessible guide to the most profound scientific and mathematical ideas of recent centuries in When Einstein Walked with Gödel: Excursions to the Edge of Thought. Does time exist? What is infinity? Why do mirrors reverse left and right but not up and down? In this scintillating collection, Holt explores the human mind, the cosmos, and the thinkers who’ve tried to encompass the latter with the former. With his trademark clarity and humor, Holt probes the mysteries of quantum mechanics, the quest for the foundations of mathematics, and the nature of logic and truth. Along the way, he offers intimate biographical sketches of celebrated and neglected thinkers, from the physicist Emmy Noether to the computing pioneer Alan Turing and the discoverer of fractals, Benoit Mandelbrot. Holt offers a painless and playful introduction to many of our most beautiful but least understood ideas, from Einsteinian relativity to string theory, and also invites us to consider why the greatest logician of the twentieth century believed the U.S. Constitution contained a terrible contradiction—and whether the universe truly has a future." Print version]

Jones, Stephen Graham. The Buffalo Hunter Hunter. Titan Books, 2025. ["A chilling historical horror set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. Perfect for fans of Bury Our Bones in the Midnight Soil by V. E. Schwab and Interview With The Vampire by Anne Rice. Etsy Beaucarne is an academic who needs to get published. So when a journal written in 1912 by Arthur Beaucarne, a Lutheran pastor and her grandfather, is discovered within a wall during renovations, she sees her chance. She can uncover the lost secrets of her family, and get tenure. As she researches, she comes to learn of her grandfather, and a Blackfeet called Good Stab, who came to Arthur to share the story of his extraordinary life. The journals detail a slow massacre, a chain of events charting the history of Montana state as it formed. A cycle of violence that leads all the way back to 217 Blackfeet murdered in the snow. A blood-soaked and unflinching saga of the violence of colonial America, a revenge story like no other, and the chilling reinvention of vampire lore from the master of horror." Audio version]

Labatut, Benjamin. The MANIAC. Penguin, 2024. ["From one of contemporary literature’s most exciting new voices, a haunting story centered on the Hungarian polymath John von Neumann, tracing the impact of his singular legacy on the dreams and nightmares of the twentieth century and the nascent age of AI. Benjamín Labatut’s When We Cease to Understand the World electrified a global readership. A Booker Prize and National Book Award finalist, and one of the New York Times’ Ten Best Books of the Year, it explored the life and thought of a clutch of mathematicians and physicists who took science to strange and sometimes dangerous new realms. In The MANIAC, Labatut has created a tour de force on an even grander scale. A prodigy whose gifts terrified the people around him, John von Neumann transformed every field he touched, inventing game theory and the first programable computer, and pioneering AI, digital life, and cellular automata. Through a chorus of family members, friends, colleagues, and rivals, Labatut shows us the evolution of a mind unmatched and of a body of work that has unmoored the world in its wake. The MANIAC places von Neumann at the center of a literary triptych that begins with Paul Ehrenfest, an Austrian physicist and friend of Einstein, who fell into despair when he saw science and technology become tyrannical forces; it ends a hundred years later, in the showdown between the South Korean Go Master Lee Sedol and the AI program AlphaGo, an encounter embodying the central question of von Neumann's most ambitious unfinished project: the creation of a self-reproducing machine, an intelligence able to evolve beyond human understanding or control. A work of beauty and fabulous momentum, The MANIAC confronts us with the deepest questions we face as a species." Print version]

Langan, John. The Fisherman. Wood Horde, 2016. [Reread: In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it. Print version.]

Leede, C.J.  Headlights. Pan Macmillan, 2026.  ["An FBI agent with an uncanny ability to sense danger must hunt down a serial killer through the wilderness of Colorado, in this tense and gripping thrill ride by bestselling author CJ Leede. Perfect for fans of The Shining, Longlegs and Twin Peaks. Every instinct tells him to run. Every memory tells him he can’t. Special Agent Daniel Stansfield is ready for a change. Burnt out and defeated by the job, it’s his last day with the FBI. But before he can turn in his badge, he’s summoned back to Denver, the city he ran from four years ago, with a chilling message: it's happening again. Seemingly innocent people are waking up on the side of the highway, with no memory of how they got there, wearing the skin of victims they've allegedly never met. And they each share one haunting detail: a strand of a stranger’s hair is tied around their tongue. Now Daniel is pulled back into the gruesome cycle, and every clue leads him deeper into the shadows of his own past. He will have to confront the ghosts of his traumatic childhood and face what’s been hunting him all along – before he and the people he loves become the next victims." Audio Version]

Lytle, Mark Hamilton. America's Uncivil Wars: The Sixties Era from Elvis to the Fall of Richard Nixon. Oxford University Press, 2006. ["In contrast with most histories of this period, America's Uncivil Wars: The Sixties Era from Elvis to the Fall of Richard Nixon does not treat the 1960s as a single historical moment or as successive waves of activism. Rather, it employs a chronological narrative to identify three distinct phases during which events of the era unfolded. The first began with the cultural ferment of the 1950s and ended with the assassination of John F. Kennedy. During the second phase, from 1964-1968, the "uncivil" wars began in earnest: Americans disagreed about new social and cultural mores, protests against the Vietnam War increased in size and vehemence, and American cities erupted in racial violence. From 1967 through 1968, all of these forces combined to divide Americans more deeply than they had been since the Civil War. In the third phase, Richard Nixon promised to bring Americans together. However, a host of new value and identity movements--environmentalists, consumer advocates, feminists, gay, Latino, and Native American activists--frustrated his design. Only after the Watergate scandals forced this polarizing figure from office did a measure of civility return to the nation's public discourse.America's Uncivil Wars captures the broad sweep of this tumultuous era, analyzing both the cultural and political influences on the movements of the 1960s. Paying particular attention to Latinos, Native Americans, feminism, and gay liberation, it integrates the politics of gender and race into the central political narrative. The book also covers such topics as McCarthyism; the FBI; rock and roll; teen culture in the 1950s; the origins of SDS, SNCC, and YAF; and the environmental and consumer movements. With its engaging narrative style and broad cultural emphasis, America's Uncivil Wars brings a fresh approach to our understanding of not only the 1960s but also U.S. history since 1945." Print version]

Mantel, Hillary. Wolf Hall. Fourth Estate, 2010. ["England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage." Print version]

Maughan, Tim. Infinite Detail. Farrar, Strauss, and Giroux, 2019. ["A timely and uncanny portrait of a world in the wake of fake news, diminished privacy, and a total shutdown of the Internet. BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apotheosis of the new techno-utopian global metropolis? AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary—who has visions of people presumed dead—is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft’s black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure. The world of Infinite Detail is a small step shy of our own: utterly dependent on technology, constantly brokering autonomy and privacy for comfort and convenience. With Infinite Detail, Tim Maughan makes the hitherto-unimaginable come true: the End of the Internet, the End of the World as We Know It." Audio Version]

McRobert, Neil. Good Boy. Wild Hunt Books, 2025. ["After a boy vanishes on the outskirts of a small Northern town, a woman spies from her window a mysterious man digging a grave in the exact spot of the disappearance. However, when she confronts him, the man's true purpose is far more chilling than she could have imagined and the history of the town's fatal past unfolds. What has been hiding in this small northern town all these years?" Print version]

Montell, Amanda. Cultish: The Language of Fanaticism. Harper Collins, 2021. ["The New York Times bestselling author of The Age of Magical Overthinking and Wordslut analyzes the social science of cult influence: how “cultish” groups, from Jonestown and Scientologists to SoulCycle and social media gurus, use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—these cultish groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to the specific language of fanaticism. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the linguistics and curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere. This smart, journalistic deep dive into the language of fanaticism reveals:From Jonestown to SoulCycle: An inside look at how the same linguistic techniques empower notorious cults, modern fitness studios, and even Instagram influencers. The Social Science of Influence: Why vague talk of “brainwashing” isn’t the full story, and how specific verbal tactics create intense communities and us-versus-them attitudes. How the same patterns of speech that build cults show up in MLMs, start-ups, and online, shaping the world you interact with every day. A fascinating exploration of the psychology of power and belief that answers the secret question we all have when we fall down the cult research rabbit hole." Audio version]

Moor, Robert. In Trees: An Exploration. Simon & Schuster, 2026. ["From the acclaimed author of the New York Times bestseller On Trails comes a wondrous new journey through the wilds of nature and the gnarls of history, exploring how trees—from the mightiest sequoia to the tiniest bonsai—can teach us to grow wise. One day, on a whim, Robert Moor set out to climb a tree near his home—unwittingly embarking on what would become a decade-long, globe-spanning adventure of intellectual and spiritual transformation. Pursuing the hidden wisdom of trees, he scales to the very top of a giant sequoia while filming a nature documentary with David Attenborough; he treks through swamps in Papua to reach a treehouse-dwelling tribe of hunter-gatherers; and he journeys to a remote research camp in Tanzania, where he spends a memorable night sleeping in a chimpanzee nest, seeking to understand our deep evolutionary history. Eventually, having gained a radical new outlook on both our gnarled past and our ever-branching future, he joins an intrepid clan of climate activists risking everything to halt construction of a new oil pipeline and save an ancient forest. Along the way, Moor learns the art of “tree-thinking,” which, he discovers, has the power to break open some of humanity’s oldest questions: What is the secret to truly growing old? How do we set down deeper roots in an increasingly chaotic world? Most importantly, how should we—as individuals, as communities, as stewards of the earth—live? A witty and relentlessly curious excursion through philosophy, history, and science, what begins as an ode to the miracle of trees blossoms into a joyous, daring, fiercely hopeful endeavor to "arborize humanity." Audio Version]

---. On Trails: An Exploration. Simon & Schuster, 2016. ["From a talent who’s been compared to Annie Dillard, Edward Abbey, David Quammen, and Jared Diamond, On Trails is a wondrous exploration of how trails help us understand the world—from invisible ant trails to hiking paths that span continents, from interstate highways to the Internet. While thru-hiking the Appalachian Trail, Robert Moor began to wonder about the paths that lie beneath our feet: How do they form? Why do some improve over time while others fade? What makes us follow or strike off on our own? Over the course of seven years, Moor traveled the globe, exploring trails of all kinds, from the miniscule to the massive. He learned the tricks of master trail-builders, hunted down long-lost Cherokee trails, and traced the origins of our road networks and the Internet. In each chapter, Moor interweaves his adventures with findings from science, history, philosophy, and nature writing. Throughout, Moor reveals how this single topic—the oft-overlooked trail—sheds new light on a wealth of age-old questions: How does order emerge out of chaos? How did animals first crawl forth from the seas and spread across continents? How has humanity’s relationship with nature and technology shaped world around us? And, ultimately, how does each of us pick a path through life? Moor has the essayist’s gift for making new connections, the adventurer’s love for paths untaken, and the philosopher’s knack for asking big questions. With a breathtaking arc that spans from the dawn of animal life to the digital era, On Trails is a book that makes us see our world, our history, our species, and our ways of life anew." Audio version]

Nayler, Ray Where the Axe is Buried. Farrar, Straus, and Giroux, 2025. ["All systems fail. All societies crumble. All worlds end. In the authoritarian Federation, there is a plot to assassinate and replace the President, a man who has downloaded his mind to a succession of new bodies to maintain his grip on power. Meanwhile, on the fringes of a Western Europe that has renounced human governance in favor of ostensibly more efficient, objective, and peaceful AI Prime Ministers, an experimental artificial mind is malfunctioning, threatening to set off a chain of events that may spell the end of the Western world. As the Federation and the West both start to crumble, Lilia, the brilliant scientist whose invention may be central to bringing down the seemingly immortal President, goes on the run, trying to break out from a near-impenetrable web of Federation surveillance. Her fate is bound up with a worldwide group of others fighting against the global status quo: Palmer, the man Lilia left behind in London, desperate to solve the mystery of her disappearance; Zoya, a veteran activist imprisoned in the taiga, whose book has inspired a revolutionary movement; Nikolai, the President’s personal physician, who has been forced into more and more harrowing decisions as he navigates the Federation’s palace politics; and Nurlan, the hapless parliamentary staffer whose attempt to save his Republic goes terribly awry. And then there is Krotov, head of the Federation’s security services, whose plots, agents, and assassins are everywhere. Following the success of his debut novel, The Mountain in the Sea, Ray Nayler launches readers into a thrilling near-future world of geopolitical espionage. A cybernetic novel of political intrigue, Where the Axe is Buried combines the story of a near-impossible revolutionary operation with a blistering indictment of the many forms of authoritarianism that suffocate human freedom." Audio version]

O'Neil, Tom. Chaos: Charles Manson, The CIA, and the Secret History of the Sixties. Back Bay, 2020. ["A journalist's twenty-year fascination with the Manson murders leads to shocking new revelations about the FBI's involvement in this riveting reassessment of an infamous case in American history.Over two grim nights in Los Angeles, the young followers of Charles Manson murdered seven people, including the actress Sharon Tate, then eight months pregnant. With no mercy and seemingly no motive, the Manson Family followed their leader's every order-their crimes lit a flame of paranoia across the nation, spelling the end of the sixties. Manson became one of history's most infamous criminals, his name forever attached to an era when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia-or dystopia-was just an acid trip away. Twenty years ago, when journalist Tom O'Neill was reporting a magazine piece about the murders, he worried there was nothing new to say. Then he unearthed shocking evidence of a cover-up behind the "official" story, including police carelessness, legal misconduct, and potential surveillance by intelligence agents. When a tense interview with Vincent Bugliosi-prosecutor of the Manson Family, and author of Helter Skelter-turned a friendly source into a nemesis, O'Neill knew he was onto something. But every discovery brought more questions: Who were Manson's real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement, including Manson's own parole officer, act on their many chances to stop him? And how did Manson-an illiterate ex-con-turn a group of peaceful hippies into remorseless killers? O'Neill's quest for the truth led him from reclusive celebrities to seasoned spies, from San Francisco's summer of love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with shady cover-ups and suspicious coincidences. The product of two decades of reporting, hundreds of new interviews, and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, CHAOS mounts an argument that could be, according to Los Angeles Deputy District Attorney Steven Kay, strong enough to overturn the verdicts on the Manson murders. This is a book that overturns our understanding of a pivotal time in American history." Print Version]

Price, Neil. The Children of Ash and Elm: A History of Vikings. Penguin Books, 2022. ["The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before the Lindisfarne raid, and traces Scandinavian history back centuries further to see how these people came to be who they were. The narrative ranges across the whole of the Viking diaspora, from Vinland on the eastern American seaboard to Constantinople and Uzbekistan, with contacts as far away as China. Based on the latest archaeology, it explores the complex origins of the Viking phenomenon and traces the seismic shifts in Scandinavian society that resulted from an economy geared to maritime war. Some of its most striking discoveries include the central role of slavery in Viking life and trade, and the previously unsuspected pirate communities and family migrations that were part of the Viking 'armies' - not least in England. Especially, Neil Price takes us inside the Norse mind and spirit-world, and across their borders of identity and gender, to reveal startlingly different Vikings to the barbarian marauders of stereotype. He cuts through centuries of received wisdom to try to see the Vikings as they saw themselves - descendants of the first human couple, the Children of Ash and Elm. Healso reminds us of the simultaneous familiarity and strangeness of the past, of how much we cannot know, alongside the discoveries that change the landscape of our understanding. This is an eye-opening and surprisingly moving book." Audio version]

Rovelli, Carlo. There are Places in This World Where Rules are Less Important Than Kindness. Penguin, 2020. ["One of the most inspiring thinkers of our age, the bestselling author of Seven Brief Lessons on Physics transforms the way we think about the world with his reflections on science, history and humanity. In this collection of writings, the logbook of an intelligence always on the move, Carlo Rovelli follows his curiosity and invites us on a voyage through science, history, philosophy and politics. Written with his usual clarity and wit, these pieces range widely across time and space: from Newton's alchemy to Einstein's mistakes, from Nabokov's butterflies to Dante's cosmology, from travels in Africa to the consciousness of an octopus, from mind-altering psychedelic substances to the meaning of atheism. Charming, pithy and elegant, this book is the perfect gateway to the universe of one of the most influential scientists of our age." Audio version.]

Sayles, John. Crucible. Melville House, 2026. ["From the Oscar-nominated filmmaker comes a complex and sweeping historical novel about Henry Ford — the Elon Musk of his day — and his attempt to rule not only an automotive empire but the rambunctious city of Detroit. It is an epic tale ranging from the 1920s through the second World War, featuring violent labor disputes, misbegotten jungle expeditions, a tragic race riot, and the gestapo tactics of Ford’s private army . . . Already the gateway for illegal Canadian liquor during Prohibition, the Motor City becomes a crucible for American class conflict during the Great Depression, with an army of laid off Ford workers drifting into the ranks of the burgeoning union movement — Henry Ford's worst nightmare. To keep the hundreds of thousands still employed by him in thrall, the man who was formerly 'America's favorite tycoon' recruits black laborers migrating from the deep South to serve as 'strike insurance', and gives Harry Bennett, pugnacious as he is diminutive, free reign over the legion of barroom brawlers and ex-cons who make up the company’s 'Security Department'. The Model T mogul has also bought a sizable chunk of Brazil's Amazonian rainforest, vowing to grow his own rubber for tires, but stubbornly refusing to include a botanist in his troop of would-be jungle tamers. As a series of biological plagues descend on the Fordlandia plantation, the racial melting pot he has created in Detroit begins to boil over, and not even the Sage of Dearborn can control the forces that have been unleashed. The novel's cast — Ford workers black and white and their families, young radicals, cynical newsmen, gangsters, Brazilian rubber tappers, cameos from boxer Joe Louis and muralist Diego Rivera — create the tapestry of differing points of view that John Sayles has become famous for, the events portrayed fundamental to the country we live in today." Print Version]

Simmons, Dan. Hyperion. Crown, 1989. [Reread: "On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all. On the eve of Armageddon, with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives. Each carries a desperate hope--and a terrible secret. And one may hold the fate of humanity in their hands." Print version]

---. The Fall of Hyperion. Spectra, 1995. ["The multiple-award-winning science fiction master continues the epic adventure that began in Hyperion, where the opening of the Time Tombs threatens to alter the very fabric of time and space, in the second novel in the Hyperion Cantos. The shadow of war has fallen on the Web. In the corridors of power on Tau Ceti Center, chaos reigns. Out of reach from the clashing empires, the artificial intelligences of the TechnoCore manipulate everyone and everything. And on Hyperion itself, where battle rages in the skies and on the streets, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing—nothing anywhere in the universe—will ever be the same." Print Version]

Stern, Steve. A Fool's Kabbalah. Melville House, 2025. ["In the ruins of postwar Europe, the world's leading expert on the Kabbalah and Jewish mysticism goes on a hair-raising journey to recover sacred books stolen by the Nazis . . . At the end of the Second World War Gershom Scholem, the magisterial scholar of Jewish mysticism, is commissioned by the Hebrew University in what was then British-ruled Palestine to retrieve a lost world. He is sent to sift through the rubble of Europe in search of precious Jewish books stolen by the Nazis or hidden by the Jews themselves in secret places throughout the ravaged continent. The search takes him into ruined cities and alien wastelands. The terrible irony of salvaging books that had outlasted the people for whom they’d been written leaves Dr. Scholem longing for the kind of magic that had been the merely theoretical subject of his lamplit studies. Steve Stern's A Fool’s Kabbalah, a novel featuring numerous real-life historic figures, reimagines Gershom Scholem’s quest and how it sparked in him the desire to realize the legacy of his dear friend, the brilliant philosopher Walter Benjamin. At the heart of that legacy was the idea that humor is an essential tool of redemption. In a parallel narrative, Menke Klepfisch, self-styled jester and incorrigible scamp, attempts to subvert, through his antic behavior, the cruelties of the Nazi occupation of his native village. As Menke’s efforts collide with the monstrous reality of the Holocaust, we see—in another place and time--evidence that Dr. Scholem, in defiance of his austere reputation, has begun to develop the anarchic characteristics of a clown. A Fool’s Kabbalah intertwines the stories of these 2 quixotic characters, who, though poles apart, complement one another in their tragicomic struggles to oppose the supreme evil of history, using only the weapons of humor and a little magic." Print version.]

Taylor, Dennis E. We are Legion (We are Bob). S & S/Saga Press, 2025. ["Welcome to the Bobiverse. We are Bob. We are legion. And we never intended on this. Bob Johansson had a plan. After selling his software business, a leisurely retirement awaited him. And, if the cryogenic lab freezing his head succeeds, an even longer retirement in the distant future when his corpsicle gets reawakened. Everything was looking up for Bob. That is, until he’s killed crossing the street just moments after signing the papers. A century later, Bob wakes up, not in a utopia but an Earth on the precipice of war. America is run by an extremist government that stripped his rights as a frozen head, uploaded his consciousness into an AI, and selected him to search space for habitable planets as a self-replicating von Neumann probe. It’s not ideal, but if he declines, he’ll be switched off for good. With Earth in turmoil, space may actually be the safest place for Bob. But the government failed to mention that he isn’t alone...at least three other countries are looking to claim the next Earth, and they play dirty. Using his new abilities and the von Neuman technology he does what any engineer would do: He makes more Bobs—and a virtual cat—and sets to save humanity before it’s too late." Print version.]

Turner, Cadwell. No Gods, No Monsters. Blackstone Publishing, 2022. ["One October morning, Laina gets the news that her brother has been shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it. As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence. A professor follows a missing friend's trail of bread crumbs to a mysterious secret society. And a young boy with unique abilities seeks refuge in a pro-monster organization with secrets of its own. Meanwhile, more people start disappearing, suicides and hate crimes increase, and protests erupt globally, both for and against the monsters. At the center is a mystery no one thinks to ask: Why now? What has frightened the monsters out of the dark? The world will soon find out." Audio Version]

Wendig, Chuck. The Calamities. Del Rey, 2026. ["Mourning Mayne knows he’ll one day bear the duty of managing his family’s vast empire of wealth and power. But the feckless Mourning has always struggled to accept this legacy of cruelty, domination, and exploitation . . . and something even darker. Because the Maynes are no ordinary family: Hidden in our world are the fiends—half-human, half-demon, and possessed of a dark magic born from buying human souls—and the Maynes are one of the oldest and most influential fiendish families. But when Mourning’s estranged father, the formidable and terrifying Hadrian Mayne, demands that Mourning return to the fold, he has to decide whether to accept his legacy and embrace his role in the family or to forge his own destiny, and with it, change the course of the world. Because along the way home, he will meet Key, a black-market seller of human souls, and Quinn, an artist who may hold the dark truth behind the fate of the fiends. Alone, they have all struggled with the darkness of their natures . . . but together, they might find a path out of the shadows." Audio version.]

Whitehead, Colson. The Intuitionist. Vintage, 2000. ["It is a time of calamity in a major metropolitan city’s Department of Elevator Inspectors, and Lila Mae Watson, the first black female elevator inspector in the history of the department, is at the center of it. There are two warring factions within the department: the Empiricists, who work by the book and dutifully check for striations on the winch cable and such; and the Intuitionists, who are simply able to enter the elevator cab in question, meditate, and intuit any defects.
Lila Mae is an Intuitionist and, it just so happens, has the highest accuracy rate in the entire department. But when an elevator in a new city building goes into total freefall on Lila Mae’s watch, chaos ensues. It’s an election year in the Elevator Guild, and the good-old-boy Empiricists would love nothing more than to assign the blame to an Intuitionist. But Lila Mae is never wrong. The sudden appearance of excerpts from the lost notebooks of Intuitionism’s founder, James Fulton, has also caused quite a stir. The notebooks describe Fulton’s work on the “black box,” a perfect elevator that could reinvent the city as radically as the first passenger elevator did when patented by Elisha Otis in the nineteenth century. When Lila Mae goes underground to investigate the crash, she becomes involved in the search for the portions of the notebooks that are still missing and uncovers a secret that will change her life forever." Audio Version]

Winchester, Simon. Knowing What We Know: The Transmission of Knowledge From Ancient Wisdom to Modern Magic. Harper Perennial, 2024. ["With the advent of the internet, any topic we want to know about is instantly available with the touch of a smartphone button. With so much knowledge at our fingertips, what is there left for our brains to do? At a time when core skills of learning and memory seem to be stripped of all value—no need for math, no need for map-reading, no need for memorization—are we risking our ability to think? In this modern information age, as we empty our minds, will we one day be incapable of thoughtfulness? Addressing these questions, Simon Winchester explores the long history of knowledge and how humans have attained, stored, and disseminated it. Examining such disciplines as education, journalism, encyclopedia creation, museum curation, photography, and broadcasting, he looks at a whole range of knowledge diffusion—from the cuneiform writings of Babylon to the machine-made genius of artificial intelligence, by way of the printing press, Google, and Wikipedia to the huge Victorian assemblage of the Mundanaeum, the collection of everything ever known, currently stored in a damp basement in northern Belgium. Studded with strange and fascinating details, Knowing What We Know is a deep dive into learning and the human mind. Throughout this fascinating tour, Winchester forces us to ponder the crucial distinction between information vs. wisdom. What good is all this knowledge if it leads to lack of thought? What is information without wisdom? Does Rene Descartes’s Cogito, ergo sum—“I think therefore I am,” the foundation for human knowledge widely accepted since the Enlightenment—still hold? And what will the world be like if no one in it is wise?" Print Version]