Thursday, October 4, 2012

ENG 281 Week 8: Spike Lee's Bamboozled and the Representation(s) of Race

"How do images affect our hearts and minds? How do images influence our everyday lives, our techno-scientific practices, our connections and disconnections, our conscious and unconscious desires and fears? How do images show up in the clothes we wear, in the ways we walk, and the objects we want? How do images influence the foods we eat or don’t eat and the ideas and feelings we have about our selves and others? How do some images enter our flesh, captivate us, fascinate us, or arouse our senses? How is it that other images put us to sleep? How do images inform our habits and fantasies, pleasures and doubts, worries and joys, rituals and rebellions? How do images shape our personal, political, cultural, moral, and religious beliefs about nature and about justice? How do images influence what we imagine to be possible and what’s not? Visual images are today everywhere entangled within a complex and contradictory web of global electronic flows of information. Images are typically racialized, gendered, territorialized, eroticized, militarized, and class-driven. Some of the most powerful images are hooked-up to hi-tech machineries of war, surveillance, and the economic marketplace. Images also lie at the core of global corporate technologies of profit, control and advantage. How might such images be best understood? How might they be critically subverted, transformed, or remade?" -- Stephen Pfohl, "The Power of Images" (2011)

Bamboozled (USA: Spike Lee, 2000: 135 mins)

Baker, Courtney R. "Misrecognized: Looking at Images of Black Suffering and Death." [Dissertation: Doctor of Philosophy in the Graduate Program in Literature at Duke University, 2008]

Bellamy, Jason and Ed Howard. "The Conversations: Bamboozled." The House Next Door (February 25, 2012)

Benton, Michael Dean. "James Allen: Without Sanctuary; The Debate Over the Hanging of a Barack Obama Effigy on the Campus of the UK; The History of Lynching in America." Dialogic (November 3, 2008)

---. "Learning From "El Mexterminator" and "Cyber Vato": Social Anxiety as a Performative Pedagogy." Reconstruction 2.4 (Fall 2003)

---. "Response to a Lynching Joke in an Email." Dialogic (January 18, 2011)

---. "Theodore W. Allen: The Invention of the White Race." Dialogic (January 23, 2008)

Classified X (France/USA/UK: Mark Daniels, 1998: 53 mins)

Delue, Rachel Ziady. "Envisioning Race in Spike Lee's Bamboozled." Fight the Power!: The Spike Lee Reader. ed. Janice D. Hamlet and Robin R. Means Coleman. NY: Peter Lang, 2009: 61-88.

Dyson, Michael Eric, Tavis Smiley and Cornel West. "The N Word." Never Forget: A Journey of Revelations [from the originals CD, reposted on YouTube: May 11, 2011].

Easton, Lee and Kelly Hewson. "Reflections on the Interplay of Race, Whiteness and Canadian Identity in a Film Studies Classroom.” Reception (Summer 2010): 116-148.

Elam, Harry J. Jr. "Spike Lee's Bamboozled." Black Cultural Traffic: Crossroads in Global Performance and Popular Culture ed. Harry J. Elam, Jr. and Kennel Jackson. Ann Arbor: The University of Michigan Press, 2005: 346-362.

Fanon, Frantz. Black Skin, White Masks. Originally published in French in 1952. Translated by Charles Lam Markmann. NY: Pluto Press, 2008.

Feeling, Kara. "Passing for Human: Bamboozled and Digital Humanism." Fight the Power!: The Spike Lee Reader. ed. Janice D. Hamlet and Robin R. Means Coleman. NY: Peter Lang, 2009

"Frantz Fanon." Wikipedia (No Date)

Frantz Fanon: Black Skin, White Masks (United Kingdom: Isaac Julien, 1996: 70 mins)

Gilmer, Marcus. "The Controversy of Race in Spike Lee’s Bamboozled." Not Coming to a Theater Near You (July 17, 20004)

Gray, Herman. "Spike Lee's Bamboozled (2000) and Black Masculinity and Visual Culture." [CCTP695: American Popular Culture -- History, Story & Analysis, Georgetown University] (Fall 2005)

Holden, Stephen. "Bamboozled (2000) FILM REVIEW; Trying On Blackface in a Flirtation With Fire." The New York Times (October 6, 2000)

hooks, bell. "Revolutionary Attitude." Black Looks: Race and Representation. Boston, MA: South End Press, 1992: 1-8.

Lott, Eric. "Love and Theft: The Racial Unconscious of Blackface Minstrelsy." Representations #39 (Summer 1992): 23-50.

The N Word (USA: Todd Williams, 2004: 86 mins)

Metzler, Jessica. "Genuine Spectacle: Sliding Positionality in the Works of Paulene E. Hopkins, Zora Neal Houston, Langston Hughes, and Spike Lee." [Thesis: Master of Arts in English, Florida State University, 2006]

Michael, Dennis. "Facing up to the past: Bamboozled offers unblinking look at race, perceptions." CNN (October 4, 2000)

"Microaggression." Wikipedia (No Date)

Patton, Tracy Owens and Deborah McGriff. "Ya Been Took, Ya Been Hoodwinked, Ya Been Bamboozled: Mau Maus, Diaspora, and the Mediated Misrepresentation of Blackness." Fight the Power!: The Spike Lee Reader. ed. Janice D. Hamlet and Robin R. Means Coleman. NY: Peter Lang, 2009: 89-102.

Pfohl, Stephen Images and Power (SC532 Course Syllabus, Boston College, 2011)

Powell, Gerald A., Jr. "A Rhetoric of Symbolic Identity: An Analysis of Spike Lee's X and Bamboozled." [Dissertation: Doctor of Philosophy in Communication and Culture, Harvard University, 2003]

Riggs, Marlon. "The Making of Color Adjustment." POV (1992)

Slaner, Stephen E. and Sandra Clyne. "The Use of Spike Lee’s Bamboozled to Promote Difficult Dialogues on Race." Human Architecture (Winter 2008): 7-16.

Sutherland, Jean-Anne and Kathryn Feltey. "Introduction." Cinematic Sociology: Social Life in Film. eds. Jean-Anne Sutherland and Kathryn Feltey. Los Angeles, CA: Sage, 2013: 1-23.

Tinson, Christopher. Framing Blackness: African Americans and Mass Media in the 20th Century [Hampshire College: Spring 2011]

Ward, Jerry W. "Prologue to an Essay on African American Satire." Black Magnolias 2.2 (2003): 4-9.

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