Saturday, April 28, 2018

The New World (USA/UK: Terrence Malick, 2005)



The New World (USA/UK: Terrence Malick, 2005: 150 mins)

Bellamy, Jason and Ed Howard. "Conversations: Terrence Malick, Part One. The House Next Door (May 28, 2011)

Burgoyne, Robert. "The Columbian Exchange: Pocahontas and The New World." Film Nation: Hollywood Looks at History. Minneapolis: University of Minnesota Press, 2010: 120-142. [BCTC Library: PN1995.9 H5 B87 2010]

Ebiri, Bilge. "English Speakers: The prison of language in Terrence Malick's The New World." Moving Image Source (October 27, 2008)

Like Stories of Old. "The New World: The Lost Art of Grief." (Posted on Youtube: September 29, 2017) ["An examination of sorrow and grief in Terrence Malick’s The New World based on Francis Weller’ The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief. North Atlantic Books: "The work of the mature person is to carry grief in one hand and gratitude in the other and be stretched large by them. Noted psychotherapist Francis Weller provides an essential guide for navigating the deep waters of sorrow and loss in this lyrical yet practical handbook for mastering the art of grieving. Describing how Western patterns of amnesia and anesthesia affect our capacity to cope with personal and collective sorrows, Weller reveals the new vitality we may encounter when we welcome, rather than fear, the pain of loss. Through moving personal stories, poetry, and insightful reflections he leads us into the central energy of sorrow, and to the profound healing and heightened communion with each other and our planet that reside alongside it. The Wild Edge of Sorrow explains that grief has always been communal and illustrates how we need the healing touch of others, an atmosphere of compassion, and the comfort of ritual in order to fully metabolize our grief. Weller describes how we often hide our pain from the world, wrapping it in a secret mantle of shame. This causes sorrow to linger unexpressed in our bodies, weighing us down and pulling us into the territory of depression and death. We have come to fear grief and feel too alone to face an encounter with the powerful energies of sorrow. Those who work with people in grief, who have experienced the loss of a loved one, who mourn the ongoing destruction of our planet, or who suffer the accumulated traumas of a lifetime will appreciate the discussion of obstacles to successful grief work such as privatized pain, lack of communal rituals, a pervasive feeling of fear, and a culturally restrictive range of emotion. Weller highlights the intimate bond between grief and gratitude, sorrow and intimacy. In addition to showing us that the greatest gifts are often hidden in the things we avoid, he offers powerful tools and rituals and a list of resources to help us transform grief into a force that allows us to live and love more fully."]

Lund, Carson. "The New World (2004) A Film by Terrence Malick." Are the Hills Going to March Off (January 2, 2011)

"The New World: Terrence Malick’s Magic Portrayal of America’s Original Sin." Cinephilia and Beyond (ND)

Richards, Peter. "Terrence Malick (Part One)." Director's Club #130 (June 24, 2017)

---. "Terrence Malick (Part Two)." Director's Club #131 (July 9, 2017)

Roark, David. "Terrence Malick and the Christian Story." Balder & Dash (March 10, 2016) ["Smith’s belief that human beings are primarily lovers rather than thinkers is, of course, nothing new; it is an understanding founded in Scripture, as well as the thought of early Christian theologian and philosopher St. Augustine of Hippo. Augustine, in perhaps his most famous work, City of God, argues that humans are innately lovers or worshippers, which means that it is not whether people worship; it is what people worship. As a direct consequence, there are liturgies—most affectively stories—all around us that prime the pump of the heart, shaping its affections and desires toward a vision of the good life. Appealing to our emotions and imaginations, liturgies use kinesthetics and aesthetics to teach and change the human condition around a particular story or vision. Out of this understanding, Smith ultimately calls for a response. He challenges Christians to reconsider anew the liturgy of the Church, taking back 2,000 years of tradition; moreover, he challenges Christians to create alternative, sacred liturgies in light of the numerous bad liturgies within popular culture. In one sense, Smith’s is a call to the arts—or, in Malick’s case, cinema."]

Seitz, Matt Zoller. "All Things Shining, Pt 4 - The films of Terrence Malick: The New World." Moving Image Source (May 31, 2011)

"Some Illusions in The New World autochthonous88 (September 28, 2008)

Tobias, Scott and Kevin B. Lee. "Terrence Malick: The Art of Voiceover." (Posted on Vimeo: 2014)

Vicari, Justin. "Colonial fictions: Le Petit Soldat and its revisionist sequel, Beau Travail." Jump Cut #50 (2008)





No comments:

Post a Comment