Minari (USA: Lee Isaac Cheung, 2020: 115 mins)
Chee, Alexander. "What Minari Means to Me." Gen (March 3, 2021) [Lee Isaac Chung’s film took me through his past and into my own family’s story"]
George, Peter Kim. "Minari Isn’t Really About the American Dream. It’s About US Empire." Hyperallergic (February 11, 2021) ["In Lee Isaac Chung’s drama, immigration should be considered through the lens of displacement and diaspora, with its characters exhibiting resilience rather than assimilation."]
Kang, Inkoo. "Minari Broke New Ground for Storytellers of Color, But Creatives Don’t Want to Be Pigeonholed." The Hollywood Reporter (April 14, 2021) ["The Oscar-nominated film navigates the immigrant American journey, but writer-director Lee Isaac Chung, producer Christina Oh and Steven Yeun emphasize its themes are broader than the Asian American experience: "We were just trying to tell something honest.""]
Kim, Jean. "Caught Between Worlds Minari, Nomadland, and reflections on Asian-American identity." The American Scholar (August 12, 2021)
Kim, Jean. "Caught Between Worlds Minari, Nomadland, and reflections on Asian-American identity." The American Scholar (August 12, 2021)
Lazic, Manuela. "Make the Case: The Restraint of Steven Yeun in Minari." The Ringer (April 12, 2021)
Lee, Kevin B. "Kevin B. Lee’s New Video Essay Explores Mourning with Minari." Hyperallergic (April 14, 2021) ["In a Hyperallergic exclusive, Lee muses on the aftermath of the Atlanta spa shootings and how the media imagines Asian Americans."]
Rebeggiani, Stefano. "Minari is a Deeply Christian Reflection on Failure." Angelus (February 25, 2021)
Solis, Jose. "Minari Star Youn Yuh-jung on Memories, Mountain Dew, and a Myopic America." Film Stage (March 5, 2021)
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