Hard Eight (USA: Paul Thomas Anderson, 1996: 101 mins)
Bernstein, Arielle and Nelson Carvajal. "The Inherent Vice in Paul Thomas Anderson's Films: A Video Essay." Press Play (January 2, 2015)
Boyer, Lanny. "Paul Thomas Anderson: Four Basics." (Posted on Youtube: October 19, 2015)
Ebert, Roger. "Hard Eight." Chicago Sun-Times (February 27, 1997)
Flight, Thomas. "The Evolution of Paul Thomas Anderson." (Posted on Youtube: December 21, 2021)
Goss, Brian Michael. "“Things Like This Don’t Just Happen”: Ideology and Paul Thomas Anderson’s Hard Eight, Boogie Nights, and Magnolia." Journal of Communication Inquiry 26:2 (April 2002): 171-192
Jameson, Richard T. "Flying Dutchman: Hard Eight." Film Comment (March/April 1997)
Jack's Movie Reviews. "Paul Thomas Anderson - Finding a Purpose In Life." (Posted on Youtube: March 11, 2017)
Jeffrey, Paul. "Hard Eight and the Isolated Actor." Senses of Cinema (February 2015)
Lee, Kevin B. "The Career of Paul Thomas Anderson in Five Shots." (Posted on Vimeo: 2013)
Ratzlaff, Jeremy. "Paul Thomas Anderson: A Chronological Timeline." (Posted on Vimeo: November 2015)
Warren, Ethan. "The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia University Press, 2023) New Books in Film (March 29, 2023) ["Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia UP, 2023) provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations―the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley―as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential."]
Goss, Brian Michael. "“Things Like This Don’t Just Happen”: Ideology and Paul Thomas Anderson’s Hard Eight, Boogie Nights, and Magnolia." Journal of Communication Inquiry 26:2 (April 2002): 171-192
Jameson, Richard T. "Flying Dutchman: Hard Eight." Film Comment (March/April 1997)
Jack's Movie Reviews. "Paul Thomas Anderson - Finding a Purpose In Life." (Posted on Youtube: March 11, 2017)
Jeffrey, Paul. "Hard Eight and the Isolated Actor." Senses of Cinema (February 2015)
Lee, Kevin B. "The Career of Paul Thomas Anderson in Five Shots." (Posted on Vimeo: 2013)
"Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: 'It’s Always Good to Meet a New Friend.'" Cinephilia & Beyond (ND)
Ratzlaff, Jeremy. "Paul Thomas Anderson: A Chronological Timeline." (Posted on Vimeo: November 2015)
Warren, Ethan. "The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia University Press, 2023) New Books in Film (March 29, 2023) ["Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia UP, 2023) provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations―the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley―as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential."]
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