---. "Jupiter Ascending." Letterboxd (February 7, 2015)
Blyth, Mark. "State of the Union." Open Source (January 4, 2018) ["The people’s economist Mark Blyth is a perpetual fan favorite for Open Source listeners. The Brown University professor, who never left behind his working-class Scottish roots, brings a vernacular wisdom and wit to his deep analysis of inequality, austerity, and popular unrest. He also often sees what the rest of us tend to miss. In 2016, he predicted both of the year’s major upset victories: the American election of Donald J. Trump as well the British vote for Brexit. You can listen to our own shell-shocked phone call with Blyth just after the Brexit vote here:"]
Cone, Stephen. "A Constant Becoming." The Current (September 4, 2019) [On André Téchiné’s 1994 film Wild Reeds.]
Milloy, Courtland and John Nichols. "Media-Consolidation/Plant-Based Diets." Ralph Nader Hour (August 31, 2019) ["John Nichols returns to about the future of newspapers in light of the latest merger between the two largest chains in the country, Gannett and GateHouse. Also, Washington Post reporter and former meat-eater, Courtland Milloy, tells us how much his health improved when he turned to a plant-based diet."]
Moullet, Luc. "Otras Inquisiciones (The Exterminating Angel)." The Seventh Art (Originally published in Cahiers du cinéma #145, July 1963: republished August 11, 2019)
Schwarz, Jon. "Happy Labor Day! There Has Never Been a Middle Class Without Strong Unions." The Intercept (September 5, 2016)
Torture Dialogic Cinephilia (Ongoing Archive)
Wilson, Lana. The Departure Film School (October 15, 2017) ["THE DEPARTURE, Lana Wilson’s (After Tiller) poetic and deeply moving look at a former punk-turned-Buddhist priest in Japan who has made a career out of helping suicidal people find reasons to live. One of the discoveries of the 2017 Tribeca Film Festival and featured at some of the world’s top documentary festivals, THE DEPARTURE follows a 44-year-old Tokyo native, Ittetsu Nemoto loves riding his motorcycle and dancing all night in clubs. But he’s also a Rinzai Zen priest, who lives with his wife, mother and baby son at a temple in the remote countryside of Gifu prefecture, Japan. There, over the last ten years, he has become famous for his work in combating suicide. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between the people he counsels and himself. With astonishing access and artistry, Wilson’s camera captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living? Director Lana Wilson (After Tiller) joins us for a conversation about death, love, priorities and family."]
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