Tuesday, January 4, 2022

Punch-Drunk Love (USA: Paul Thomas Anderson, 2002)


Punch-Drunk Love (USA: Paul Thomas Anderson, 2002: 95 mins)

Bernstein, Arielle and Nelson Carvajal. "The Inherent Vice in Paul Thomas Anderson's Films: A Video Essay." Press Play (January 2, 2015)

Boyer, Lanny. "Paul Thomas Anderson: Four Basics." (Posted on Youtube: October 19, 2015)

Cassidy, Brendan and J.D. Duran. "Magnolia / Punch Drunk Love." InSession Film (January 2018)

Dixon, Wheeler Winston. "Punch-Drunk Love." Senses of Cinema (February 2015)

Ebert, Roger. "Punch-Drunk Love." Chicago Sun-Times (October 18, 2002)

Flight, Thomas. "The Evolution of Paul Thomas Anderson." (Posted on Youtube: December 21, 2021)

Foley, Darren. "Paul Thomas Anderson Trilogy." Must See Films (2013)

---. "Punch-Drunk Love Analysis." Must See Films (2012)

Hurne, Mark and Aaron West. "Punch-Drunk Love and the Films of Paul Thomas Anderson." Criterion Close-Up #58 (February 8, 2017)

Jack's Movie Reviews. "Paul Thomas Anderson - Finding a Purpose In Life." (Posted on Youtube: March 11, 2017)

Kuersten, Erich. "Great Acid Movies #25: PUNCH-DRUNK LOVE (2002)." Acidemic (September 26, 2009)

Lee, Kevin B. "The Career of Paul Thomas Anderson in Five Shots." (Posted on Vimeo: 2013)

Libbey, Chris. "A Structural Analysis of Punch-Drunk Love." Classic Movie Analyses (June 7, 2012)

"The Paul Thomas Anderson Retrospective Part 4: Punch-Drunk Love." Cineffect (September 11, 2012)

Ratzlaff, Jeremy. "Paul Thomas Anderson: A Chronological Timeline." (Posted on Vimeo: November 2015)

Redeeming the Milage of Punch-Drunk Love (Website)

Warren, Ethan. "The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia University Press, 2023) New Books in Film (March 29, 2023) ["Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia UP, 2023) provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations―the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley―as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential."]

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