Phil Ford and J.F. Martel: Weird Studies/Art/Culture/Esotericism (Shooting Azimuths)

Ford, Phil and J.F. Martel. "Art is a Haunting Spirit." Weird Studies #11 (April 25, 2018) ["M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story."]

---. "Art is Another Word for Truth: On Orson Welles's F is for Fake." Weird Studies (May 29, 2024) ["Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics."]

---. "The Beauty and the Horror." Weird Studies #171 (June 12, 2024) ["This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror’s pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming."]

---. "Below the Abyss: On Bergson's Metaphysics." Weird Studies #76 (June 24, 2020) ["According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human urge to take the concepts by which we know things for the things themselves. His entire oeuvre was an attempt to snap us out of that spell and plug us directly into the flow of pure duration, that primordial time that is the real Real. In this episode, JF and Phil discuss the genius -- and possible limitations -- of his metaphysics."]

---. "The Dark Eye: On the Films of Rodney Ascher." Weird Studies #12 (May 2, 2018) ["American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable."]

---. "Does Consciousness Exist, Part One." and "Does Consciousness Exist, Part Two." Weird Studies #17 & #18 (June 6 & June 13, 2018) ["In this first part of their discussion of William James' classic essay in radical empiricism, "Does 'Consciousness' Exist?", Phil and JF talk about the various ways we use the slippery C-word in contemporary culture. The episode touches on the political charge of the concept of consciousness, the unholy marriage of materialism and idealism ("Kant is the ultimate hipster"), the role of consciousness in the workings of the weird -- basically, anything but the essay in question. That will come in part two." & "JF and Phil finally get down to brass tacks with William James's essay 'Does Consciousness Exist?' At the heart of this essay is the concept of what James calls 'pure experience,' the basic stuff of everything, only it isn't a stuff, but an irreducible multiplicity of everything that exists -- thoughts as well as things. We're used to thinking that thoughts and things belong to fundamentally different orders of being, but what if thoughts are things, too? For one thing, psychical phenomena (a great interest of James's) suddenly become a good deal more plausible. And the imaginal realm, where art and magic make their home, becomes a sovereign domain."] 

---. "Ecstacy, Sin and 'The White People.'" Weird Studies #3 (February 21, 2018) ["JF and Phil delve deep into Arthur Machen's fin-de-siècle masterpiece, "The White People," for insight into the nature of ecstasy, the psychology of fairies, the meaning of sin, and the challenge of living without a moral horizon."]

---. "Long Live the New Flesh: On David Cronenberg's 'Videodrome.'" Weird Studies #157 (November 8, 2023) [""Death to Videodrome! Long live the New Flesh!" It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh."]

---. "Make Believe: On the Power of Pretentiousness." Weird Studies #166 (April 3, 2024) ["In culture and the arts, labeling something you don't like (or don't understand) "pretentious" is the easy way out. It's a conversation killer, implying that any dialogue is pointless, and those who disagree are merely duped by what you've cleverly discerned as a charade. It's akin to cynically revealing that a magic show is all smoke and mirrors—as if creative vision doesn't necessitate a leap of faith. In this episode, Phil and JF explore the nuances of pretentiousness, distinguishing between its fruitful and hollow forms. They argue that the real gamble, and inherent value, of daring to pretend lies in recognizing that imagination is an active contributor to, rather than a detractor from, reality."]

---. "The Medium is the Message." Weird Studies #71 (April 15, 2020) ["On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important than its form. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a koan, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision."]

---. "Morning of the Mutants: On the Castrati." Weird Studies #72 (April 29, 2020) ["For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The procedure resulted in other physiological changes which, combined with an unnaturally high voice, made the castrati the most prodigious singers on the continent. As Martha Feldman shows in her book The Castrato, a masterpiece of cultural history, the castrated singer was such a singular figure that he invited comparisons with angels, animals, and kings, attracting adoration and ridicule in equal measures. The castrato was a true liminal being, and as JF and Phil discover in this episode of Weird Studies, an unlikely herald of the present age."]

---. "On Aleister Crowley and the Idea of Magick." Weird Studies #9 (April 11, 2018)

---. "On Hyperstition." Weird Studies #36 (December 19, 2018) ["Hyperstition is a key concept in the philosophy of Nick Land. It refers to fictions which, given enough time and libidinal investment, become realities. JF and Phil explore the notion using one of those optometric apparatuses with multiple lenses -- deleuzian, magical, mythological, political, ethical, etc. The goal isn't to understand how fictions participate in reality (that'll have to wait for another episode), but to ponder what this implies for a sapient species. The conversation weaves together such varied topics as Twin Peaks: The Return, Internet meme magic (Trump as tulpa!), Deleuze and Guattari's metaphysics, occult experiments in spirit creation, the Brothers Grimm, and the phantasmic overtones of The Communist Manifesto. In the end we can only say, "What a load of bullsh*t!""]

---. "On Lost Highway." Weird Studies #83 (September 30, 2020) ["David Lynch's Lost Highway was released in 1997, five years after Twin Peaks: Fire Walk With Me elicited a fusillade of boos and hisses at Cannes. The Twin Peaks prequel's poor reception allegedly sent its American auteur spiralling into something of an existential crisis, and Lost Highway has often been interpreted as a response to -- or result of -- that crisis. Certainly, the film is among Lynch's darkest, boldest, and most enigmatic. But of course, we do the film an injustice by reducing it to the psychological state of its director. Indeed, one of the contentions of this episode is that all artistic interpretation constitutes a kind of injustice. But as you will hear, that doesn't stop Phil and JF from interpreting the hell out of the film. Just or unjust, fair or unfair, interpretation may well be necessary in aesthetic matters. It may be the means by which we grow through the experience of art, the way by which art makes us something new, strange, and other. Perhaps the trick is to remember that no mode of interpretation is, to borrow Freud's phrase, the one and only via regia, but that every one is just another highway at night..."]

---. "On Lovecraft." Weird Studies #29 (October 9, 2018) ["Phil and JF indulge their autumnal mood in this discussion of Howard Phillips Lovecraft's work, specifically the essay "Notes on the Writing of Weird Fiction" and the prose piece "Nyarlathotep." Philip K. Dick, Algernon Blackwood, and David Foster Wallace make appearances as our fearsome hosts talk about how the weird story differs from conventional horror fiction, how Lovecraft gives voice to contemporary fears of physical, psychological and political infection, and how authors like Lovecraft and Dick can be seen as prophetic poets of the "great unbuffering of the Western self.""]

---. "The Only Possible End: On Donna Tartt's 'The Secret History'." Weird Studies #156 (October 25, 2023) ["There are works of weird fiction that dispense their strangeness so subtly that many readers never pick up on it, books that allow themselves to be passed for mundane, the better to haunt us after we put them down. Donna Tartt's debut novel The Secret History, published in 1992, is such a work. On the surface, it is a brilliant, yet completely naturalistic, telling of the lead-up and aftermath of a murder. But The Secret History is also a work of the depths, and readers who go in seeking the Weird will find it lurking on every page. More than a masterpiece of psychological exploration, it is a story about the resurgence of the old god Dionysus, and a chronicle of fate; fate conceived, in the manner of the Ancient Greeks, as a cosmic force."]

 ---. "On the I Ching." Weird Studies #82 (September 16, 2020) ["The Book of Changes, or I Ching, is more than an ancient text. It's a metaphysical guide, a fun game, and -- to your hosts at least -- a lifelong, steadfast friend. The I Ching has come up more than once on the show, and now is the time for JF and Phil to face it head on, discussing the role it has played in their lives while delving into some of its mysteries."]

---. "Orbis Tertius: Borges on Magic, Conspiracy and Idealism." Weird Studies #32 (October 31, 2018) ["Jorge Luis Borges's story "Tlön, Uqbar, Orbis Tertius" is a metaphysical detective story, an armchair conspiracy thriller, and a masterpiece of weird fiction. In this tale penned by a true literary magician, Phil and JF see an opportunity to talk about magic, hyperstition, non-linear time, and the power of metaphysics to reshape the world. When Phil questions his co-host's animus against idealist doctrines, the discussion turns to dreams, cybernetics, and information theory, before reaching common ground with the dumbfound appreciation of radical mystery."]

---. Our Old Friend the Monolith: On Stanley Kubrick's 2001: A Space Odyssey." Weird Studies #75 (June 10, 2020) ["'You don't find reality only in your own backyard, you know,' Stanley Kubrick once told an interviewer. 'In fact, sometimes that's the last place you'll find it.' Oddly, this episode of Weird Studies begins with Phil Ford hatching the idea of putting a replica of the monolith from 2001 in his backyard. As the ensuing discussion suggests, this would amount to putting reality -- or the Real, as we like to call it -- in the place where it may be least apparent. Perhaps that is what Kubrick did when he planted his monolithic film in thousands of movie theatres back in 1968. Moviegoers went in expecting a Kubrickian twist on Buck Rogers; they came out changed by the experience, much like the hominids of great veld in the "Dawn of Man" sequence that opens the film. This is what all great art does, and if you look closely, maybe 2001 can tell you something about how it does it. Because in the end, the film is the monolith, and the monolith is all art."]

---. "Philip K. Dick: Adrift in the Universe." Weird Studies #10 (April 18, 2018) ["In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece.""]

---. "Weird Music, Part One." Weird Studies #27 (September 26, 2018) ["In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano."]

---. "What a Fool Believes: On the Unnumbered Card in the Tarot." Weird Studies #77 (July 8, 2020) ["'What a fool believes he sees, no wise man can reason away.' This line from a Doobie Brothers song is probably one of the most profound in the history of rock-'n'-roll. It is profound for all the reasons (or unreasons) explored in this discussion, which lasers in on just one of the major trumps of the traditional tarot deck, that of the Fool. The Fool is integral to the world, yet stands outside it. The Fool is an idiot but also a sage. The Fool does not know; s/he intuits, improvises a path through the brambles of existence. We intend this episode on the Fool to be the first in an occasional series covering all twenty-two of the major trumps of the Tarot of Marseilles."]

---. "Whirl Without End: On M.C. Richards' Centering." Weird Studies #35 (December 5, 2018) ["The first step in any pottery project is to center the clay on the potter's wheel. In her landmark essay Centering: In Pottery, Poetry and the Person (1964), the American poet M. C. Richards turns this simple action into a metaphor for all creative acts, including the act of living your life. The result is a penetrating and poetic reflection on the artistic process that values change, unknowing, and radical becoming, making Richards' text a guide to creativity that leaves other examples of that evergreen genre in the dust. Phil and JF get their hands dirty trying to understanding what centering is, and what it entails for a life of creation and becoming. The discussion brings in a number of other thinkers and artists including Friedrich Nietzsche, Norman O. Brown, Carl Jung, Antonin Artaud, and Flannery O'Connor."]