Beckett, Lois. " Nearly all Black Lives Matter protests are peaceful despite Trump narrative, report finds." The Guardian (September 5, 2020)
Boyer, Lanny. "Paul Thomas Anderson: Four Basics." (Posted on Youtube: October 19, 2015)
Ford, Phil and J.F. Martel. "On Stanley Kubrick's Eyes Wide Shut." Weird Studies #30 (October 14, 2018) ["No dream is ever just a dream. Or so Tom Cruises tells Nicole Kidman at the end of Eyes Wide Shut. In this episode, Phil and JF expound some of the key themes of Kubrick's film, a masterpiece of cinematic chamber music that demonstrates, with painstaking attention to detail, Zen Master Dōgen's utterance that when one side of the world is illuminated, the other side is dark. Treading a winding path between wakefulness and dream, love and sex, life and art, your paranoid hosts make boldly for that secret spot where the rainbow ends, and the masks come off."]
Gissy, Sharon. "Bug (2006)." Voice & Visions (2020)
O'Brien, Geoffrey. "Law and disorder in Edward Dmytryk’s Warlock." Library of America (September 22, 2020)
"Orson Welles, Part One." Director's Club #137 (October 22, 2017) ["In this episode the Director's Club tries to grasp the enormity of the works of Orson Welles. It's an extended look at the creative audacity that led to so much artistic triumph and career tragedy, and to make sense of it we include a look at his pre-film life and the many cinema endeavors that sadly never made it to the film screen. In part 1 we look at his start working for the movie studios, from his epic "Citizen Kane" through his take on Shakespeare's "Macbeth"."]
"Orson Welles, Part Two." Director's Club #138 (November 7, 2017) ["The Director's Club finish our epic look at epic auteur Orson Welles, who managed to continue creating some amazing film moments despite becoming mostly exiled from the Hollywood studio system. In Part II we look from his takes on Shakespeare with "Othello" and "Chimes At Midnight", through his acidic noir "Touch of Evil", to his 'deconstructumentary' film "F for Fake", and along the way talk about his many unfinished films (one of which may see the light of day yet). His work proved so inspiring we not only looked to compare them to the efforts of Jacques Tati and Alfred Hitchcock, but had to invent words to describe some characters and even hairstyles in his movies! Hope we were able to bring across the brazenly enthusiastic creativity to be found in Orson Welles' films!"]
"Sofia Coppola." Director's Club (August 20, 2017) ["In this episode, the Director's Club looks at the films of Sofia Coppola (a.k.a., "The Good One"), whose movies had a dreamlike feeling of melancholy isolation, level of visual composition, and focus on young womanhood that was evident from the start of her career. We're joined in our journey through her film work (that takes us from L.A. to Tokyo to Versailles to the Civil War South) by Rebecca Martin, an ultra-promoter of film appreciation in the Chicago area and host of Now Playing Network's "Fresh Perspective.""]
"Sofia Coppola." Director's Club (August 20, 2017) ["In this episode, the Director's Club looks at the films of Sofia Coppola (a.k.a., "The Good One"), whose movies had a dreamlike feeling of melancholy isolation, level of visual composition, and focus on young womanhood that was evident from the start of her career. We're joined in our journey through her film work (that takes us from L.A. to Tokyo to Versailles to the Civil War South) by Rebecca Martin, an ultra-promoter of film appreciation in the Chicago area and host of Now Playing Network's "Fresh Perspective.""]
CINEMA in CINEMA from Brutzelpretzel on Vimeo.
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