Tuesday, November 7, 2023

Under the Skin (UK/USA/Switzerland: Jonathan Glazer, 2013)

 





Under the Skin (UK/USA/Switzerland: Jonathan Glazer, 2013: 108 mins)

Booker, M. Keith. "UNDER THE SKIN (2013, Directed by Jonathan Glazer)." Comments on Culture (ND)

Bradley, S.A. "Shut Up and Watch the Movie (Part Two)." Hellbent for Horror #44 (June 19, 2017)

Constable, Catherine. "Under the Skin: Cosmology and Individuation." Movie #7 (2017): 31 - 34.

Eggert, Brian. "Under the Skin." Deep Focus Review (April 12, 2014)

Francis, Marc. "Splitting the difference: On the queer-feminist divide in Scarlett Johansson’s recent body politics." Jump Cut #57 (Fall 2016)

Gorfinkel, Elena. "Sex, Sensation and Non-Human Interiority in Under the Skin." Jump Cut #57 (Fall 2016)

Hilderbrand, Lucas. "Loving the Alien: Introduction to Dossier on Under the Skin." Jump Cut #57 (Fall 2016)

---. "On the Matter of Blackness in Under the Skin." Jump Cut #57 (Fall 2016)

Lack, Jonathan R. "Absolute Contingencies: The Double Life of Veronique, Under the Skin, Proteus, and the Wonder of Internalizing Art." Fade to Lack (May 7, 2014)

Meek, Tom. "Women Who Prey." The Rumpus (April 18, 2014)

O'Brien, Geoffrey. "Ways of Being Alien." The New York Review of Books (May 9, 2014)

Puschak, Evan. "Under the Skin: The Pain of Art House Films." (Posted on Youtube: July 14, 2014)

Rizov, Vadim. "Under the Skin and the Problem with the Adjective Kubrickian." Filmmaker (April 28, 2014)

Robson, Leo. "Scarlett Johansson in Under the Skin: 'Prick her and she doesn't bleed.'" The Guardian (March 15, 2014)

Sachs, Ben. "From Mamma Roma to Mamma Alien." The Chicago Reader (April 16, 2014)

Seitz, Matt Zoller. "Under the Skin." Roger Ebert (April 4, 2014)

Tafoya, Scout. "The Post-Punk Cinema Manifesto: Side A." and "The Post-Punk Cinema Manifesto: Side B." Vimeo (2017)

"Under the Skin." Asylum (ND) [List of unique special effects made for the film.]











District 9 (USA/New Zealand: Neill Blomkamp, 2009)

 


That 24-hour warning, the papers to be signed? Absolute crap. This is apartheid, plain and simple. Can you hear that? Under the cries of digitally rendered aliens in a realistic setting? It’s the scream of Mississippi, the Mexican border, weekend ICE raids, and dozens of other dehumanization headlines of late. Go bigger, it’s the echoes of Jewish genocide, Japanese interment, slavery, and hundreds of other racial segregation stories ripped from history. It’s foreigners, families, and children being maligned to crappy ghettos, only to get the boot after much hand-wringing, repeated without any shred of a lesson learned. District 9 is a primal scream on de-location. -- Blake Gobel

District 9 (USA/New Zealand: Neill Blomkamp, 2009: 112 mins)

Booker, M. Keith. "DISTRICT 9 (2009, Director Neill Blomkamp)." Comments on Culture (2019)

"District 9 Film Analysis: The Allegory of Damnation." Sociocinema (May 22, 2020) ["The plot of a District 9 can be read as an allegory for damnation. In this film analysis, I investigate how Wikus' transformation into a prawn is like a slow, painful descent into hell."]

Gobel, Blake. "Aliens, Immigration, and What We’ve Yet to Learn From District 9." Consequence of Sound (August 15, 2019)

McEnteer, James. "Living in District 9 Truth-Out (June 12, 2010)

Skiveren, Nicolai. "Cinematic Waesthetic: Wasted Worlds, Wasted Lives and Becoming-Waste in Contemporary Science Fiction Film." Revenant #10 (March 2024) ["This article explores the aesthetic, affective, and epistemological connections that bind together science fiction (SF) as a genre of cognitive estrangement, and the varied forms of waste that have come to permeate the genre’s filmic depictions of the future. Whether it be in the shadowy alleyways of Blade Runner 2049 (2017), the shantytowns of District 9 (2009), or the ravaged environments of Idiocracy (2006), waste is always there, lurking in the background, enveloping its human and nonhuman subjects with its elusive yet distinct atmosphere. And yet, it remains unclear what purpose(s), if any, waste might serve within these film-worlds. Because despite the seemingly central place that waste occupies in our cultural imaginaries of the future, no one has yet presented a systematic reflection on its affective, symbolic, and narrative significance. This article therefore brings together writings on ecological SF (Caravan 2014) and critical waste studies (Bauman 2004; Hawkins 2005; Viney 2014) to scrutinize the waste found across the above SF films. The article proposes that waste in contemporary SF film can be seen to operate mainly within three overlapping modes: ‘Wasted worlds,’ ‘Wasted lives,’ and ‘Becoming-waste.’ Drawing especially on Adrian Ivakhiv’s tripartite model for an eco-philosophy of the cinema, this article calls attention to the often subtle ways in which waste participates in (i) cinematic world-building, (ii) representations of otherness, and (iii) depictions of radical forms of change. Taken together, these three modes represent a suggestive image of how waste forms part of contemporary SF film."]

Toit, Andries Du. "Becoming the Alien: Apartheid, Racism and District 9." A Subtle Knife (September 4, 2009)

---. "The Alienation Effect: Further Thoughts on D9." A Subtle Knife (September 12, 2009)

Zborowski, James. "District 9 and Its World." Jump Cut #52 (Summer 2010)


Monday, November 6, 2023

On Being: Spirituality/Religion/Science/Philosophy (Shooting Azimuths)

MB: On Being is my favorite podcast that deals with spiritual, and philosophical perspectives. I appreciate how it starts from a place of questioning and how it does not shut down the possibilities of other ways of being/perceiving when discussing a faith/belief. The host Krista Tippett is perfect for this particular show and the people/discussions encourage many considerations/insights about our world. "On Being is a spacious conversation — and an evolving media space — about the big questions at the center of human life, from the boldest new science of the human brain to the most ancient traditions of the human spirit. ... Krista envisioned a program that would draw out the intellectual and spiritual content of religion that should nourish our common life, but that is often obscured precisely when religion enters the news. Our sustained growth as a show has also been nurtured by a cultural shift that seeks conversation, shared life, and problem-solving within and across religious traditions and across categories of belief and non-belief. On Being has both responded and contributed to a growing acknowledgement that there are basic questions of meaning that pertain to the entire human experience. The particular dramas and dynamics of the 21st century — ecological, political, cultural, technological, and economic — are bringing this into relief. From physics (“Uncovering the Codes for Reality”; “Mathematics, Purpose, and Truth”) to parenting (“What we Nurture”); from civil society (“The Inward Work of Democracy”; “Words that Shimmer”); to aging (“The Far Shore of Aging”; "Contemplating Mortality”); from yoga (“The Body’s Grace”; “Meditation in Action”) to neuroscience (“Creativity and the Everyday Brain”; “Investigating Healthy Minds”), from urban renewal (“Becoming Detroit”; “Evolving a City”) to farm to table food (“Driven by Flavor”); from “The Last Quiet Places” to ocean exploration; and from Desmond Tutu to Rosanne Cash and from the Dalai Lama to Rumi - what we cover as "conversation about religion, meaning, ethics, and ideas" drives towards ancient, animating questions at the heart of the great traditions and beyond them: What does it mean to be human? What matters in a life? What matters in a death? How to love? How to be of service to each other and to the world? We explore these questions in all the variety, richness, and complexity with which they find expression in contemporary lives. We pursue wisdom and moral imagination as much as knowledge; we esteem nuance and poetry as much as fact. Our guests as well as our radio listeners, podcasters, and readers span many traditions and the spectrum of devotion and agnosticism. We keep finding new ways to listen to them, and they keep teaching us where to go with this adventure."

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Batchelor, Stephen. "Finding Ease in Aloneness." On Being (September 23, 2021) ["One of the great challenges of life is to learn to be alone peaceably, at home in oneself. The pandemic forced many of us inside both physically and emotionally, even if we were not home on our own. We’ve been forced to work out the difference between loneliness and solitude. With teachers across the ages, and drawing on his life from monasticism to marriage, Buddhist writer and scholar Stephen Batchelor teaches how to approach solitude as a graceful and life-giving practice." Stephen Batchelor teaches seminars and leads meditation retreats worldwide. He’s a co-founder and faculty member of Bodhi College, which is focused on the study and practice of early Buddhism. His many books include Buddhism Without Beliefs, The Faith to Doubt, and most recently, The Art of Solitude.]

Benyus, Janine. "Biomimicry, an Operating Manual for Earthlings." On Being (March 23, 2023) ["There is a quiet, redemptive story of our time in this conversation — a radical way of approaching the gravest of our problems by attending to how original vitality functions. Biomimicry takes the natural world as mentor and teacher — for, as Janine Benyus puts it, “we are surrounded by geniuses.” Nature solves problems and performs what appear to us as miracles in every second, all around: running on sunlight, fitting form to function, recycling everything, relentlessly “creating conditions conducive to life.” Janine launched this way of seeing and imagining as a field with her 1997 book, Biomimicry: Innovation Inspired by Nature. Today she teaches and consults with all kinds of projects and organizations, including major corporations, as you’ll hear. Welcome to this unfolding parallel universe in our midst, which might just shift the way you see almost everything about our possible futures."]

Boggs, Grace Lee. "A Century in the World." On Being (July 18, 2013) ["Chinese-American philosopher and civil rights legend Grace Lee Boggs turned 100 this summer. She has been at the heart and soul of a largely hidden story inside Detroit’s evolution from economic collapse to rebirth. We traveled in 2011 to meet her and her community of joyful, passionate people reimagining work, food, and the very meaning of humanity. They have lessons for us all."]

Boyle, Greg. "The Calling of Delight: Gangs, Service, Kinship." On Being (February 26, 2013) ["A Jesuit priest famous for his gang intervention programs in Los Angeles, Fr. Greg Boyle makes winsome connections between service and delight, and compassion and awe. He heads Homeboy Industries, which employs former gang members in a constellation of businesses. This is not work of helping, he says, but of finding kinship. The point of Christian service, as he lives it, is about “our common calling to delight in one another.”"]

Claiborne, Shane. A Monastic Revolution On Being (July 1, 2010) ["Shane Claiborne is a leading spirit in a gathering movement of young people known as the New Monastics. Emerging from the edges of Evangelical Christianity, they are patterning their lives in response to the needs of the poor — and the detachment they see in our culture’s vision of adulthood."]

Cook, Katsi. "Women are the First Environment." On Being (April 24, 2025) ["Katsi Cook is a beacon in an array of quiet powerful worlds — a magnetic, joyous, loving presence. The public conversation we offer up here was part of a gathering where a fantastic group of young people had come to be nourished, to explore the depths of what community can mean, to become more grounded and whole. They’ve taken to sitting at the feet of this Mohawk wise woman, mother, and grandmother, and you will experience why. Globally renowned in the field of midwifery, Katsi’s practice and teaching is based in ancient ancestral knowledge, and has taken an esteemed place in research and advances in the science of environmental reproductive health. As founder of the National Aboriginal Council of Midwives of Canada, her work is at heart, she says, about the “reclamation of the transformative power of birth.” Katsi is helping our world recover the natural human experience of cross-generational companionship and care. This conversation you’ll hear between her and Krista, sitting in a room of mostly young people, was an exercise in the art of eldering — which Katsi Cook calls nothing more and nothing less than “generational wealth transmission.” Katsi Cook Katsi Cook is an Onkwehonweh traditional midwife, elder, and Executive Director of Spirit Aligned Leadership Program. She is a Wolf Clan member of the Akwesasne Mohawk Nation and resides at the St. Regis Mohawk Tribe in upstate New York. Her groundbreaking environmental research of Mohawk mother's milk revealed the intergenerational impact of industrial chemicals on the health and well-being of an entire community. Katsi leads a movement of matrilineal awareness and rematriation in Native life. Her book discussed in this episode is Worlds Within Us: Wisdom and Resilience of Indigenous Women Elders."]

Davidson, Richard. "Investigating Healthy Minds." On Being (2012) ["Once upon a time we assumed the brain stops developing when we're young. Neuroscientist Richard Davidson helped overturn this idea by studying the brains of meditating Buddhist monks. Now he's working on conditions like ADHD and autism. He focuses not on fixing what is wrong, but on rewiring our minds with life-enriching behaviors." Introductory statement by Krista Tippett: "Transformation is Compatible with the Heart of Science."]

Diamond, Adele. "The Science of Attention." On Being (2014) ["What Adele Diamond is learning about the brain challenges basic assumptions in modern education. Her work is scientifically illustrating the educational power of things like play, sports, music, memorization, and reflection. What nourishes the human spirit, the whole person, it turns out, also hones our minds."] 

Diaz, Junot. "Radical Hope is Our Best Weapon." On Being (September 14, 2017) ["'From the bottom will the genius come that makes our ability to live with each other possible. I believe that with all my heart.' These are the words of the Pulitzer Prize-winning Dominican-American writer Junot Díaz. His hope is fiercely reality-based, a product of centuries lodged in his body of African-Caribbean suffering, survival, and genius."]

Eisen, Arnold. "The Opposite of Good is Indifference." On Being (September 21, 2017) ["'In a free society, some are guilty, but all are responsible.' A mystic, a 20th-century religious intellectual, a social change agent, Rabbi Abraham Joshua Heschel marched alongside Martin Luther King, Jr., famously saying afterwards that he felt his legs were praying. Heschel’s poetic theological writings are still read and widely studied today. His faith was as much about 'radical amazement' as it was about certainty. And he embodied the passionate social engagement of the prophets, drawing on wisdom at once provocative and nourishing."]

Fisher, Yochi and Loaay Wattad. "On Seeing the Trauma of Others." On Being (May 15, 2025) ["This episode emerged from a private gathering in The Hague in the fall of 2024 with a small group of people who live in Israel — both Jewish and Palestinian, Jews and Palestinians who continue to share life. We’re pleased to invite you now to overhear this particular conversation, with the permission of all involved. It centered around the matter of intergenerational trauma and healing — in a land in which the traumas of two peoples are terribly, inextricably intertwined. Yochi Fischer is a historian. Loaay Wattad is a lecturer, translator, and editor focused on children’s and adolescent literature in Arabic and also in Hebrew. It is a gift to experience the friendship between them, as well as the struggle. This, and the passionate interaction with others in the room that follows, holds complexity and nuance and persistent humanity that news from this part of the world rarely conveys. We were brought together by the Van Leer Jerusalem Institute."]

Gawande, Atul. "What Matters in the End?" On Being (October 26, 2017) ["What does a good day look like? This is the question that transformed Atul Gawande's practice of medicine. He's a citizen physician on the frontiers of human agency and meaning in light of what modern medicine makes possible. In his writing in The New Yorker, and in his book Being Mortal, he's opening a new conversation about what dying has to do with living."]

Gleiser, Marcelo and Marilynne Robinson. "On the Mystery We Are." On Being (January 2, 2014) ["Novelist Marilynne Robinson and physicist Marcelo Gleiser are both passionate about the majesty of science, and they share a caution about what they call our modern “piety” toward science. They connect thrilling dots among the current discoveries about the cosmos and the new territory of understanding our own minds. We brought them together for a joyous, heady discussion of the mystery we are."]

Hecht, Jennifer Michael. "A History of Doubt." Being (January 8, 2009) ["Poet and historian Jennifer Michael Hecht says that as a scholar she always noticed the “shadow history” of doubt out of the corner of her eye. She shows how non-belief, skepticism, and doubt have paralleled and at times shaped the world’s great religious and secular belief systems. She suggests that only in modern time has doubt been narrowly equated with a complete rejection of faith, or a broader sense of mystery."]

Isay, David. "Listening as an Act of Love." On Being (April 17, 2014) ["“The soul is contained in the human voice,” says David Isay, founder of StoryCorps. He sees the StoryCorps booth — a setting where two people ask the questions they’ve always wanted to ask each other — as a sacred space. He shares his wisdom about listening as an act of love, and how eliciting and capturing our stories is a way of insisting that every life matters."]

Lederach, John Paul. "The Art of Peace." On Being (July 8, 2010) ["What happens when people transcend violence while living in it? John Paul Lederach has spent three decades mediating peace and change in 25 countries — from Nepal to Colombia and Sierra Leone. He shifts the language and lens of the very notion of conflict resolution. He says, for example, that enduring progress takes root not with large numbers of people, but with relationships between unlikely people."]

Macy, Joanna. "A Wild Love for the World." On Being (September 16, 2010) ["A Buddhist philosopher of ecology, Joanna Macy says we are at a pivotal moment in history with the possibility to unravel or create a life-sustaining human society. Now entering her 90s, Macy has lived adventurously by any definition. She worked with the CIA in Cold War Europe and the Peace Corps in post-colonial India and was an early environmental activist. She brings a poetic and spiritual sensibility to her work that’s reflected in her translations of the early-20th-century poet Rainer Maria Rilke. We take that poetry as a lens on her wisdom on the great dramas of our time: ecological, political, personal."]

McFerrin, Bobby. "Catching Song." On Being (February 27, 2014) ["He is a genius of improvisation; a genre-bending vocal magician and conductor. And he sings the territory between music, mystery, and spirit. Who better to contemplate the human voice — its delights, its revelations, and its mystery — than Bobby McFerrin?"]

Nuland, Sherwin. "The Biology of Spirit." On Being (March 6, 2014)["Dr. Sherwin Nuland died this week at the age of 83. He became well-known through his first book, How We Die, which won the National Book Award in 1994. But pondering death was for him a way of wondering at life. He reflected on the meaning of life by way of scrupulous and elegant detail about human physiology."]

Offerman, Nick. "Working with Wood, and the Meaning of Life." On Being (February 23, 2023) ["Nick Offerman has played many great characters, most famously Ron Swanson in Parks and Recreation, and he starred more recently in an astonishing episode of The Last of Us. But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. He works with wood, and he works with other people who work with their hands making beautiful, useful things. And this, it turns out, is also a primary source of his tethering in values. It’s a source of a spiritual thoughtfulness that runs through this conversation with Krista. So is his love and study of the farmer-poet Wendell Berry, whose audiobook The Need to Be Whole Nick just recorded. This is a moving and edifying conversation that is also, not surprisingly, a lot of fun."]

Perel, Esther. "The Erotic is an Antidote to Death." On Being (July 11, 2019) ["Therapist Esther Perel has changed our discourse about sexuality and coupledom with her TED talks, books, and singular podcast, Where Should We Begin?, in which listeners are invited into emotionally raw therapy sessions she conducts with couples she’s never met before. For Perel, eroticism is a key ingredient to life — and it’s more than just a description of sexuality. “It is about how people connect to this quality of aliveness, of vibrancy, of vitality, of renewal,” she says. “It is actually a spiritual, mystical experience of life.”"]

Remen, Rachel Naomi. "Listening Generously: The Healing Stories of Rachel Naomi Remen." On Being (July 29, 2010) ["The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. Dr. Rachel Naomi Remen is one of the wise people in our world. She trained as a doctor in a generation that understood death as a failure of medicine. Yet her lifelong struggle with Crohn’s Disease and her pioneering work with cancer patients shaped her view of life. Becoming whole, she teaches, is not about eradicating our wounds and weaknesses; rather, the way we deal with losses, large and small, shapes our capacity to be present to all of our experiences. That arresting notion, and the distinction Rachel Naomi Remen draws between curing and healing, makes this an urgent offering to our world — of healing we are all called to receive and to give."]

Reynolds, Jason and Kessley Janvier. "On Being Young in America." On Being (May 8, 2025) ["A heavy complexity is on the shoulders of the young of our species in these years — humans growing up in this time. At the same time, from the digital revolution and AI to the ecology and society, they have wisdom and instincts in their bones that will be essential if we are all to flourish and not merely survive this century. In November 2024, the Georgetown University Collaborative on Global Children’s Issues brought Krista together with esteemed children’s and young adult writer Jason Reynolds and Georgetown student Kessley Janvier. The encounter between the three of them spans generations from the 20s to the 40s to the 60s and extended out to a room of people of all ages and walks of life. The wisdom that unfolded is as much about who we will be and how we will be as what we have before us to do, each in our own lives."]

Ricard, Matthieu. "Happiness as Human Flourishing." On Being (2017) ["A French-born Tibetan Buddhist monk and a central figure in the Dalai Lama's dialogue with scientists, Matthieu Ricard was dubbed "The Happiest Man in the World" after his brain was imaged. But he resists this label. In his writing and in his life, he explores happiness not as a pleasurable feeling but as a way of being that gives you the resources to deal with the ups and downs of life and that encompasses many emotional states, including sadness. We take in Matthieu Ricard's practical teachings for cultivating inner strength, joy, and direction." Krista Tippett's introduction "Compassion is a Skill to be Developed."]

Rohr, Richard. "Growing Up Men." On Being (June 13, 2019) ["Men of all ages say Richard Rohr has given them a new way into spiritual depth and religious thought through his writing and retreats. This conversation with the Franciscan spiritual teacher delves into the expansive scope of his ideas: from male formation and what he calls “father hunger” to why contemplation is as magnetic to people now, including millennials, as it’s ever been. Richard Rohr is a Franciscan writer, teacher, and the founder of the Center for Action and Contemplation in Albuquerque, New Mexico. His many books include Falling Upward, Divine Dance, and most recently, The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For, and Believe."]

Sanford, Matthew. "The Body's Grace." On Being (October 5, 2006) ["Matthew has an immensely energetic physical presence. He has been paralyzed from the chest down since a car accident in 1978. But he likes to say that his experience is only more extreme, not so different, from that of everyone else. He’s written, “We are all leaving our bodies — this is the inevitable arc of living. Death cannot be avoided; neither can the inward silence that comes with the aging process.” Matthew’s intricate knowledge of that “inward silence,” which he was forced to befriend after the noisy connections which most of us take for granted were severed — it’s revelatory. So is his insistence that it’s not possible to live more deeply in your body — in all its grace and all its flaws — without becoming more compassionate towards all of life. And: if you do yoga, you will never think about what it is affecting inside you in the same way again. Krista sat with Matthew Sanford in 2006, just after he’d published his beautiful book Waking: A Memoir of Trauma and Transcendence."]

Tippett, Krista. "Foundations 4: Calling and Wholeness." On Being (2022) ["The language of vocation comes from the Latin “vocari”: “calling.” It is a word we use often at On Being as a pointer for the way forward. In Western culture, vocation has long been equated with work and with job title. But each of us is called not merely to be a professional, but to be a friend, neighbor, colleague, family, citizen, lover of the world."]

---. "The Mystery and Art of Living." On Being (May 5, 2016) ["Writer and traveler Pico Iyer turns the tables on our host Krista Tippett by asking her the questions. Her latest book, Becoming Wise, chronicles what she’s learned through her conversations with the most extraordinary voices across time and generations, across disciplines and denominations. An illuminating conversation on the mystery and art of living."]

---. "Three Skills for Staying Calm, Sane, and Open in a Chaotic World." Ten Percent Happier (October 23, 2023) ["The host of On Being shares lessons learned from 20 years of interviews, including: how to live with open questions, counterprogramming against your negativity bias, and getting over the God question."]

Zornberg, Avivah. "The Transformation of Pharaoh, Moses, and God." On Being (April 10, 2014) ["With a master of midrash as our guide, we walk through the Exodus story at the heart of Passover. It's not the simple narrative you've watched at the movies or learned in Sunday school. Neither Moses or Pharaoh, nor the oppressed Israelites or even God, are as they seem. As Avivah Zornberg reveals, Exodus is a cargo of hidden stories — telling the messy, strange, redemptive truth of us as we are, and life as it is."]







Tuesday, October 31, 2023

Denis Villeneuve (Ongoing Filmmaker Archive)

 MB - Denis Villeneuve has had the most amazing 8 film run of any filmmaker. I named my dog after him (and Claire Denis) as a sign of my respect for his art/craft.  Be warned - the video essays below have spoilers, if that bothers you, wait until you watch your film.










MB: all of the films have resource archives (except Enemy) - click on the titles after you have watched the films

Polytechnique (2009)
"A dramatization of the 1989 Montréal Massacre, during which several female engineering students were murdered by an unstable misogynist."
Trailer

Incendies (2010)
"Twins journey to the Middle East to discover their family history and fulfill their mother's last wishes."
Trailer


Enemy (2013)
"A man seeks out his exact look-alike after spotting him in a movie."
Click on the title for the trailer

Prisoners (2013)
"When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts."
Trailer


Sicario (2015)
"An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico."
Trailer

Arrival (2016)
"A linguist works with the military to communicate with alien lifeforms after twelve mysterious spacecraft appear around the world."
Trailer

Blade Runner 2049 (2017)
"Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years."  MB - note, this is a sequel to Ridley Scott's 1982 film Blade Runner (you can watch and respond to both if you want).
Trailer

Dune (2021)
"A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive."
MB - this is part one of the overall story, but it is a heck of a ride and satisfying in itself. I have watched it multiple times. Part 2 will be coming out in the Spring.
Trailer

ENG 281 Week #12: Aliens Classic Films

MB: As we have been thinking about these movies throughout the semester it has been discussed that "monsters" serve as a metaphor for what a society fears or feels threatened by. This is very clear from the different options here, from the straight-out horror of the first three, to the more satirical last two. Besides the easy enjoyment of these as horror films, whether they scare you or not, we should pay close attention to these representations, as for the uncritical consumer they can interpellate us into a certain set of assumptions and condition us to blindly accept social/political realities (They Live examines this). Furthermore, the labeling of people/cultures as monsters, no matter the reasons, is a process of dehumanization that allows/encourages systemic oppression, mass slaughter, and cultural genocide (satirically explored in Starship Troopers).  The Thing is one of the most terrifying films I have seen in a theater and a masterpiece of existential horror. Alien created an iconic monster that was spun off into many sequels of varying success and gave us one of the major female action characters in Ripley (Sigourney Weaver). Invasion of the Body Snatchers is a classic of 70s paranoid thriller-horror films and left me frantic/chilled all the way up to the end.


Invasion of the Body Snatchers (USA: Philip Kaufman, 1978)
Film description: "The first remake of the paranoid infiltration classic moves the setting for the invasion, from a small town to the city of San Francisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed, as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted “replacement”, realizes that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched?"
Resources for after you watch the film:

Jenkins, Jamie, Mark Mcgee and Mike White. "Invasion of the Body Snatchers." The Projection Booth #130 (September 3, 2013) ["From the deep reaches of space the pods arrive, ready to take over the human race, erasing our humanity and turning us into walking vegetables. We're looking at the four versions of Invasion of the Body Snatchers (and a few other films)."]

Koski, Genevieve, et al. "Double Troubles, Pt. 1 - Invasion of the Body Snatchers (1978)." The Next Picture Show #170 (April 2, 2019) ["Jordan Peele’s new US extends a long history of horror stories that use doppelgängers to explore identity, one that includes as a cornerstone Philip Kaufman’s 1978 adaptation of INVASION OF THE BODY SNATCHERS. This episode we delve into the film’s eerie version of San Francisco to talk about how its atmosphere of dread and late-‘70s malaise distinguishes it from other versions of this story, and amplifies the human drama within this classic alien-invasion narrative."]

---. "Double Troubles, Pt. 2 - Us." The Next Picture Show #171 (April 9, 2019) ["Our pairing of devious doppelgängers arrives at Jordan Peele’s new US, which brings into 2019 some of the same themes of paranoia and dread seen in one of its many predecessors, Philip Kaufman’s INVASION OF THE BODY SNATCHERS. After comparing our reactions to US’s “messy by design” narrative and the conversations that have sprung up around it, we bring these two films together to compare how they reflect their respective eras, how each works as horror, and the weird character relationships that underscore the human drama behind the allegory."]


Alien (UK/USA: Ridley Scott, 1979)
"The crew of a commercial spacecraft encounters a deadly lifeform after investigating an unknown transmission."
Resource archive for after you watch the film


The Thing (USA: John Carpenter, 1982)
"A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims."
Resource archive for after you watch the film


They Live (USA: John Carpenter, 1988)

Resource for after you watch the film:

Bromley, Patrick, et al. "Special Report: They Live (1988)." The Projection Booth (April 11, 2017)

Jones, Eileen. "They Live Is a Timeless Anti-Capitalist Horror Classic." Jacobin (October 29, 2022) 


Starship Troopers (USA: Paul Verhoeven, 1997)
"Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as 'the Bugs'."

Resources for after you watch the film:

Neumeier, Ed and Paul M. Sammon. "Starship Troopers." The Projection Booth #99 (January 29, 2013)

Scott, Suzanne. "Starship Troopers: The Massacre Is the Message." Reverse Shot (June 22, 2003)





The Thing (USA: John Carpenter, 1982)

 



The Thing (USA: John Carpenter, 1982: 109 mins)

Billson, Anne. "The Thing Set on Survival." The Guardian (August 27, 2009)

Bromley, Patrick, et al. "Special Report: The Thing." The Projection Booth (December 23, 2016)
["Initially lambasted by critics, John Carpenter's The Thing (1982) was a brilliant adaptation of John W. Campbell's novella Who Goes There?. The film tells the story of a dozen men in Antarctica who are infiltrated by an alien shapeshifter. Interviews include authors John Kenneth Muir (The Films of John Carpenter), Jez Conolly (Devil’s Advocates: The Thing), actors Joel Polis (Fuchs), Thomas G. Waites (Windows), and cinematographer Dean Cundey."]

Earles, Steve. "30 Years On: The Thing Revisited." The Quietus (October 19, 2012)

Fichera, Blake and James Hancock. "John Carpenter, Horror Master." Wrong Reel #272 (May 29, 2017)

Flight, Thomas and Tom van der Linden. "The Thing." Cinema of Meaning #56 (March 30, 2023)     ["Thomas Flight and Tom van der Linden discuss how movies can go from being dismissed to being hailed as masterpieces, the dynamics of (dis)trust, and the non-existence of the soul, in John Carpenter’s The Thing."]

Graham, Jamie and Mike Muncer. "Aliens Pt. 15: The Thing (1982)." The Evolution of Horror (2021)

Hancock, James and Martin Kessler. "Getting Assimilated by The Thing." Wrong Reel #271 (May 2017) ["... the history of The Thing including ‘Who Goes There?’ (1938), ‘The Thing from Another World’ (1951) and John Carpenter’s ‘The Thing’ (1982)."]

"John Carpenter’s Apocalypse Trilogy: The Thing - Prince of Darkness - Mouth of Madness." Horror Vanguard (October 4, 2022)

Lanzagorta, Marco. "Great Directors: John Carpenter." Senses of Cinema (March 2003)

Pridham, Matthew. "Underneath the Skin: John Carpenter’s The Thing and You." Weird Fiction Review (March 25, 2012)

Subisatti, Andrea and Alexander West. "In Plain Sight: The Thing." Faculty of Horror #59 (February 25, 2018) ["John Carpenter’s terrifying cult classic stands the test of time in many regards – from the practical effects, to the performances to the storytelling, there’s little about the film that doesn’t work. Andrea and Alex tackle the film and its stances on leadership, paranoia, the notion of discovery, and more over a bottle of Jim Beam."]

























Alien (UK/USA: Ridley Scott, 1979)

 



Alien (UK/USA: Ridley Scott, 1979: 117 mins)

Benedict, Steven. "Analysis of Alien." (Posted on Vimeo: 2013)

Brooks, Xan. "The First Action Heroine: It is 30 years since Ridley Scott's Alien burst on to cinema screens and introduced us to Ellen Ripley, chestbursters and body horror." The Guardian (October 12, 2009)

Buckle, Andy. "Critical Analysis: Alien (Ridley Scott, 1979)." The Film Emporium (March 25, 2011)

Cassidy, Brendan, et al. "Alien, Aliens, Alien 3." InSession Film #221 (May 15, 2017)

Cinefix. "Alien Chestburster: Art of the Scene." (Posted on Youtube: January 21, 2015)

Eggert, Brian. "Alien." Deep Focus Review (June 4, 2012)

Falzon, Christopher. "Philosophy Through Film." Internet Encyclopedia of Philosophy (August 12, 2013)



Gamboa, Rafael. "An Analysis: Alien." Long Take (Posted on Youtube: October 8, 2015)

Haggstrom, Jason. "Reassessing Alien: Sexuality and the Anxieties of Men." Reel 3 (June 8, 2012)

McKenna, Juliet, et al. "Fight Scenes and Women Warriors." Breaking the Glass Slipper 2.8 (April 13, 2017) ["As Kameron Hurley discusses in her Hugo Award-winning article, ‘We Have Always Fought‘, women have always fought. So why don’t we see more women warriors in science fiction and fantasy novels? History is full of women on battlefields and in brawls, even if the history books might gloss over it. Remember: much of the history we hold as the gold standard was written by men who were reinforcing the social structures they created. When it comes to fight scenes, there’s already enough to think about without worrying about gender representation (and no, that’s not an excuse…). A well-written fight scene is a rare gem. We talk to writer and martial artist Juliet McKenna about the common mistakes writers make when writing fight scenes, from grand military battles to a pub fight, we talk weapons, fight styles, point of view, and more. What makes a fight scene interesting? How much detail is too much? And it wouldn’t be an episode of Breaking the Glass Slipper without us championing some of our favourite examples of great women warriors in SFFH."]

Richards, Jill. "Pussy Wars." Los Angeles Review of Books (March 24, 2017)

Shone, Tom. "Woman: The Other Alien in Alien." Slate (June 6, 2012)

Subisatti, Andrea and Alexandra West. "Alienation Part 1: Alien (1979) and Aliens (1986)." Faculty of Horror #38 (May 10, 2016)

Williams, Kristian. "Alien - H.R. Giger's Beautiful Monster."u (Posted on Youtube: September 13, 2016)











Thursday, October 26, 2023

Rachel Kapanga - Critical Thinking: A Christian Perspective (BCTC: ENG 102)

 MB: Hi Rachel,

This essay shows a high level of sophisticated thinking, even though it has some minor problems.

I really like sections like this:


R: “When individuals use preference as a filter to perceive the world and form judgements, they restrict their ability to think with objectivity and close themselves off to new horizons of beneficial knowledge that come with a willing mind to learn from others. They create a world in their own minds where their extreme beliefs and ideologies are the only ones that are truthful and need to be taken seriously, while dismissing everything that is located outside of their zone of familiarity without giving it any thought as to whether it has any prospect of being viable. Most of the time, those kinds of people don’t use logic or choose to reject logical and critical thinking; they create a mechanism of self-defense that involves rejecting anything when it starts to challenge their beliefs system and ideologies. Making them uncomfortable to use their brains because of the fear of discovering that what they hold as true is in fact not, what they believe to be right is in fact wrong. They lock themselves in a bubble made of voluntary ignorance, but they call it protection. Because of their utmost desire for comfort, even though it is the root of their mediocrity, they build walls between themselves and the rest of the world to create a form of security. Because they are unsure of what to anticipate, they feel reluctant to venture outside of their familiar surroundings and enter a world where they will need to prove the viability of their beliefs with proof.”

MB: I do feel as if you turn your back on this powerful stance near the end of the essay, trying to come to terms with your faith you shoehorn a very problematic statement from a Christian writer about any other way of seeing the world as being lacking/problematic:

R: “The article "Shaping a Christian Worldview: An Introduction (Part I)" by David S. Dockery aims to argue that everyone has a worldview, whether conscious or unconscious, and a Christian worldview is more than just a personal religious statement or a theory. The author then compares a Christian worldview to various contemporary and postmodern worldviews such as naturalism, existentialism, nihilism, deism, pantheism, new-age spirituality, and postmodern relativism. The article demonstrates how these worldviews fail to give sufficient solutions to basic life issues, leading to moral perplexity, spiritual emptiness, and cultural degradation. The author also warns against the perils of syncretism, which is the mingling of disparate worldviews with no coherence or consistency. He also encourages Christians to acquire critical thinking and assessment abilities so that they can understand the underlying worldviews behind many ideas and expressions in our culture.”

If this is what Dockery is saying, it seems to me, that he is doing exactly what you are critiquing in the earlier parts.

1) He is saying every way of seeing and being in the world, but the Christian way is wrong.
2) As you have written it, I see no evidence or thought of why that is. The listing of seven extremely different ways of being in and seeing the world and then blanket dismissing them as destructive is problematic and wrong. I’ll defend the one I am closest to, existentialism does not leave me morally bankrupt, spiritually empty or culturally degraded. In fact, my understanding and study of existentialism has led to a complex understanding of a spiritual worldview and moral/ethical code, it isn’t Christian, instead I have formed it in conversation with multiple ways of seeing/perceiving our human condition (including Christian thinkers).
3) Your acceptance of Dockery’s reactionary attitude toward syncretism seems very problematic as you were stating in the lead up to this that we should be open to other ways of thinking/perceiving. Syncretism is simply the combining of two or more forms of thought or belief. Why would this be a threat to Dockery? Does he fear any challenge to his very strict and limited worldview? If a Christian wanted to also accept some of the precepts/ideas of Buddhism into their practice, is that a bad thing? Or, if a feminist sought to retain their Christian faith by critiquing its patriarchal traditions, would that be problematic? It seems that Dockery is shutting down the more thoughtful and open members of his faith.

I’m saying this Rachel, because I am truly impressed by the sophistication of your ideas/thought and hope to encourage you to both embrace your faith and remain open to other ways of seeing the world. Christianity, and our society, needs open, critical thinkers like you.


---------------------------------------------------------------

Having received her grade, and not being required to do so, she still went back to the essay and revised that section (the essay) below. I was blown away and impressed by her desire to think critically and be open, while staying true to her deeply held faith.

People like this make me optimistic about the possibility of bringing peace to our world 😊

PS – I asked for written permission to share this.
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"Critical Thinking: A Christian Perspective" - Rachel Kapanga (BCTC: ENG 102)

It's all in your head, they say. When we take the time to analyze and research how our perceptions might affect us, this seemingly impotent phrase becomes quite powerful. Why is perception so powerful, you may ask? The answer is simple: the way we elect to see the world, interact with others, process information, create opinions, and live our lives is influenced by our perception. Whatever or whoever shapes our perception controls our lives. Meaning, the way we act, interact, and make decisions is slightly influenced, consciously or subconsciously, by what we believe to be true and how we select to interpret information. Furthermore, our actions, decisions, and judgments are simply the mirror through which we see the results of how the units of perception we use affect us on a daily basis. Understanding how perception works and learning how to control it can transform the most mediocre mind into one that is gloriously brilliant and astute. I have been on a journey for answers, knocking at various doors in the hope of finding someone who could silence the noise of my unanswered questions about the effect of perception on the human mind. I have dived deep into the fascinating world of perception with a mind filled with questions, and at the end of my quest for answers, I have come to these conclusions. There are three types of people: first, those who radically choose only to perceive the world through their ideology and what they believe to be true and correct, regardless of whether it is logical or not; secondly, those who combine their beliefs and critical thinking; and finally, those who elect to see the world through the prism of critical thinking and logic, wanting everything to be logical and explicable. With the knowledge I have gained, please bear with me as I aim to illuminate your mind regarding the power of perception in the following paragraphs.

             Beliefs are a basic component of our everyday human experience; we cannot go one day without them. In fact, we need them to function. The word “belief” has many meanings that very across disciplines of inquiry. However, among the most common is the noncontroversial definition that a belief is a mental state in which a person regards particular propositions as true (Schwitzgebel, 2011). Beliefs are invisible yet potent drivers of our perception. When it comes to how we choose to perceive the world, handle challenges, create a line between good and evil, and live our lives, beliefs seem to have a particularly large impact. to comprehend the impact extremist ideologies and beliefs may have on a person. We must draw a line between facts and preferences, reality, and delusion.

            Political scientists contend that, in contrast to Mannheim, in performing the functions of mobilizing people, whether by class, group, nation, party, race, or sex, ideology can serve as a root of both stability and instability, concord and conflict. (Nancy S. Love). Prefernce is defined as a greater liking for one alternative over another or others, whether true or false, rational, or irrational. In contrast, a fact is an assertion that has been proven as true or known. A fact cannot be changed or refuted. One thing can be perceived as correct and rational for one group and not for another, depending on their preferences—preferences that take their source from their beliefs, whether they are true or not. When individuals use preference as a filter to perceive the world and form judgements, they restrict their ability to think with objectivity and close themselves off to new horizons of beneficial knowledge that come with a willing mind to learn from others. They create a world in their own minds where their extreme beliefs and ideologies are the only ones that are truthful and need to be taken seriously, while dismissing everything that is located outside of their zone of familiarity without giving it any thought as to whether it has any prospect of being viable. Most of the time, those kinds of people don’t use logic or choose to reject logical and critical thinking; they create a mechanism of self-defense that involves rejecting anything when it starts to challenge their beliefs system and ideologies. Making them uncomfortable to use their brains because of the fear of discovering that what they hold as true is in fact not, what they believe to be right is in fact wrong. They lock themselves in a bubble made of voluntary ignorance, but they call it protection. Because of their uttermost desire for comfort, even though it is the root of their mediocrity, they build walls between themselves and the rest of the world to create a form of security. Because they are unsure of what to anticipate, they feel reluctant to venture outside of their familiar surroundings and enter a world where they will need to prove the viability of their beliefs with proof.

            Now with a scenario, I will help you to visualize how perception, through the delusion of what we believe reality to be, can affect people. You wake up all excited; it’s the first day of high school. You’ve been thinking about this all summer; you’ve made up thousands of stories in your head about this day. You don’t want to be late, so you get yourself ready a little early. You want to make a good first impression, so you wear your best outfit. You arrive exactly on time, but as soon as you walk into the first class, everyone bursts into laughter. They are laughing for no apparent reason, but you believe they are laughing at you, so you move as swiftly as you can. You choose a seat where you won't be seen for the remainder of the day or even the entire academic year. You don't realize that they weren't laughing at you, but rather at the joke that had just been delivered seconds before you entered the room. However, when the same thing happens to someone else, they decide to disregard it and carry on with their day as usual. Despite the possibility that it is untrue, they convince themselves through their delusion that those individuals are simply fanatics and that they are the most stylish people. When delusion takes the place of reality in someone’s mind, their perception of a thing can either become a blessing or a curse. Delusion is a belief that has no evidence and is, in fact, a complete illusion. It casts a person in a fictional universe where they consciously choose not to acknowledge reality and solely perceive things according to how they ought to see them. Many people who are bound tightly believe that they are extremely free, while others who are free perceive that they are not. Delusional individuals are content in their fantasy, which places them in invisible, appealing cells, so that they may never feel the desire to leave what they perceive to be the ideal world filled with comfort and an illusion of a perfect reality to go discover what the "wild world" has to offer. In essence, our mind is bright and pure, yet it is obscured by clouds of delusions. But even the biggest delusions may be banished from our brains, just as the heaviest clouds can evaporate. (Kelsang Gyatso).

            Consumers of faith healing perceived their health status to be good due to the perceived effectiveness of faith healing for curing health problems. (Peprah, P. 3). The absence of a human explanation for something does not exclude the use of the provided evidence to demonstrate its correctness. If someone believes that they are healed yet all the signs show the opposite, then their beliefs are without a doubt wrong. However, if all available scientific evidence demonstrates that they have an incurable medical condition, they don't deny it; they are aware of the illness's presence within their bodies. Nevertheless, they choose to hold the opinion that what science deems to be incurable is not, and as a result, they recover, so their beliefs need to be accepted as true since they have been supported by viable evidence. Those who use not only their beliefs but also critical thinking to perceive things don’t ignore reality; in fact, they enjoy having their beliefs questioned because they don't just believe because they need something to fill the void inside of them or their existential crises; they believe because they possess evidence for the veracity and efficacy of those beliefs. As a result, they don't close themselves off out of the dread of having their beliefs challenged and come crashing down like a house built on swampy ground. They see reality through the prism of their beliefs, but they critically evaluate each one of them. They accept their struggles and limitations; instead of hiding behind what they believe, they use them to overcome what could be thought to be insurmountable.

            The article "Shaping a Christian Worldview: An Introduction (Part I)" by David S. Dockery aims to argue that everyone has a worldview, whether conscious or unconscious, and a Christian worldview is more than just a personal religious statement or a theory. This statement holds a sense of truth, but while Christianity is not just a preference, those who base their perception on it should not reject the viability of other sources but rather employ critical thinking to judge all of them objectively without any bias. And if, at the end of their examination, they obtain the ultimate proof that their perception of things can solve the unsolvable and answer the unanswerable, they shouldn’t try to enforce their point of view on others but instead let them decide for themselves. He who is completely certain of the veracity of his beliefs and ideologies does not force them on others, but rather provides them with evidence and allows them to make their own decisions. If Christian beliefs are considered to be the ultimate truth or more viable by those who hold them, then they should be able to defend themselves by providing concrete evidence that supports the argument they present and separate themselves from the shadows of what they believe to be false or wrong.                

            The accuracy of perception, which is a difficult process of processing the information obtained from the senses, affects a person's capacity for thought. As a result, critical thinking is a particular kind of thinking that occurs when a person applies logic and reasoning to draw conclusions about the world, things, or circumstances. Those who elect to see the world through the eyes of critical thinking and logic alone can be counted among the smartest minds, having the astute ability to solve problems when it comes to rational issues. But in contrast, they reject everything that they have no understanding of and that fails to make sense from a logical point of view, only finding the substance of their existence in things they completely comprehend. They possess an imaginary capacity filled with borders that they refuse to cross out of fear of the unexplainable unknown. Now, let me introduce you briefly to imagination. The literal meaning of imagination is the ability or process of creating fresh conceptions for or mental representations of outside objects that are not physically existent. Employing our imaginative abilities necessitates the use of logic and critical thinking. Nevertheless, logic, in a way, can restrict someone’s ability to think outside the box and perceive the world with a touch of more than just reason, aborting the expended ability of their imagination to remain in the safety of laws or what is considered to be natural and normal; But it's essential to bear in mind that natural and normal may differ between various categories of individuals.

            In conclusion, our source of perception, whether it be critical thinking, logic, or beliefs, can either open us to new vistas or confine us in a bubble that imposes limitations and isolates us from the rest of the world. making us believe that only our ideologies are right and that everyone else is mistaken. Or turn us into open-minded people who are not scared to cross the boundaries of the unknown world to gain knowledge and a sense of more. When we force ourselves to accept something negative that is only true in our imagination through perception, we convert ourselves into our own enemies and push us to self-destruct. However, when we do it correctly, learning to control our perception can become a superpower that unlocks a world full of opportunity and diversity; in contrast, when we do it wrong, it can turn us into limbless-minded individuals. Perception is crucial, and so is the lens through which we choose to view the world. We will have all we need to build a better world and life for ourselves once we learn and comprehend how our perception of things has the potential to influence us either positively or negatively. By learning and becoming familiar with how powerful perception is, we will be able to break free from self-sabotage and think outside the box.

 

References

Dockery, David S. “Shaping a Christian Worldview: An Introduction (Part I).” Union University, a Christian College in Tennessee, (Nd) https://www.uu.edu/centers/faculty/teaching/article.cfm?ID=364

Kelsey Schultz.” Delusions: Definition, Causes, & Examples” Berkely Wellbeing Institute, (nd)  https://www.berkeleywellbeing.com/delusions.html

Leicester, Mal. Teaching Critical Thinking Skills. Bloomsbury Academic, 2010.

Love, Nancy S. “Introduction: Ideology and Democracy." Dogmas and Dreams: A Reader in Modern Political Ideologies, ed. Nancy s Love. 4th Edition.” C Q Press College, 2006. pp 1-10

Peprah, P., Gyasi, R.M., Adjei, P.OW. et al. Religion and Health: exploration of attitudes and health perceptions of faith healing users in urban Ghana. BMC Public Health 18, 1358 (2018). https://doi.org/10.1186/s12889-018-6277-9

Schwitzgebel E. Edward N, editor. Belief. The Stanford Encyclopedia of Philosophy. 2011 Retrieved from http://plato.stanford.edu/entries/belief/



 


Tuesday, October 24, 2023

ENG 281 Week #11: Mind/Body Contemporary Films

MB: This theme is everywhere the last decade or so. Our zeitgeist is one of deep anxiety about what our ubiquitous screens and accelerating technologies are doing to our minds/bodies. This is but the tip of the iceberg. Keep in mind that when dealing with issues and anxieties concerning our minds & bodies, many artists looking at the dark side veer toward the satiric or weird, but they are still operating in what I consider the horror genre (even if we laugh or say WTF). 

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Mulholland Dr (USA: David Lynch, 2001)
Film description: "A love story in the city of dreams . . . Blonde Betty Elms (Naomi Watts) has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia (Laura Harring). Meanwhile, as the two set off to solve the second woman’s identity, filmmaker Adam Kesher (Justin Theroux) runs into ominous trouble while casting his latest project. David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other." - Criterion
Resources for after you watch the film


American Mary (Canada: The Soska Sisters, 2012)
Film Description: "A young medical student struggling to pay tuition is drawn into the shady world of underground body-modification."
Resource for after you watch the film:
Corriveau, Arielle. "A Spectacle of Modified Bodies: The Contemporary Grand-Guignolesque as a Feminist Challenge to Somatophobia in American Mary." Monstrum #2 (June 2019)


It Follows (USA: David Robert Mitchell, 2014)
"It Follows may boast a doozy of a high-concept scenario that referentially riffs on all manner of horror subgenres, but the steady hand of director David Robert Mitchell ensures no resting on conceptual gimmickry. Anonymous monsters are in solemn pursuit of suburban high-schoolers, a curse only shed – and passed on – through sex. But this is no puritanical cautionary tale, its metaphorical ambiguities enveloping the teenage experience in an all-consuming blanket of dread. The stately march of its menace coupled with Mitchell’s gliding camera instils an inexorable terror. Not for nothing does water serve as a recurring motif in a film that itself feels submerged in a pressurised state of liminal arrest." – Matthew Thrift
Resources for after you watch the film


The Lobster (Greece/Ireland/Netherlands/UK/France: Yorgos Lanthimos, 2015)
"The Lobster tries to look at how we are as people – what it means to be single, alone, or involved with someone and all of the constraints that society puts on that. We tried to reflect upon these aspects of the human condition while portraying a very original love story." - Yorgos Lanthimos
Film Description: "In a dystopian near future, according to the laws of The City, single people are taken to The Hotel, where they are obliged to find a romantic partner in 45 days or they're transformed into beasts and sent off into The Woods."
Resources for after you watch the film

Cam (USA: Daniel Goldhaber, 2018)
Film description: "
In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind."—Hugo Van Herpe
Resources for after you watch the film


Saint Maud (UK: Rose Glass, 2019)
"Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye." - Acolytes of Horror
Resource for after you watch the film:
Acolytes of Horror. "Saint Maud: God As A Self-Portrait." (Posted on Youtube: May 12, 2021) 


Us (USA: Jordan Poole, 2019)
"Films often ask performers to play multiple roles as something of a gimmick. It’s been done for comedic effect in something like “The Nutty Professor” or for philosophical examination in something like “The Double” or “Enemy.” No one has ever asked as much of a double performer as Jordan Peele asked of Lupita Nyong’o in “Us,” and the Oscar winner delivered one of the best performances of 2019 in return. As Adelaide’s worst fear comes to life and she witnesses the shadow version of her family sitting across the living room from her, the actress doesn’t just play good and evil – she goes much deeper than that. She sells both the depth behind the fear of who we presume is the “normal” Adelaide and the wounded monster who has been tied to her. For some reason, great acting has often become synonymous with either a great impersonation or a great couple of scenes. What’s most often ignored when we discuss acting is physicality. Watch what Nyong’o does with her body to both distinguish and tie the two versions of herself in “Us.” They are distinct and yet also mirrors of each other in so many ways. It’s the kind of performance one can break down scene by scene and appreciate with greater depth and nuance with each viewing. It’s not just a great 2019 performance, it’s an all-timer." (Brian Tallerico: December 23, 2019)
Resources for After You Watch the Film


Titane (France/Belgium: Julia Ducournau, 2021) 
"In an introduction to Frankenstein, written for a new edition of the work in 1831, Mary Shelley recounted a question she had been asked frequently in the thirteen years since the novel’s publication: how had she, ‘then a young girl, come to think and to dilate upon so very hideous an idea?’ A prying concern permeates the query, as if the monstrosity of the work’s content must indicate perverse conditions of production, some titillating mistreatment inflicted on the nineteen-year-old Shelley that could justify the creation of a new category of monster. For Julia Ducournau, director of the Palme D’Or-winning Titane (2021), the fallacy of the question would be obvious. No backstory is necessary: to be a young girl is monstrous inspiration enough." - Catlin Doherty
"In the first images of Titane, the camera lingers on engine parts shot like sweaty appendages, dripping with perspiration and vibrating orgasmically with the motor’s hum. The metal shimmers with grease and droplets of oil, and its curves look almost fleshy in the way they bend and give way to the rolling shapes in the undercarriage. French director Julia Ducournau films these inhuman auto parts like erotica, exploring the connection between bodies and automobiles in ways not attempted since David Cronenberg’s controversial 1996 film, Crash, about the relationship between the little death and the death drive. The link between sexuality and cars has been there for a long while. After all, why do they call a mechanic’s workspace a body shop? Consciously or not, motorheads make these connections as well. Car magazines and calendars pair bikini-clad women with muscle cars and hot rods, coupling sex and automobiles in literal and figurative terms. Ducournau’s film considers how the male gaze creates this strange relationship of images and takes the next logical step. The result is something wildly original, brutally visceral, oddly funny and tender, and singular in its vision." - Brian Eggert
"We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having. “Titane,” Ducournau’s follow-up to her sensational debut “Raw,” is roughly seven horror movies plus one bizarrely tender parent-child romance soldered into one machine and painted all over with flames: it’s so replete with startling ideas, suggestive ellipses, transgressive reversals and preposterous propositions that it ought to be a godforsaken mess. But while God has almost certainly forsaken this movie, He wouldn’t have been much needed around it anyway. Ducournau’s filmmaking is as pure as her themes are profane: to add insult to the very many injuries inflicted throughout, “Titane” is gorgeous to look at, to listen to, to obsess over, and fetishize." - Jessica Kiang
Resources for the film after you watch it


Bones and All (Italy/USA: Luca Guadagnino, 2022)
"Guadagnino is an artist I’ll confess to having possibly underestimated. I liked his previous films—especially I Am Love, for the way that he portrays the stifling elegance of Milan’s Villa Necchi and the heavenward iconography of the Piazza del Duomo—but perhaps it is my own imaginative failing that I did not see in them the possibility of this one, which is a stunning work of art that seeped in deep and stained my sense of the world with its own hallucinatory version of such. Bones and All captures what it’s like to drift, to be excluded, and to be nonetheless full of life-force, but life-force whose expression can only ever be futile and tragic. Guadagnino perfectly handles social class and alienation, the sort of social atomization that is so terribly American—everyone just out there, without a club, a church, a union, a pastime, without support or a safety net of any kind. (The one “nice” home we see in this movie, decorated with ornate wallpaper and fussy knickknacks, contains a person, an old woman, who is dying, perhaps of a stroke or of a heart attack, alone, on the floor.) Bones and All is an extraordinary document of American psychoanalysis. Guadagnino’s main character, an eighteen-year-old girl named Maren, played by Taylor Russell, is abandoned by her father near the beginning of the film. She sets off by bus to try to find her birth mother, whom she’s never met. She encounters a boy named Lee, played by Timothée Chalamet, equally adrift and lonely, but full of rebellious verve. They circle each other and eventually connect. What constitutes home? the film asks. And what about the trauma that people inherit, and vow not to replicate, and do replicate? (Maren’s mother and Lee’s father have both passed on the same genetic affliction to their children.)" - Rachel Kushner
Resources for after you watch the film:

Kushner, Rachel. "Flesheater Blues." Harper's (December 2022)  

McKenna, Steph and Mike Muncer. "Bones and All (2022)." The Evolution of Horror (November 23, 2022)